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Breathe.

i figured it out

Macaron Doll/Darak Doll Becky.

Thank you, Harold. And you look very charming in your plant. I hope that it was comfy!

🔮🎃Get your fortune read by Harold!🎃🔮

For any orders placed up until Halloween, please comment or message me, and I'll post a picture of Harold drawing a tarot card for you and tag you in it!

Take a look at the official page here to see options.

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I will use this post as a thread to share these fortunes on an ongoing basis up till Halloween.

I think that bluesky is a bust for me...I guess that I will try to finally figure out Tumblr lol.

the older I get, the more the technological changes I've lived through as a millennial feel bizarre to me. we had computers in my primary school classroom; I first learned to type on a typewriter. I had a cellphone as a teenager, but still needed a physical train timetable. my parents listened to LP records when I was growing up; meanwhile, my childhood cassette tape collection became a CD collection, until I started downloading mp3s on kazaa over our 56k modem internet connection to play in winamp on my desktop computer, and now my laptop doesn't even have a disc tray. I used to save my word documents on floppy discs. I grew up using the rotary phone at my grandparents' house and our wall-connected landline; my mother's first cellphone was so big, we called it The Brick. I once took my desktop computer - monitor, tower and all - on the train to attend a LAN party at a friend's house where we had to connect to the internet with physical cables to play together, and where one friend's massive CRT monitor wouldn't fit on any available table. as kids, we used to make concertina caterpillars in class with the punctured and perforated paper strips that were left over whenever anything was printed on the room's dot matrix printer, which was outdated by the time I was in high school. VHS tapes became DVDs, and you could still rent both at the local video store when I was first married, but those shops all died out within the next six years. my facebook account predates the iphone camera - I used to carry around a separate digital camera and manually upload photos to the computer in order to post them; there are rolls of undeveloped film from my childhood still in envelopes from the chemist's in my childhood photo albums. I have a photo album from my wedding, but no physical albums of my child; by then, we were all posting online, and now that's a decade's worth of pictures I'd have to sort through manually in order to create one. there are video games I tell my son about but can't ever show him because the consoles they used to run on are all obsolete and the games were never remastered for the new ones that don't have the requisite backwards compatibility. I used to have a walkman for car trips as a kid; then I had a discman and a plastic hardshell case of CDs to carry around as a teenager; later, a friend gave my husband and I engraved matching ipods as a wedding present, and we used them both until they stopped working; now they're obsolete. today I texted my mother, who was born in 1950, a tiktok upload of an instructional video for girls from 1956 on how to look after their hair and nails and fold their clothes. my father was born four years after the invention of colour televison; he worked in radio and print journalism, and in the years before his health declined, even though he logically understood that newspapers existed online, he would clip out articles from the physical paper, put them in an envelope and mail them to me overseas if he wanted me to read them. and now I hold the world in a glass-faced rectangle, and I have access to everything and ownership of nothing, and everything I write online can potentially be wiped out at the drop of a hat by the ego of an idiot manchild billionaire. as a child, I wore a watch, but like most of my generation, I stopped when cellphones started telling us the time and they became redundant. now, my son wears a smartwatch so we can call him home from playing in the neighbourhood park, and there's a tanline on his wrist ike the one I haven't had since the age of fifteen. and I wonder: what will 2030 look like?

Crunchy leaf

I am beginning the process of possibly switching my Dream Tactics character BJDs to fashion minis. I'm starting with a SartoriaJ elf and I'll see what I think.

No matter what I do, I feel like I'm always in a funk with that set of characters. I rarely reach for them. They're older characters age-wise and I've always struggled with them looking old enough. Especially the boys. Hana is the youngest main character at 21 and Levy is the oldest at 38.

The sequel cast is younger, so I might use the more standard 6/7 head dolls for them. We'll see. I've been feeling like I need a refresh for a long time which is why I think that I buy so many random dolls. Maybe this will finally be the solution.

The Dyeing of Theodore (DIM Happy Ace)

Yesterday I decided to buckle down and finally dye my boy tan. Even though I had dyed a doll before, I was very, very nervous, since previously I used Jacquard iDyePoly and for Theo I was determined to use RIT Dyemore. I had read that RIT Dyemore tans can come off grey—even purple—if the dye bath does not reach a certain temperature, so I waited until my water was at a rolling boil then submerged each piece for three (3) minutes. A beautiful, even tan resulted with little-to-no marbling! I’m really pleased as punch. ^^

My phone’s camera doesn’t want to pick up the dye’s true color, sadly. There is a slight copper undertone to RIT Dyemore “Sandstone” but in-person my Theo looks closer to a cross between LUTS RSB and the old Dream of Doll tan, if anyone knows the shade I’m talking about. I do want to point out two things for those folks out there hoping to dye Doll in Mind resin. First and foremost, DiM resin takes synthetic dye PERFECTLY. It absorbs color evenly and doesn’t streak as long as you keep your water super hot. (And I mean SUPER.) DiM also sands seams, so there will be some lines along the sides of the legs, etc. that absorb the dye differently. Not very noticeable, though, IMO.

But… DiM also uses some sort of glue around the wrist and ankle s-hooks that is impermeable to dye. I received a defective hand with this substance near the knuckles (that I used as a test piece since DiM was kind enough to send me a replacement), and no matter what I did, a patch of NS remained beneath it. Unfortunately, my boy’s other hand had a bit of this on his forefinger that I did not notice during my communication with DiM (thus, no replacement), so there is a small splotch there, as well. Had I seen it before dyeing, I would’ve tried sanding, even though that also would have resulted in uneven coverage.

I figure I’ll just cover his finger with a nude, doll-sized bandage. Theo apparently gets a lot of paper cuts while working late nights at the bureau, LOL. Who knew? Anyway, I hope sharing my experience helps someone! I’ll post another batch of photos once I’ve restrung him. I’m giving the resin 48 hours to cure since it was exposed to extreme heat (I don’t want to end up with any scratches or breaks).

ALSO! After trying both, I prefer RIT Dyemore to Jacquard iDyePoly. Both achieve bold colors, but RIT’s liquid format >>> Jacquard’s powder. I’m itching to dye another doll on my wishlist now. Maybe a Little Monica or a BlueFairy.

What do you folks think? Thank you all for reading! —Mint

Hi! I see in your posts that there are names for the different types of hanfu...but i cannot tell the difference...would you be able to make a post on what the different types of hanfu are? If its too complicated thats ok!

Hi, thanks for the question! I covered the basic types of men’s hanfu here and here, so in this post I’ll describe the basic types of women’s hanfu. Resources on identifying different types of hanfu can be found in my reference tag.

- Ruqun/襦裙 - the most basic type of hanfu consisting of a top and a wrap-around skirt. The top is called “ru/襦” and the skirt is called “qun/ 裙”, hence “ruqun”. Sleeves can be narrow or wide. Generally speaking, people divide ruqun into two types based on the height of the skirt: “Qiyao Ruqun/ 齐腰襦裙” (waist-high ruqun) and “Qixiong Ruqun/ 齐胸襦裙” (chest-high ruqun).

“Qiyao Ruqun” is the kind of ruqun in which the waistband is on the waist. Both men and women can wear it. For women, the top’s collar can be parallel (left), crossed (middle), or u-shaped (right). Men’s ruqun are cross-collared only.

“Qixiong Ruqun”, on the other hand, has its waistband above the chest. The top’s collar can be parallel (left) or crossed (right). It’s only worn by women.

As seen in the photos above, ruqun is often accessorized with a long scarf called Pibo/披帛. Originally used to protect against wind and cold air, pibo gradually became an important feature of hanfu.

- Aoqun/袄裙 - a type of ruqun that became fashionable during the Ming Dynasty. It consists of a double-layered top called “ao/袄“ and a waist-high skirt (”qun”), hence “aoqun”. Unlike the “standard” ruqun that has the top tucked inside the skirt, the aoqun’s top is worn untucked, above the skirt. There are two types of “ao” - “short ao” and “long ao”. The “short ao” (left, right) reaches the waist, while the “long ao” (middle) covers the knees. Ao collars can be crossed (left, middle) or upright (right). Only worn by women.

- Unlike ruqun and aoqun which are made of separate top and bottom pieces, the Shenyi/深衣 style of hanfu consists of one-piece robes that wrap around the body once or several times. Quju/曲裾 (curved-hem robe) and Zhiju/直裾(straight-hem robe) are two types of shenyi. The quju (left, middle) is a robe in which the bottom hem of the left lapel spirals its way up to the waist of the wearer. Modern quju can come in a shortened version (middle) that reveals the skirt worn underneath. In contrast to the quju, the bottom hem of the zhiju (right) circles around levelly, creating a straight line. Quju and Zhiju are worn by both men and women.

- Beizi/褙子 - a parallel-collar “jacket” with side slits beginning at the armpit or at the waist. It can be secured at the front either with ties or a metal button. Extremely versatile, it can be long or short, have narrow or wide sleeves, and is worn by both men and women. During the Song Dynasty, it was popular to wear narrow-sleeved beizi over a chest undergarment and skirt/pants (middle). Another name for Ming Dynasty-style beizi is Pifeng/披风 (right). Pifeng collars can also be upright (not shown).

- Banbi/半臂 - a half-sleeve jacket worn by both men and women. It comes in various lengths and is usually worn over ruqun. Its collar can be parallel (left), crossed (middle), or u-shaped (right). When paired with ruqun, it can be worn tucked inside the skirt as well as over the skirt (untucked).

- Bijia/比甲 - a sleeveless jacket, usually worn over aoqun, that comes in various lengths and styles.

- Daxiushan/大袖衫 - large-sleeve robe commonly paired with ruqun. As its name indicates, its main feature is its broad sleeves. The length is at least 78 inches, and the width exceeds 40 inches. The material is generally thin and light, because it was originally created for wear in the summer.

Of course this doesn’t cover everything, but it describes the basic hanfu styles that appear most often on this blog. Hope this helps!