What Makes An Outfit Practical Or Impractical To Fight In? Would An Acrobat's Outfit With Some Decent

What makes an outfit practical or impractical to fight in? Would an acrobat's outfit with some decent shoes be okay to fight in? Any suggestions on how to make an outfit frilly/girly without sacrificing (too much) practicality? (Trying to come up with practical[ish] Magical Girl outfits - know it's not your genre probably - there are certain expectations for frilliness even for tomboyish characters)

You’re, basically, looking for three things: How well canyou move in it, does it give potential foes anything to grab, and does it offerany protection?

If you can’t move freely in your clothes, you can’t fight inthem. It doesn’t matter if we’re talking about them being tight enough torestrict movement, or if they make it difficult to walk around. Tight skirts,high heels, tailored suits; it doesn’t matter; they’ll all limit your abilityto fight.

With footwear, you’re looking primarily at how well you canstand and move in it. Shoes and boots designed to grip the floor are (usually)the best options here. So, things like sneakers or work boots are good options.Rubberized soles will help you keep your footing far better when you’restanding in someone’s blood than a dress shoe or high heels.

Things like long coats, ties, free flowing skirts, scarves, hoodies,or of course capes, won’t usually limit your mobility, but they can give anopponent something to grab. Once that happens, that article of clothing willlimit your mobility (some). This is also a factor that’s difficult tocompletely eliminate. Practiced martial artists can, and do, go for collar orlapel grabs on clothing you might think would pass. That said, there are somespecial cases here.

If the article of clothing will tear away freely, it’s (kindof) a wash. You’re still talking about losing clothes, which isn’t usuallysomething you want, but it means you’re not getting dragged out of position byan attacker.

If the combatant is ready for it, it’s possible to usesomething like this as a firing point to retaliate. If you know, roughly, wheretheir hand is, it’s much easier to extrapolate where the rest of them is inrelation to you. This still doesn’t make fighting in long flowing garments a goodidea.

The final factor, almost by definition, doesn’t really applywith magical girls as a genre, and can get a little weird when you’re talking aboutany superhuman characters.

Ideally, if you’re planning to get into a fight, you’ll wantdurable clothing that will take a few hits, and hopefully shield you from harm.Materials like leather and denim hold up much better than lighter fabrics.Insulation in a jacket will take some kinetic force from a strike (not a lot,but still), so it’s better than just jeans and a tee, or even a denim jacket.This also gets into a discussion we’ve had before. Protection is often about makingtradeoffs.

An insulated leather jacket will (slightly) reduce yourmobility. It will give an opponent something they can grab. But, it will alsooffer protection from stray hits and while parrying incoming strikes. It won’tprotect against gunshots, or against a sword, and if that’s what your characterwas likely to face, they’d need armor to deal with those threats instead.

Somewhat obviously, exposed skin isn’t offered anyprotection. Technically, skin itself is protection for your body, and it doesfunction as your first line of defense against infection, but that’s mostlyacademic in this context.

This is also where, magical girls, and most superherosubgenres, deliberately start straying from reality, without actually being unrealistic (in theliterary sense). What matters is if your character has some kind of protectionfrom the threats they’re facing. It doesn’t matter if that’s an ancient alienartifact, a mystical gemstone, or the weaponized power of friendship. That is what protects your character,not her denim vest. You’re also talking about characters where the threats theyface are, effectively, impossible to mitigate through mundane means. Again, aleather jacket, no matter how snazzy, won’t do much against a death beam fromsome snarling murderbeast, or blows from a sword with an enchantment thatdrains the soul from anyone who touches it. As I’ve said before, you selectyour armor to deal with the threats you’re likely to face, and when it comes tomagical girls, those threats are (almost always) going to be far beyondanything you could physically protect against.

Normally, you wouldn’t want to fight off an arisen god ofwar in a school girl uniform, but it’s not like a flak vest would offer anymore protection against a threat like that.

-Starke

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itz-offline

11 months ago

Ohh, So I Was Looking At My Storage And Found These! I Originally Shared Them On Twitter Before Yeeting

Ohh, so I was looking at my storage and found these! I originally shared them on twitter before yeeting the platform. Anyway, feel free to use! Art memes for your oc :D

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itz-offline

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itz-offline

2 years ago

Hello!

Your art is so gorgeous and inspirational!

Do you have any tips on drawing body horror and character design? When I've tried to design some characters with body horror they all end up looking rather friendly 😅

Hope you have a lovely day and thanks in advance!

Thank you! I'm happy to hear that! Here goes!

NEZ GUIDE TO BODY HORROR

(Disclaimer; this is my advice, not rules. Break them as you wish)

Despite not doing it on purpose, a lot of my art is tagged as body-horror. I've embraced it. Here are my 3 pillars for frightening art. I don't have to follow them all at once, at least one is enough.

Nature

Get inspired by nature. Not necessarily by gore and wounds, but by things that look normal in one context but might appear unsettling in another. A great example is my pumpkin creature; everyone has seen the insides of a pumpkin but adding that texture to a living body made everyone react more strongly to it. I highly recommend natural things with strange textures and patterns (especially seeds)

Book Recommendation; The Art and Science of Ernst Haeckel

I recently bought this for all the gorgeous pattern and creature drawings. It's a beautiful book for those who want to draw horror based on nature. Careful if you have tyrophobia, this has some INTENSE patterns.

Subtlety

In either execution or concept.

In execution; give the drawing other recognizable characteristics. The gore is NOT them, it's just part of them. An example would be my cowboy creature. They have the coat, the hat, the boots, the smile...and then you notice the heads. Give your character more than their frightening parts.

In concept; If you want the bright reds and obvious gore, follow one simple concept. In the example below, the concept was a wound surrounded by mushrooms. That is all. If I were to add 'but also mushrooms leave their eyes, and bloody tears fall from them, and they have gashes in their skin, and'' it would have made the impact of all of those concepts collapse. Like a bed of nails. The more nails you add, the less a single individual nail will hurt.

Feeling

It follows the theme above. I noticed horror works better when it's not an abudance but also when it's relatable. I've seen people react more intensely to an animated character brushing a line of yarn against their eyeball than an animated character having their head explode in blood, brains, and bone. You can draw from emotional feelings as well, turning your mental pain into a physical manifestation of it.

This is not a must follow because I do plenty horror art without being vulnerable nor making myself uncomfortable, I just notice people react when they can relate and feel it too.

I hope it helps anon!

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itz-offline

1 year ago

Welcome to the Machine

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itz-offline

2 years ago

My Color Tips Pdf Is Now Available ! i Had A Lot Of Fun With This, I Hope You Enjoy ^^

my color tips pdf is now available ! i had a lot of fun with this, i hope you enjoy ^^

BUY HERE or HERE

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itz-offline

1 year ago

I'm not a prayin' man, but the night I found out my at-the-time-fiancé had been sending sex horny nasty horny sex asks to my friend on THIS VERY WEBSITE, I sat in the car in the parking lot of an abandoned church and watched a family of deer play in the snow, and it didn't quite feel like a sign because that part of Pennsylvania was mostly deer and abandoned buildings and snow, but it felt nice, and once the tears stopped, I looked down at my phone and my other friend had sent me a text that said, "HE'S TRYING TO CHEAT ON YOU ON THE ONE DIRECTION IMAGINES WEBSITE?" and I realized that life is all about your curated experience. A real choose-your-own-adventure deal. I have never seen someone post about One Direction on here in my life.

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itz-offline

2 years ago

How do you go about choosing colors? Do you have a palette or use filters? Every time I try nothing looks cohesive enough and I don't understand how gradient maps work or if I'm doing it right lol but I really like the colors you use and was wondering what you do!

i don't use a palette, but i do use gradient maps pretty often o:

a gradient map takes the values in your image and reassigns them along the new gradient you've chosen. here's an example below - left side is a grayscale sketch, right side is with the gradient map applied. you can see how the darkest values are mapped to the purple tones, and lightest values are mapped to the peach/yellow.

my cheap trick to unifying color schemes is to choose colors, render an image > flatten and duplicate > apply gradient map > adjust opacity until it harmonizes. (that's my method in procreate, but you can use gradient maps as separate adjustment layers in photoshop and CSP). i still end up doing corrections afterwards, but it's a useful trick nonetheless. hope that helps!

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itz-offline

2 years ago

Wow, first post on Tumblr!!

A little Doodle for one of my OC, Alec or commonly known as 'Online'

The symbolism of flowers

Flowers have a long history of symbolism that you can incorporate into your writing to give subtext.

Symbolism varies between cultures and customs, and these particular examples come from Victorian Era Britain. You'll find examples of this symbolism in many well-known novels of the era!

Amaryllis: Pride

Black-eyed Susan: Justice

Bluebell: Humility

Calla Lily: Beauty

Pink Camellia: Longing

Carnations: Female love

Yellow Carnation: Rejection

Clematis: Mental beauty

Columbine: Foolishness

Cyclamen: Resignation

Daffodil: Unrivalled love

Daisy: Innocence, loyalty