A Concept Art I Make A Few Days Ago

How to show emotions

Part VII

How to show pride

standing tall

expanded posture, opening of the torso

lifted chin, head held high

big and confident smile

looking around to see if people recognize and admire what they are proud of

How to show enthusiasm

big smile and laughter

wide radiant eyes

raised eyebrows

jumping up and down or bouncing

clapping hands

big hand gestures

loud and high pitched voice

speaking quickly

How to show anxiety

not holding/breaking eye contact

fidgeting

heavy breathing

twitching in their face

often a blank stare or looking away

rigid posture

sweaty palms

bouncing their knees

rubbing palms against each other or clothing

How to show playfulness

laughing

giggling

grinning

using a playful tone

making a silly face

touching the other person teasingly

e.g. tickling, nudging, bumping into them

How to show being offended

stiffening up

hard line around the lips

frozen stare

narrowing of the eyes

Part I + Part II + Part III + Part IV + Part V + Part VI

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because sometimes there are invisible tests and invisible rules and you're just supposed to ... know the rule. someone you thought of as a friend asks you for book recommendations, so you give her a list of like 30 books, each with a brief blurb and why you like it. later, you find out she screenshotted the list and send it out to a group chat with the note: what an absolute freak can you believe this. you saw the responses: emojis where people are rolling over laughing. too much and obsessive and actually kind of creepy in the comments. you thought you'd been doing the right thing. she'd asked, right? an invisible rule: this is what happens when you get too excited.

you aren't supposed to laugh at your own jokes, so you don't, but then you're too serious. you're not supposed to be too loud, but then people say you're too quiet. you aren't supposed to get passionate about things, but then you're shy, boring. you aren't supposed to talk too much, but then people are mad when you're not good at replying.

you fold yourself into a prettier paper crane. since you never know what is "selfish" and what is "charity," you give yourself over, fully. you'd rather be empty and over-generous - you'd rather eat your own boundaries than have even one person believe that you're mean. since you don't know what the thing is that will make them hate you, you simply scrub yourself clean of any form of roughness. if you are perfect and smiling and funny, they can love you. if you are always there for them and never admit what's happening and never mention your past and never make them uncomfortable - you can make up for it. you can earn it.

don't fuck up. they're all testing you, always. they're tolerating you. whatever secret club happened, over a summer somewhere - during some activity you didn't get to attend - everyone else just... figured it out. like they got some kind of award or examination that allowed them to know how-to-be-normal. how to fit. and for the rest of your life, you've been playing catch-up. you've been trying to prove that - haha! you get it! that the joke they're telling, the people they are, the manual they got- yeah, you've totally read it.

if you can just divide yourself in two - the lovable one, and the one that is you - you can do this. you can walk the line. they can laugh and accept you. if you are always-balanced, never burdensome, a delight to have in class, champagne and glittering and never gawky or florescent or god-forbid cringe: you can get away with it.

you stare at your therapist, whom you can make jokes with, and who laughs at your jokes, because you are so fucking good at people-pleasing. you smile at her, and she asks you how you're doing, and you automatically say i'm good, thanks, how are you? while the answer swims somewhere in your little lizard brain:

how long have you been doing this now? mastering the art of your body and mind like you're piloting a puppet. has it worked? what do you mean that all you feel is... just exhausted. pick yourself up, the tightrope has no net. after all, you're cheating, somehow, but nobody seems to know you actually flunked the test. it's working!

aren't you happy yet?

An artist : Aw man! I saw my arts were reposted on Instagram. I’ve asked them to take my arts down but they ignored me.

Me : Say no more! Click this link, then click ‘fill out this form’. Fill the form and wait for about 1-2 days, the staffs will remove the image you were reporting from the reposter’s account :^)

“how did you get into writing” girl nobody gets into writing. writing shows up one day at your door and gets into you

A compilation of tips ive made per request of others

What makes an outfit practical or impractical to fight in? Would an acrobat's outfit with some decent shoes be okay to fight in? Any suggestions on how to make an outfit frilly/girly without sacrificing (too much) practicality? (Trying to come up with practical[ish] Magical Girl outfits - know it's not your genre probably - there are certain expectations for frilliness even for tomboyish characters)

You’re, basically, looking for three things: How well canyou move in it, does it give potential foes anything to grab, and does it offerany protection?

If you can’t move freely in your clothes, you can’t fight inthem. It doesn’t matter if we’re talking about them being tight enough torestrict movement, or if they make it difficult to walk around. Tight skirts,high heels, tailored suits; it doesn’t matter; they’ll all limit your abilityto fight.

With footwear, you’re looking primarily at how well you canstand and move in it. Shoes and boots designed to grip the floor are (usually)the best options here. So, things like sneakers or work boots are good options.Rubberized soles will help you keep your footing far better when you’restanding in someone’s blood than a dress shoe or high heels.

Things like long coats, ties, free flowing skirts, scarves, hoodies,or of course capes, won’t usually limit your mobility, but they can give anopponent something to grab. Once that happens, that article of clothing willlimit your mobility (some). This is also a factor that’s difficult tocompletely eliminate. Practiced martial artists can, and do, go for collar orlapel grabs on clothing you might think would pass. That said, there are somespecial cases here.

If the article of clothing will tear away freely, it’s (kindof) a wash. You’re still talking about losing clothes, which isn’t usuallysomething you want, but it means you’re not getting dragged out of position byan attacker.

If the combatant is ready for it, it’s possible to usesomething like this as a firing point to retaliate. If you know, roughly, wheretheir hand is, it’s much easier to extrapolate where the rest of them is inrelation to you. This still doesn’t make fighting in long flowing garments a goodidea.

The final factor, almost by definition, doesn’t really applywith magical girls as a genre, and can get a little weird when you’re talking aboutany superhuman characters.

Ideally, if you’re planning to get into a fight, you’ll wantdurable clothing that will take a few hits, and hopefully shield you from harm.Materials like leather and denim hold up much better than lighter fabrics.Insulation in a jacket will take some kinetic force from a strike (not a lot,but still), so it’s better than just jeans and a tee, or even a denim jacket.This also gets into a discussion we’ve had before. Protection is often about makingtradeoffs.

An insulated leather jacket will (slightly) reduce yourmobility. It will give an opponent something they can grab. But, it will alsooffer protection from stray hits and while parrying incoming strikes. It won’tprotect against gunshots, or against a sword, and if that’s what your characterwas likely to face, they’d need armor to deal with those threats instead.

Somewhat obviously, exposed skin isn’t offered anyprotection. Technically, skin itself is protection for your body, and it doesfunction as your first line of defense against infection, but that’s mostlyacademic in this context.

This is also where, magical girls, and most superherosubgenres, deliberately start straying from reality, without actually being unrealistic (in theliterary sense). What matters is if your character has some kind of protectionfrom the threats they’re facing. It doesn’t matter if that’s an ancient alienartifact, a mystical gemstone, or the weaponized power of friendship. That is what protects your character,not her denim vest. You’re also talking about characters where the threats theyface are, effectively, impossible to mitigate through mundane means. Again, aleather jacket, no matter how snazzy, won’t do much against a death beam fromsome snarling murderbeast, or blows from a sword with an enchantment thatdrains the soul from anyone who touches it. As I’ve said before, you selectyour armor to deal with the threats you’re likely to face, and when it comes tomagical girls, those threats are (almost always) going to be far beyondanything you could physically protect against.

Normally, you wouldn’t want to fight off an arisen god ofwar in a school girl uniform, but it’s not like a flak vest would offer anymore protection against a threat like that.

-Starke

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some more outside drawings! I went to LA for a while

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