Gwenthebuttslut - Garbage Person

Anyone else feel like they missed a significant youth socialization thing that would make sense of the visceral hate for polys? Why does it incite actual anger? This is obviously more than meeting an annoying ex-theater kid poly dom once

SUPERGIRL 2.05 ↳ original script [source]

I love that phenomenon where ur talking to another neurodivergent person for the first time and u haven’t quite grocked their flavor of brain yet and they haven’t grocked yours and you’re both using your Acceptable Friendly Person Getting To Know You Script on each other but of course those scripts have been calibrated mainly for use with, like, normal people, so you just end up being like two conversational roombas bonking gently off one another like “hello fellow human” “hello fellow ‘hello fellow human’” until you both at some point manage to adjust your programming and actually like, communicate

It’s like when I was a kid I had two furbies and when you put them next to each other they’d just natter nonsensically past one another for a bit and then at some point one would abruptly recognize the other with its furby sensor or w/e and it would shout “DANCE!” and the other one would flap its ears and reply “HEY, DANCE” and then, in perfect unison, they would begin to rock back and forth while chanting “doot doot doo doot doot doo”

It’s exactly like that. I love it. Crazy people are the best, we are super excellent, i love us, i love crazy ppl

HANAMUSA HEADCANONS

more hcs as promised! my girlfriend wrote some too heehee

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laundry days are the quietest days in the noceda household . therefore, camila’s favourite days . sequel to this

Enid's dog smile 🐶

Yoko and Enid friendship be like:

Enid: I’m kind of crushing on someone, but I’m worried about telling you who it is because you’re not going to like it

Yoko: Just rip the bandage off.

Enid: It’s Wednesday.

Yoko: Put the bandage back on.

married wenclair comic! they're goin out for a fancy dinner<3

Todays the day!!!

Take one and pass it on

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I saw a post a couple of days ago that said one of the most important things about Steven Universe, thematically, is that everybody in the core cast has done at least one completely morally unjustifiable thing, regardless of how likeable or sympathetic they are otherwise, and that this is important to understanding the show thematically. This is true. 

But it also reminded me of one other thing I really like about Steven Universe, which is that it’s the emotional-toxicity equivalent of all those posts about how cartoons have to come up with unimaginably worse forms of death and violence in the course of avoiding getting censored for depicting plausible forms of death and violence.  All of the ways in which SU characters cross those emotional and interpersonal lines are wrapped up either in their fantastic abilities or their bizarre life circumstances in a way that makes it all esoterically awful and often much more existentially horrifying than any of the real-life dynamics it’s alluding to. You’ve said nasty things to people in the heat of the moment but you’ve never shapeshifted into the guy’s dead wife to twist the knife a little more. No violation of bodily autonomy is ever gonna involve contriving a situation in which the other party will believe that it’s necessary to fuse with you, body and soul in order to do demolition work. The most toxic relationship in the world isn’t gonna involve imprisoning someone at the bottom of the ocean for several months and only emerging to participate in humanoid-sacrifice rituals. Your codependency will never last 8,000 years, be frontloaded with a faked death you’re biomechanically incapable of confessing to, and end with your partner’s suicide-by-childbirth. Your worst roommate situation will never end with one party stealing the apartment and taking it to the moon. Et al. Et al.

I don’t remember where I was going with this, precisely, (and I may have drifted sideways from the original discussion topic of crossed lines per se, but whatever.) I mean part of it’s funny because it exists in a series with tons of mundane, non-metaphorical examinations of interpersonal issues, like everything to do with Lars and Sadie, or Sour Cream and Marty. And there’s an extent to which I’m just describing how cartoons are written. But there’s something special about how Steven Universe does it. Something delightfully fucked up about it all. I think maybe part of it is that it’s a considered and embraced fucked-upedness, none of this is just an ill-considered fridge-logic by-product of something else they were trying to do. Like for every one of these, someone in the writers room probably went, “Man, this has some fucked up implications,” and then everyone would go, “Yeah!” and hi five and put it in specifically because of that. Great Show. Great show