a while back I had a dream that people would put their otp (gay) underwater, like on a jpeg, and put text on it saying "the writers might have made you straight but the fish know" and it was so vivid I made my own, it was this one specifically in my dream:
jackie kinda sorta halfway fucked travis once and now like a bad pre-realization hookup she cant stop texting him from the grave telling him all about her lesbian situationship and her bisexual best friend and how they used to make out under the covers and shit. and travis is just like cool. i love this drama tell me more
fic where 18 yrs old dazai meets 14 yrs old atsushi (right after leaving the mafia ig) and w/o thinking takes him with him and they spend the two years on the run together (dazai becuz anytime he tries to abandon the orphan he picked up w/o thought oda flashes into his mind and ultimately he grows to care for him) (atsushi becuz the weird bandage guy pinkie promised he could ride on one of those trains he's seen in books)
anyway
dazai and atsushi dont look alike or have the same name so the ada picks up they arent related by blood real quick
anytime anyone asks how they met, they honestly answer "i/dazai kidnapped him/me" but everyone thinks its a joke
atsushi wins dazai over gradually, like small moments, small moments of kindness shown for dazai, small moments of seeing atsushi's real non-trauma made personality seeping through , he doesn't even realize it until it hits all at once how much he cares for atsushi
atsushi on the other hand was sold because dazai could make him laugh
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also sskk where atsushi takes his bf to meet his brother and akutagawa and dazai do the spiderman meme
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also dazai finds out atsushi's ability becuz at some point he comes to their hideout or whatever and a giant tiger is sitting there and before he can even panic it happily jumps at him and boom atsushi
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in this particular au, dazai lets atsushi doodle anywhere like dazai's bandages and his books becuz its better than having to actually engage with the child and eventually gets atsushi an actual sketchbook and the two spend their time drawing, atsushi's sketches get better dazai's get worse but atsushi sometimes thinks its becuz dazai's silly and scary sketches make him laugh
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there has to be a scene where someone asks atsushi what he's doing here, after dazai's joined the ada, and atsushi's like "im here w/ my brother" and looks at dazai, sees him poorly flirting w/ kunikida and irritating him and gets so much second hand embarrassment he points at ranpo instead
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atsushi knows dazai was in the mafia but he thinks double black was just dazai's cringy ship name for his ex boyfriend
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okay thats all i can think of now ill add more maybe
Main difference between In-woo and Dong-sik is actually that In-woo doesn't mentally torture his victims first
I was binge-watching this and accidentally fell asleep around 2 AM (so not because it’s boring - literally the opposite, this show is a full-on mindfuck), and DON’T EVEN GET ME STARTED ON MY NIGHTMARES. Jesus. I woke up drenched in sweat, almost screaming.
This show is the most unsettling thing I’ve ever watched. It possesses you. It crawls under your skin and just stays there. It’s not even about violence or traditional horror - It’s just… deeply, existentially disturbing.
The only time I’ve ever felt like this before was when I read House of Leaves. That same disorienting, reality-warping dread. GOD.
It had only 10 episodes to prove itself and I don’t know what it proved but it definitely managed something - it messed with my brain chemistry IDK?
And it’s not just psychological horror - it’s violently physical. Brutal in a way that never feels sensationalized. The gore hits hard, but it’s the emotional disintegration that really destroys you. AND it must be said - as it has been MILLIONS OF TIMES - the homoerotic tension between Yim Siwan and Lee Dong Wook is OFF THE CHARTS. The prolonged eye contact, the breathing down each other’s necks, the soft voices and tight spaces… it’s China-BL levels of censorship trying to cover something deeply unholy.
So yes: it’s gay (but not). It’s violent. It’s deranged. It’s brilliant. I will never be normal again.
So. The war is over now, and everything is supposed to go back to normal, right?
Wrong. I don't know about you, but this recent chapter was... a roller coaster of emotions, to say the least. We went from the highs of graduation to a mysterious new character all the way to some panels showing how Izuku isn't doing well mentally. And I have a lot of thoughts about that last point in particular. Especially for what this means for Izuku and Katsuki's relationship going forward. So, well before reading this chapter, I was a firm believer that we were going to get a dvk3. It just makes sense, right? Every pivotal moment of their relationship has been a dvk moment, so it wouldn't be a stretch to assume that the third pivotal moment of them becoming true equals would be a dvk too. Not convinced? Well, I'm going to breakdown one specific moment in this chapter and explain why this makes me even more sure that we're getting a dvk3 The moment I'm referring too is Izuku's interaction with Ochako:
We start off with Izuku looking off into the distance after hearing the words "why I wanted to become a hero" from Mawata. It wouldn't be a stretch to assume that those words were enough to make him reflect on himself and beliefs; to reflect on his own why. Why exactly did he become a hero?
Well, we already know the answer to that: to save people with a smile.
But in the final war, did Izuku actually achieve that? He doesn't seem fully convinced about that idea:
He believes that he didn't fully save Tenko, and those feelings of self-hatred, of not being good enough rose to the surface when the why of becoming a hero was brought up. Hence, his pensive expression in that first frame. Clearly Izuku's going through some turmoil right now. Self-hatred, emptiness, probably no sense of direction about where he wants to go in his life now that he's quirkless... the list goes on. So what does he decide to do about it? He approaches Ochako:
Maybe it's to talk about her moment on the UA rooftop which was referenced just before, but it doesn't seem that way. They've already talked about that moment already, why bring it up again? I mean, you could argue that it's Izuku telling her not to be so humble or embarrassed over that moment, but his reaction when she changes the direction of the conversation says otherwise:
He looks so upset, like he wanted to truly talk about his feelings with a trusted friend. The war is over. There's no need for him to control his heart again. He can finally talk about his feelings... yet he gets brushed off.
The fact that this panel of him frowning is right next to one of Ochako laughing says A LOT too It wasn't an accident that this panel of Izuku was put next to one of Ochako smiling. This was done for a reason. I think that reason is to showcase Izuku reaching a realization-- the realization that everyone is starting to move on from the war and smile again while he's stuck in a slump. I think it's in that panel, where he decides that he won't try to talk about his feelings again. If he does, then he'll bring down the mood and no one will be smiling anyone. Remember, Izuku still blames himself for the reason why his class got targeted, so he probably blames himself for them getting injured and upset from the war too. In his mind, the least he can do is keep quiet about his feelings and suffer in silence at the gain of everyone else's happiness. That being said, this is by no means an attack on Ochako's character at all. She's a great friend to Izuku- hell, that's probably the reason why he decided to go to her specifically to talk about his feelings -but I think there's a part of her that doesn't want to talk about what happened in the war either.
Even if there was, she still would've said something or shown concern if she could truly see how much the war was impacting Izuku. Instead, she misses it. She misses it because, as close as they are, she's the person from class 1A that knows Izuku second best. So that leaves only one person who can help Izuku process his feelings: the one person that knows Izuku best; the one person that will be able to see through his guise of pretending to be alright and save him before he reaches the point of self-destruction; the same person that has proven that they can and will do something like that time and time again. Sound familiar? Yeah. Katsuki is the only one that can help Izuku right now.
But it's not going to pretty. I'm not necessarily saying that dvk3 will involve a fight. On the contrary, I think that's the last thing that should happen for a multitude of reasons: Katsuki is still recovering, their relationship is at the point where they can have vulnerable conversations without throwing punches (read: the hospital scene), and it wouldn't make sense at all to have them throwing punches. Izuku hasn't got a quirk anymore; against Katsuki, he doesn't stand a chance of winning the fight. And that just negates all their growth of becoming equals. So perhaps we shouldn't call it Deku vs Kacchan 3, but rather Deku AND Kacchan 3 It's going to be a fight of them accepting feelings; both each other's and their own. There's going to be crying and tears and so much pain, but it's going to end up with Katsuki reaching out to Izuku so we can get that long awaited and incredibly foreshadowed handhold. So we can see that Katsuki still sees Izuku as an equal, quirk or no quirk.
At least, that's what I hope. I'd love to hear your thoughts about this too!!
If their association status ever changed to something more amiable, Dongsik continuing to call Inwoo Inwoo-yah is more realistic than him starting to call him Inwoo hyung—because, in their case, their dynamic is more important than their age.
biblically accurate Neil and Andrew Instagram profiles
finally i made this