i still love you now.
mรฉs que un club. sempre amb el barรงa๐โค๏ธ
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whatโs more gay, a gay person or whatever those footballer has going on
am I disturbing something
2025 glow up serie
glow up steps if u don't know how to glow up and stuff !!
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blog num 22 โ๏ธ
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block num 1 : nobody is watching u
block num 2 : forgive yourself
block num 3 : take care of yourself
block num 4 : focus on your own path
block num 5 : persistence shapes your future
block num 6 : dream first
still updates. . . ๐ฏ๏ธ
@bloomzone โ๏ธ
Ancient Greek and Roman Statues Were Not Only Beautiful But Also Smelled Nice
New research suggests that sculptures were perfumed with sweet-smelling fragrances such as rose and beeswax. In ancient Greece and Rome, statues not only looked beautifulโthey smelled good, too.
Thatโs the conclusion of a new study published this month in the Oxford Journal of Archaeology. Cecilie Brรธns, who authored the study and works as an archaeologist and curator at the Glyptotek art museum in Copenhagen, finds that Greco-Roman statues were often perfumed with enticing scents like rose, olive oil and beeswax.
These fragrances were โnot merely decorative but symbolic, enhancing the religious and cultural significance of these sculptures,โ writes Bill Giannopoulos for the Greek City Times. In some instances, the scents were also applied in ways that helped preserve the statues.
While reading ancient Greco-Roman texts, Brรธns noticed a handful of references to sweet-smelling statues. She was intrigued, so she decided to go looking for even more mentions of scented sculptures.
Brรธns was surprised to find lots of evidence in texts by Cicero, Callimachus, Vitruvius, Pliny the Elder and Pausanias, among other writers. Several of these texts mentioned anointing statues of Greek and Roman deitiesโincluding one depicting Artemis, the Greek goddess of wild animals, in Sicily. Statues of rulers, such as Egyptโs Berenice II, were also perfumed, Brรธns finds.
The statues were anointed in different ways. In some instances, they were covered in a mixture of waxes and oils through a process known as โganosis.โ In others, they were coated in olive oil as part of a process called โkosmesis,โ which was meant to help protect the sculptures from the elements.
The fragrances would have made viewing the statues not only a visual experience, โbut also an olfactory one,โ Brรธns writes in the paper.
Ancient Greeks and Romans often decorated sculptures with colorful paint, as well as jewelry, fabrics, flowers, garlands and ribbons.
Today, ancient Greco-Roman statues housed in museums are typically stark white and devoid of decoration. But research by Brรธns and others suggests that wasnโt always the case.
By the time people in Italy began excavating ancient artworks during the Renaissance, the vibrant pigments had mostly faded awayโand any color that had managed to survive quickly disappeared once the statues were exposed to the air and sunlight; cleaning procedures also erased many lingering traces of color.
โTaking their cue from these seemingly unpainted marbles, artists like Michelangelo left their Renaissance sculptures similarly unadorned,โ wrote Meilan Solly for Smithsonian magazine in 2022.
The myth of the all-white Greco-Roman sculpture persisted after Johann Winckelmann, an 18th-century art historian and archaeologist, wrote that โthe whiter the body is, the more beautiful it is as well. Color contributes to beauty, but it is not beauty. Color should have a minor part in the consideration of beauty, because it is not [color] but structure that constitutes its essence."
But, in reality, ancient Greeks and Romans embraced bold colors, which archaeologists call โpolychromy.โ Brightly hued paints and embellishments would have created the illusion that statues were aliveโand scents would have added to that illusion, Brรธns tells All Thatโs Interestingโs Kaleena Fraga.
โFor example, a cult statue of a god or goddess with such decoration placed in a temple, would have given the visitor to the temple the impression that the divinity was somehow present in the temple,โ she adds.
By Sarah Kuta!.
โ โ โ this isnโt a self-help guide. iโm not your guru and this isnโt a powerpoint on gratitude. this is just me. sitting on the floor. iโm not here to raise your vibration. iโm here to askย why you think you need raising in the first place. i'm here because iโve been hoarding revelations like they're concert wristbands. i'm here because reality is porous and iโve got the straws. no, literally, iโve sucked on timeโs milkshake and found it lukewarm. we can do better.
you will not find steps here. there is no staircase. i burned it. we fly now.
ใ"how to"s . .
โ โ โ โ ๏นโ how to manifest.
โ โ โ โ ๏นโ how to get what you want without affirmations.
โ โ โ โ ๏นโ where is the stuff i manifested?
โ โ โ โ ๏นโ i have it, i have it, i have it, so where is it?
โ โ โ โ ๏นโ become the laziest manifestor.
โ โ โ โ ๏นโ manifest anything in hours, minutes, and even seconds.
โ โ โ โ ๏นโ banish resistance.
โ โ โ โ ๏นโ how to stop looking at the 3d for results.
โ โ โ โ ๏นโ how to manifest the future.
โ โ โ โ ๏นโ manifesting faq.
ใthesis's & concepts . .
โ โ โ โ ๏นโ energy and matter cannot be destroyed or created.
โ โ โ โ ๏นโ barbie doll theory of self-concept.
โ โ โ โ ๏นโ do less than nothing , get more than everything.
โ โ โ โ ๏นโ i said what i said (and then it happened)
โ โ โ โ ๏นโ think it, know it, live it.
โ โ โ โ ๏นโ hoping or remembering?
โ โ โ โ ๏นโ manifestation and the eroticism of longing.
โ โ โ โ ๏นโ what's meant for me will find me.
โ โ โ โ ๏นโ screw trying.
ใdoubts & negatives . .
โ โ โ โ ๏นโ adrift on a sea of self-inflicted delays.
โ โ โ โ ๏นโ it didn't work before, why would it now?
โ โ โ โ ๏นโ the hardest pill to swallow.
โ โ โ โ ๏นโ " there is no new information on tumblr "
ใinteractives . .
โ โ โ โ ๏นโ the manifesting seance club.
โ โ โ โ ๏นโ pick a card and find out about your manifesting journey.
There's a sort of goodbye that comes with 17.
All questions of 'who do you want to be when you grow up' turn to 'who are you becoming now?' 17 is young, 17 is old. It's everything you wanted. It's everything you despised. It's messy and ruthless and full of grief at times. And 17 is scary as hell because now you know that you finally have to say goodbye to childhood.
-Ritika Jyala, excerpt from The Flesh I Burned (source)
โcause iโm strong but iโm lonely like marilyn monroe
THE SCREAM I SCRUMPT