where is that cat with the kind and reassuring face
ābut what if iām being annoying :(ā everyoneās annoying dipshit it came free with fucking being alive and existing. now go talk to your friends
Misery x CPR x Reese's Puffs but it's Re-Op Team A6
divine wrath
I just made this comic based on @coffee-master idea, enjoy it
minecraft has this deep deep sense of underlying dread but it also has this sense of tentative hope about it. sometimes you can hear echoes of minecarts in the caves. 11, 13, and 5 are all recordings of some nameless wordless fear that was encountered deep in the caves. and the universe said i love you because you are love. you the player can bring light and meaning back to these lost places. everything not lost will be saved
Hello!
Your art is so gorgeous and inspirational!
Do you have any tips on drawing body horror and character design? When I've tried to design some characters with body horror they all end up looking rather friendly š
Hope you have a lovely day and thanks in advance!
Thank you! I'm happy to hear that! Here goes!
NEZ GUIDE TO BODY HORROR
(Disclaimer; this is my advice, not rules. Break them as you wish)
Despite not doing it on purpose, a lot of my art is tagged as body-horror. I've embraced it. Here are my 3 pillars for frightening art. I don't have to follow them all at once, at least one is enough.
Nature
Get inspired by nature. Not necessarily by gore and wounds, but by things that look normal in one context but might appear unsettling in another. A great example is my pumpkin creature; everyone has seen the insides of a pumpkin but adding that texture to a living body made everyone react more strongly to it. I highly recommend natural things with strange textures and patterns (especially seeds)
Book Recommendation; The Art and Science of Ernst Haeckel
I recently bought this for all the gorgeous pattern and creature drawings. It's a beautiful book for those who want to draw horror based on nature. Careful if you have tyrophobia, this has some INTENSE patterns.
Subtlety
In either execution or concept.
In execution; give the drawing other recognizable characteristics. The gore is NOT them, it's just part of them. An example would be my cowboy creature. They have the coat, the hat, the boots, the smile...and then you notice the heads. Give your character more than their frightening parts.
In concept; If you want the bright reds and obvious gore, follow one simple concept. In the example below, the concept was a wound surrounded by mushrooms. That is all. If I were to add 'but also mushrooms leave their eyes, and bloody tears fall from them, and they have gashes in their skin, and'' it would have made the impact of all of those concepts collapse. Like a bed of nails. The more nails you add, the less a single individual nail will hurt.
Feeling
It follows the theme above. I noticed horror works better when it's not an abudance but also when it's relatable. I've seen people react more intensely to an animated character brushing a line of yarn against their eyeball than an animated character having their head explode in blood, brains, and bone. You can draw from emotional feelings as well, turning your mental pain into a physical manifestation of it.
This is not a must follow because I do plenty horror art without being vulnerable nor making myself uncomfortable, I just notice people react when they can relate and feel it too.
I hope it helps anon!
It took me a while but I finally realised why Mystic Flour and Dark Cacao are positioned as opposites, or ying and yang. Dark Cacao as we know is a character all about hope. He keeps going no matter what. He is a warrior king of a warrior nation and will go down fighting, keeping the hope and sacrificing his life for the sake of others to his very last breath. āThere is hope because we live.ā Is what he says.
On the other hand we have Mystic. She is a saint, a Demi god of sorts whoās been around for a very long time and her danger lies in her extreme nihilism. Her philosophy, her battle tactics, everything she wishes to do is for this one goal ā to make everyone "return to flour", which is just a pompous way of saying "perish". Not only does she believe life to be completely meaningless and therefore gives up on it, she wants everyone else to jump down that pit with her because she sees the very act of life as suffering. Perishing is a "release", and it sounds like something out of a cult because it is. Itās a cult-like mindset and that is what makes Mystic the foil to Cacao. She is the essence of giving up hope and passion, the essence of apathy while Cacao is all spirit and passion. The war between them is more than just a cookie conflict; itās a war of beliefs, of almost religious nihilism against a passionate existentialism.
Itās a cookie game btw.
Some frames from second chapter of my comics - āJaikarnā
āJaikarnā is a fantasy story about royal families, ancient relics and creepy creatures :)