𝓶𝔂 𝐌𝐀𝐍𝐈𝐅𝐄𝐒𝐓𝐈𝐍𝐆 𝐌𝐀𝐍𝐈𝐅𝐄𝐒𝐓𝐎

I texted my bf was like “ily” and he was like

“Can you spell it out for me?”

so I was like “I’m leaving you”

what’s more gay, a gay person or whatever those footballer has going on

am I disturbing something

growing up is terrifying i wasn’t supposed to make it this far and now my future depends on me and i have to make wise choices and decisions and i’m just sitting here like a clueless little kid

i loved you then..

i still love you now.

més que un club. sempre amb el barça💙❤️

2025 glow up serie

glow up steps if u don't know how to glow up and stuff !!

ᴛʜᴇ ᴀʟʟ ʏᴏᴜ ɴᴇᴇᴅ ᴛᴏ ɢʟᴏᴡ ᴜᴘ ᴀɴᴅ ʙᴇᴄᴏᴍᴇ ᴛʜᴇ ʙᴇsᴛ ᴠᴇʀsɪᴏɴ ᴏғ ʏᴏᴜʀsᴇʟғ ୨ৎ

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blog num 15 [q&a]

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blog num 22 ✔️

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100 Building Blocks for a Better You

block num 1 : nobody is watching u

block num 2 : forgive yourself

block num 3 : take care of yourself

block num 4 : focus on your own path

block num 5 : persistence shapes your future

block num 6 : dream first

still updates. . . 🕯️

@bloomzone ✒️

When I have to do I literally anything

𝙇𝙞𝙣𝙚𝙨 💔

The fact that fictional characters are actually fictional… hurts.

The fact that a guy like them doesn't exist… hurts.

The fact that someone so perfect was born only from ink and imagination… hurts.

The fact that I memorized the way he smiles, even when he never really did… hurts.

The fact that he made me feel seen, when he was never even real… hurts.

The fact that I fell asleep with his name in my mind, knowing he doesn’t exist in this world… hurts.

The fact that no heartbeat will ever echo like the ones I heard in those pages… hurts.

The fact that the safest place I’ve ever known is between two lines of fiction… hurts.

The fact that magic exists—but only in books… hurts.

The fact that I believed in a love written for someone else, hoping it’d find me too… hurts.

The fact that I ache for someone I’ll never meet, in a world I’ll never touch… hurts.

The fact that the only place I was ever truly loved was in a story… hurts.

The fact that I keep falling for shadows made of words and stardust… hurts.

The fact that no one in reality will ever match the way he made my soul glow… hurts.

The fact that I keep waiting for a door to open into that universe… hurts.

The fact that I loved him like he was real… and he never will be…

Hurts.

_______________

~𝘤𝘦𝘭𝘦𝘴𝘵𝘪𝘢 𝘳𝘰𝘴𝘢𝘣𝘦𝘭𝘭𝘦.

_______________

Tagging:

ɪғ ʏᴏᴜ ʀᴇʟᴀᴛᴇ, ʀᴇʙʟᴏɢ. ❤‍🩹✨

@elysianwayy77 @inkstainsonmysheets @xin241 @we-were-born-to-be-free @aaronwarner0424 @biblophile-beauty @b-00-kl-0-v-3-r @crenna @cocoakisss @catmoonflower @daphloveskitties @elsbooks @ellawarner4 @emmal1nesommers @fairywriter-oracle @fantixaaronsversion @favataraxia @foxxydisfunction @gracie-221 @hhopeitneverends @hannahmarie71 @here4smalltalk @itsgraceeliz @idkmyusernamesucks @jackssprincess @jess240811 @koresflowers @livreadz @letmeliveinelfhame @myhyperfixationisbooks @moony-musings @n0t-an-en3my @okaytrashpanda @roonwarner @reebslibrary @swast1s @soldiergray-blog @sheisntyouspam @wish-i-were-heather @zozosnothere @ant-thebooknerd @anxious-alyssia @merlinsleftit @momhwa1117 @marinaslibrary @thiefofthecrowns @satori333 @sweetreveriee @sweetprfct @thebirdhivemind + all the others who I missed, I'm so sorry! Feel free to join. 🌸🦋

Ancient Greek and Roman Statues Were Not Only Beautiful But Also Smelled Nice

New research suggests that sculptures were perfumed with sweet-smelling fragrances such as rose and beeswax. In ancient Greece and Rome, statues not only looked beautiful—they smelled good, too.

That’s the conclusion of a new study published this month in the Oxford Journal of Archaeology. Cecilie Brøns, who authored the study and works as an archaeologist and curator at the Glyptotek art museum in Copenhagen, finds that Greco-Roman statues were often perfumed with enticing scents like rose, olive oil and beeswax.

These fragrances were “not merely decorative but symbolic, enhancing the religious and cultural significance of these sculptures,” writes Bill Giannopoulos for the Greek City Times. In some instances, the scents were also applied in ways that helped preserve the statues.

While reading ancient Greco-Roman texts, Brøns noticed a handful of references to sweet-smelling statues. She was intrigued, so she decided to go looking for even more mentions of scented sculptures.

Brøns was surprised to find lots of evidence in texts by Cicero, Callimachus, Vitruvius, Pliny the Elder and Pausanias, among other writers. Several of these texts mentioned anointing statues of Greek and Roman deities—including one depicting Artemis, the Greek goddess of wild animals, in Sicily. Statues of rulers, such as Egypt’s Berenice II, were also perfumed, Brøns finds.

The statues were anointed in different ways. In some instances, they were covered in a mixture of waxes and oils through a process known as “ganosis.” In others, they were coated in olive oil as part of a process called “kosmesis,” which was meant to help protect the sculptures from the elements.

The fragrances would have made viewing the statues not only a visual experience, “but also an olfactory one,” Brøns writes in the paper.

Ancient Greeks and Romans often decorated sculptures with colorful paint, as well as jewelry, fabrics, flowers, garlands and ribbons.

Today, ancient Greco-Roman statues housed in museums are typically stark white and devoid of decoration. But research by Brøns and others suggests that wasn’t always the case.

By the time people in Italy began excavating ancient artworks during the Renaissance, the vibrant pigments had mostly faded away—and any color that had managed to survive quickly disappeared once the statues were exposed to the air and sunlight; cleaning procedures also erased many lingering traces of color.

“Taking their cue from these seemingly unpainted marbles, artists like Michelangelo left their Renaissance sculptures similarly unadorned,” wrote Meilan Solly for Smithsonian magazine in 2022.

The myth of the all-white Greco-Roman sculpture persisted after Johann Winckelmann, an 18th-century art historian and archaeologist, wrote that “the whiter the body is, the more beautiful it is as well. Color contributes to beauty, but it is not beauty. Color should have a minor part in the consideration of beauty, because it is not [color] but structure that constitutes its essence."

But, in reality, ancient Greeks and Romans embraced bold colors, which archaeologists call “polychromy.” Brightly hued paints and embellishments would have created the illusion that statues were alive—and scents would have added to that illusion, Brøns tells All That’s Interesting’s Kaleena Fraga.

“For example, a cult statue of a god or goddess with such decoration placed in a temple, would have given the visitor to the temple the impression that the divinity was somehow present in the temple,” she adds.

By Sarah Kuta!.