I Had A Fever Dream About Hrt Gummies

Be proud <3

guys how are they going to explain the punisher. like. yjh turns into a woman and now he can shoot guns better???? girlpower = gunpower??????

SO… ORVLA TRAILER CAME OUT THEY GAVE YJH A GUN

guys i was waiting until later in the day to look at kdj birthday stuff but i've just discovered the trailer and the gun memes instead ajhsakjsa heres my contribution

what happened on February 15th 2025

(have y'all seen the orv LA trailer💀?)

Thinking about Tenet again, and I'm actually so unwell about it

Like we don't even know the Protagonist's name but the story is all about him, and none of this could happen without him, and no one even knows his name.

And his 2 most important relationships are 2 people he's destined to lose.

He's never going to see Kat face to face ever again. He loves her. Is it romantic, is it platonic, is it just the act of two people who are treated like nobody seeing each other and feeling seen, idk, but the love is there. And they're never going to see each other again because they can't, because it's what's for the best. He's got too many potential enemies and she has to move on with her life, the safety of her son is her priority, and she can't sustain that if she's hanging around the Protagonist.

Don't even get me started on Neil. Neil, who recruits him. Neil, who is fated to die in order for the mission to be successful, Neil, who has to die to save the world. Neil, who is later/earlier on, recruited by the Protagonist. He has to know that when he sees Neil in the future, when he introduces himself again to a man who doesn't know him but who he knows so well he's haunted by him, that as soon as he recruits him, he's signing his death warrant. And he has no choice because the only options are the fate of the world and Neil, but I'm sure he still hesitates because it's Neil. How many hours do you think he wasted trying to find another solution, trying to find a way for Neil to live, only to fail and have to send him off to death anyway because Neil was right all along and, "What's happened's happened." And their timeline is all out of whack, they've each had their first meetings at different times in different orders. And Neil probably figures it out sometime that he's going to die and the Protagonist has lived through it once, because that's just the dangers of the field they're in. Meanwhile, the Protagonist must be counting down the days until Neil's final mission, until his past self meets Kat and Neil and learns about all of this.

Because it's not bad enough that he has to lose both of them once, he knows that in a way, he's going to lose them both again. At least one more time.

Anyway, I have to go lie down and scream don't mind me

Hmm I wanna start posting thoughts I have lol cause I think a lot

hey guys wouldnt it be cool to have a fandom shipping wiki page for seigi and richard?? no clue how it works to make one but i just think it'd be neat. could clear up what their ship name is bc i have no idea. i think ive seen someone use etra? when im ranting i use reigi lol

Ongoing stepladder debate

once again thinking abt ORV as one of the most brilliant and self-aware genre commentaries ever, cus' isekai/transmigration is-- in my experience-- a deeply lonely genre. the yearning to be plucked from the stress and apparent dead spiral of real life and dropped into a setting where you matter somehow. the fact that this transmigration is often by way of death, completely abandoning the real world, is particularly telling and... bleak. but whether it's a recognition of being 'the most baddass dude', the narrative satisfaction of trying to 'fix' the plot of a doomed story, or even just befriending characters we've laughed and cried for, we want so badly to be a part of something more.

and the way ORV recognizes that and doesn't mock it, but gently reminds us that... real life isn't removed from that. it may not be as straightforward and 'narratively' satisfying as a constructed story, but we can enact change in the world around us, and we can find connection and solidarity in others. the things we want from escapism are things we often can achieve in real life, at least on a small scale. if only we recognize the inherent depth and complexity of others as, y'know, fully-realized human individuals. hell, if we recognize ourselves as more than simple characters with set paths and tropes.

ORV takes every opportunity to remind us that we are not alone, no matter how bleak and isolated we feel. our lives are constantly touching others and vis-versa, and we leaves marks on the world we can't possibly predict. we matter, we always always matter