you may think it’s no big deal but every sweet interaction is actually the most important thing in the world. sooo. take that
I am consuming a media and you are going to hear about it
Anyway Barbie sitting on a bench, just having cried for the first time and looking over at an old woman and very genuinely complimenting her beauty was such a lovely moment. Because not long before, Barbie was freaking out about cellulite. But here in the Real World, where everything is so much more complicated than she could have imagined, so much more painful, she looks over and sees a woman who has actually lived. Aging is a privilege not afforded to everybody, and this little old woman, with all these years and experiences inside her, quite happy and at peace and secure with herself (she knows she’s beautiful), represents what Barbie is only starting to understand, that real death is staying the same forever.
That’s why it’s so important that The Ghost Of Ruth Handler, a little old lady herself, is the one who guides her into real life. She warns Barbie that by choosing to live, she must by necessity die. But in keeping with the themes of growing up, of adulthood, of womanhood, Barbie now knows that you can’t ever really return to the version of yourself that didn’t know something. Children, most children anyway, don’t really understand death. Part of the emotional struggle of adolescence and young adulthood is having to come to grips with the inevitable fact that your parents will die someday, as will everyone you love, and you yourself. If you’re lucky, not for many years. But it will happen.
And I think that’s why the turning point is “do you guys ever think about dying?” That’s why it matters that the girl playing with Barbie and changing her is a middle-aged woman. Gloria is grappling with her own morality and stifled creativity and feeling her daughter slip away from her and looking back on those days of innocent joyful play and the thing is that it’s all so sweetly painfully joyously human that it changes Barbie.
There’s a maiden(s), mother(s), and crone(s) aspect at play, and Barbie is all three and none at all. She is Ruth’s daughter and she is at once old (64 this year) and young (a toy for children, sexless and innocent and optimistic). Sasha is her past and Gloria is her present and the old woman on the park bench, filled up with years and life and peace and joy, is her future.
Barbie chose to become human, but it was also never really a choice. You can’t un-know something, you can’t ever go backward, you can only go forward. Humans only have one ending. The only alternative to growing is dying. And death may be inevitable, but better later than sooner. The child must become the adult. The adult must become the elder. The elder must eventually die. And living all those years is a gift even when it’s painful and Barbie embraces it.
do you ever have the urge to make someone feel so loved and cared for that the feeling will burst out of them in the form of tears?!
birds flying over the jurassic canyon of Iceland
worst part about getting angry is how much it makes you want to be mean
bitch this is all you’re gonna get. this life, this face, this body. you better not ‘maybe in another universe’ your way out of everything. sit your ass down and face this. go make tea and have a picnic and read a goddamn book. kiss your loved ones, send that damn text, and hug your siblings. this is all you’re gonna get.
i've been trying to write this fic but the feelings become so much that i have to stop
like there comes a point where you think something is fundamentally wrong with you. and then it turns out it’s just Friday and you haven’t washed your hair in three days and maybe you’re also just a little lonely and the combination of all three of those things is whittling a hole into your chest every time you breathe. but also the sun’s up. and you’ve survived everything so far, so you’ll survive this too, even if it hurts, even if you have to survive it many times.
she/her • in my 20s • back to putting my thoughts on this hellsite
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