the extent that i would be at emo night at sneaky dees every single weekend is crazy. you would think i was canadian.
Pretty funny that everybody on this entire web site is a fucking mammal.
The biggest misconception in public schools is that literary analysis is about proving you can be right or wrong about a book you read
Literary analysis isn’t about the book
It’s not even about being right
It’s about performing an investigation and presenting your case to the jury
It doesn’t matter if your defendant killed that guy or not. If you can convince the jury he didn’t, you’ve won
And the incredible life skill of spinning bulletproof bullshit out your ass with a handful of facts and a prayer is soooooooo much more valuable than anyone’s ever gonna tell you
i love london
Idk why but i find this funny even tho i need context
Lovejoy’s lyrics are dense, with very few throw-away lines. Will Gold never just takes an easy ride on a metaphor. (No shade to metaphors.) It seems he doesn’t write songs, he gives birth to them, and it must be exhausting.
As a collection, the songs cover just about every possible relationship stumble a floundering person can experience. There are bouts of hubris, self-loathing, envy, self-confidence, insecurity, and half a dozen other feelings. There is something relatable and personal for everyone. Listen to the words -- these are songs you sing, not songs you hum -- and you will find something that describes your experience. Someone knows what you have been through and figured out how to express it. If a line doesn’t fit, just wait two bars and try on the next one. These poems work for everyone.
And then there’s the constant swapping of perspective. Will oscillates between first and third person. He talks to her, about her, to him, about him, to him about her, and about himself from the outside and the inside. In the same song. At first it drove me nuts. It made me work a little to follow the narratives, flipping the lyrics on their head to make them work. The narratives are compelling enough to make it worth the effort. But then I came to love it.
I love the POV shifting for the versatility it permits. No matter your gender or who you are pining for, there is a verse that speaks directly to you. Despite the straightness of the overall theme, Relationship Misadventures of a Cis-Het Man, there are countless opportunities for queer interpretations if the lyrics are taken in pieces. Gay men (and straight and lesbian slash enthusiasts) get to hear Wilbur Soot sing he or him, if only for a verse. He sings about liking and not liking new boyfriends and girlfriends…Is his ex dating a girl now? Is the ex a boy or a girl? Whose girlfriend is she? Are you jealous of him or of her? Who were you in the back seat of the car with?!? Anyone you want it to be. These work for men, women, straight, gay, and my favorite, heteroflexible. Sure, we know what he meant. But choose your own adventure.
A Lovejoy song is a Little Black Dress. Versatile. Sexy. Always appropriate. Now go put it on.
Ngl I totally forgot fandom discourse was a thing. I don’t care man, I have car payments
Wholesome Optomist engaged with a Cynical Realist in a Cyclical Battle for Clarity of self... key weapons: Poetry & Stuff. Occasionally jdbeckmanwriting.com l Twitter/Insta/TikTok: @JDBeckmanWrites
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