Itz-offline - Itz_Offline

Artbook collection Master-post

Dorohedoro MUD AND SLUDGE + Dorohedoro Sketch Book 'Day Dream Hour' Artbooks 1-5 by Ryōko Kui (Dungeon Meshi) Delicious in Dungeon Adventurer's Bible world guide

Witch Hat Atelier Special Edition Volume 02 + 06 Artbooks Yokohama Kaidashi Kikou - Book of Paintings + Postcard Book "BLAME! and so on" Artbook

The Art of Ponyo The Art of The Wind Rises The Art of Kiki's Delivery Service

The Art of Nausicaä of the Valley of the Wind Miyazaki Moebius exhibition catalog The Art of Moebius

"Der Mond" Neon Genesis Evangelion Artbook "EYES ONLY" SPY×FAMILY Official Fanbook The Art of Fullmetal Alchemist 1 + 2

Elden Ring Art Book Volume 1 + 2 Dark Souls 1-3 Design Works Bloodborne Official Artworks

SEKIRO - SHADOWS DIE TWICE Official Artworks Grimoire Nier + NieR Art – Kazuma Koda Art Collection

The art of Alice Madness Returns SCORN The art of the Game The FLCL Archives

The Art of Metal Gear Solid I - IV - Gallery Works and Studio Works Spider-Man Into the Spider-Verse -The Art of the Movie Spider-Man Across the Spider-Verse The Art of the Movie

The Artwork of Berserk Alphonse Mucha's "Figures Decoratives" AKIRA Club

The art of Nimona

Here's a link to the entire collection, in case any of the individual links are broken.

This post will also be edited as more Artbooks are added, check this link for the up-to-date version.

Hello!

Your art is so gorgeous and inspirational!

Do you have any tips on drawing body horror and character design? When I've tried to design some characters with body horror they all end up looking rather friendly 😅

Hope you have a lovely day and thanks in advance!

Thank you! I'm happy to hear that! Here goes!

NEZ GUIDE TO BODY HORROR

(Disclaimer; this is my advice, not rules. Break them as you wish)

Despite not doing it on purpose, a lot of my art is tagged as body-horror. I've embraced it. Here are my 3 pillars for frightening art. I don't have to follow them all at once, at least one is enough.

Nature

Get inspired by nature. Not necessarily by gore and wounds, but by things that look normal in one context but might appear unsettling in another. A great example is my pumpkin creature; everyone has seen the insides of a pumpkin but adding that texture to a living body made everyone react more strongly to it. I highly recommend natural things with strange textures and patterns (especially seeds)

Book Recommendation; The Art and Science of Ernst Haeckel

I recently bought this for all the gorgeous pattern and creature drawings. It's a beautiful book for those who want to draw horror based on nature. Careful if you have tyrophobia, this has some INTENSE patterns.

Subtlety

In either execution or concept.

In execution; give the drawing other recognizable characteristics. The gore is NOT them, it's just part of them. An example would be my cowboy creature. They have the coat, the hat, the boots, the smile...and then you notice the heads. Give your character more than their frightening parts.

In concept; If you want the bright reds and obvious gore, follow one simple concept. In the example below, the concept was a wound surrounded by mushrooms. That is all. If I were to add 'but also mushrooms leave their eyes, and bloody tears fall from them, and they have gashes in their skin, and'' it would have made the impact of all of those concepts collapse. Like a bed of nails. The more nails you add, the less a single individual nail will hurt.

Feeling

It follows the theme above. I noticed horror works better when it's not an abudance but also when it's relatable. I've seen people react more intensely to an animated character brushing a line of yarn against their eyeball than an animated character having their head explode in blood, brains, and bone. You can draw from emotional feelings as well, turning your mental pain into a physical manifestation of it.

This is not a must follow because I do plenty horror art without being vulnerable nor making myself uncomfortable, I just notice people react when they can relate and feel it too.

I hope it helps anon!

:)

[Eat]

Too much mouth?

How to show emotions

Part VII

How to show pride

standing tall

expanded posture, opening of the torso

lifted chin, head held high

big and confident smile

looking around to see if people recognize and admire what they are proud of

How to show enthusiasm

big smile and laughter

wide radiant eyes

raised eyebrows

jumping up and down or bouncing

clapping hands

big hand gestures

loud and high pitched voice

speaking quickly

How to show anxiety

not holding/breaking eye contact

fidgeting

heavy breathing

twitching in their face

often a blank stare or looking away

rigid posture

sweaty palms

bouncing their knees

rubbing palms against each other or clothing

How to show playfulness

laughing

giggling

grinning

using a playful tone

making a silly face

touching the other person teasingly

e.g. tickling, nudging, bumping into them

How to show being offended

stiffening up

hard line around the lips

frozen stare

narrowing of the eyes

Part I + Part II + Part III + Part IV + Part V + Part VI

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(1)Learn the rules before you break them + Gather proper references

(2) Understand what you want to break and how

(3) Can't do it? Find someone who can

(4) It's going to look really bad for a while

(5) Have fun with it!

(1) -Yes, I am that kind of artist. Yet, not in the conventional way. I encourage people to go in guns blazing when it comes to drawing something new, then coming out analyzing what they know, and what they need to learn more of right away.

-Here, I broke down the anatomical pieces of Nour and Narinder's face with the same labels so you guys can understand this weird invisible pattern that I follow in my work. Doing this with any animal you're attempting to draw greatly improves your line confidence when drawing different face shapes. Also understanding the biological function for why animals look a certain way helps you keep consistency.

(3) Time to throw any artistic guilt you have for heavily referencing people's art OUT THE WINDOW and start ANALYZING PEOPLE'S WORK YOU WANT TO BE LIKE✨ I've always done this, having a reference of someone else's amazing work right next to my own drawing so I can try and understand how they make their magic work! No shame, no embarrassment, nada. Pure, unadulterated will and spite that I would be just as good as the artist who made me so motivated and happy with their work! I couldn't figure out how to make Nour's face both sheep-like, and humanly expressive, so I looked at a LOT of Zootopia and old Disney art for help!

(2) With how I draw narilamb, I'm still working on it (as you can see) but I wanted to break Narinder's face to be fluffier and slimmer, while Nour's face would be shorter and flatter. If you look at it for too long, it's absolutely going to look weird, in the way that if you look at Anna from Frozen for too long she starts looking really weird. The anatomy isn't meant to be correct or consistent, it's meant to convey the emotion and energy I want out of the characters in that moment. If you're able to properly get that across, then you don't need to think about how broken something looks, as long as your eye is happy enough to trick your brain into thinking what you're seeing is canny.

(4) Yeah, I hate this part too. It's going to look like shit at first. I can't even look at my art from a few months ago when I was figuring out their designs... God, so fucking ugly. If it weren't for the shittiness of those drawings, I would have never gotten here! Wading through the "trust the process" stage always really sucks, but it's absolutely worth the relief of when you finally get something to look right.

(5) Art is work, yes. It's stressful, it's long, it's straining, its draining, it's exclaiming, blah blah blah. But, I try to keep my art FUN. If I find my artwork becoming slow as I depressingly drag my pen over my tablet, I'm failing. You MUST keep spirit and life in your work. The spirit of emptiness or the life of sadness can have a very meaningful place in art, but those can only exist with keeping work light, easy, and fun! If you're stressing how a specific thing looks or how you can't get something to look right no matter what, FUCK IT. Draw something to bring the flavor back in your work! I'm kind of rambling, but just, HAVE FUN!✨️ Be messy, scream, laugh, slash canvases, throw paint, smash sculptures, tear apart books, GO CRAZY

hello there internet person

Will anyone actually see this? Idk probably not, but maybe I just need to be more active on here.

This has a lot to do with the symbolism the sheep/ram and the black cat have.

edit: sorry about any inconsistencies, this is not a fully fleshed out concept lmao

edit 2: where did y’all come from 😨

Aw heck yeah i dider it Trend originated from: @squish--squash :DD + Orig. photo / reference below cut!