Oh yeah, I'm sure it's great. Yeah, I'm super interested. Unfortunately, I have a sneaking suspicion that it will absolutely devastate me, so.... I can't. Thanks though!
Anna Lea was in three songs and yet she has my heart and mind forever.
I really hope we all give a big applause to Anna Lea because she reached those high notes like her life depended on it only after to go with such a sweet change in what, seconds?
Queen, honestly, i hope she is hired in more things
Update on my Inscryption playthrough:
Originally nobody was talking about it, but Rucy posted a detailed list regarding the guidelines themselves. If you want full detail as to what exactly they want, you can go here.
LEVEL 5 has posted guidelines regarding how the content of the Professor Layton games should be shared. Although in Japanese, here is a link to their official Twitter post from their Layton branch. (Here is a link to the post itself in case the twitter one is taken down.)
It means that everything Level 5 related is at risk of being purged. This includes (but is not limited to) cutscenes and (some) gameplay. Yes, although it is only for the Layton series right now, they could push this for other IPs as well.
Originally, I thought to not worry as the guidelines were written in Japanese, therefore via common sense it'd be stupid if they went after English speaking content.
However, things can always change in the future, and after seeing Level 5 taking down an English speaking video featuring Level 5 gameplay just recently, it's enough to raise an eyebrow.
Preferably, archive whatever you feel needs archiving. We don't know a lot of details nor can foretell what the company may do, especially with media in other languages / outside of Japan, but it's best to be safe rather than sorry.
And when making content related to Level 5 on platforms such as YouTube, Tiktok, Instagram, etc, be wary and always have a backup. It's hard to say to also adhere to the guidelines as it's not officially translated, but if that were to happen, you should do that as well.
strong dominant woman vs weak pathetic man? (emmy and clive arm wrestling)
Layton39
I love your brain
@glassesglasses2 your request from october is finally complete
@justkillingthyme LINK?!??!?
I need to draw him getting socked in the face.
Hnnnnnnnnnnnn my heart 😭😭😭
You write so lovely ❤️
yes there's a lot of things to criticize about Star Wars but one thing i will always love it for is being so unabashedly tragic
i'm sure it's been said before, but one of the main things i think powers the SW fandom (fics in particular) is the (in)evitability of it all
time travel fix-its are one of the most popular sub-categories of fics that i've seen (for the prequels at least) but i see it much more rarely in other fandoms. i know each fandom has their own niches that they dig into but star wars fic writers took one look at this decades long story of people who were doomed from the start and said 'not in my house bitch'
and i'm never tired of it, because there's so many places where just one different action could have changed the story entirely, but didn't
was it over the moment Palpatine succeeded in feeding Anakin's fears and his distrust toward the Jedi? the moment the Sith gained control of the senate? what about when the war started, when the Jedi were made generals of men designed to be their executioners? what about when Dooku left the order? when Qui-Gon Jinn died, leaving barely-knighted Obi Wan Kenobi to raise a child he had no idea how to care for? when the Jedi massacred the Mandalorians at Galidraan, leaving Jango Fett primed (hah) for revenge? when Palpatine, and thus the Sith, first gained influence? when the Jedi were tied to the Republic, all the way back at the Ruusan Reformation?
there are so many little moments that turn into this huge web of cause and effect when you take a step back. and in canon, these characters are dooming themselves while we watch, but what reason do they have to do anything different? they don't know they're in a tragedy - its dramatic irony at its goddamn finest
but there's this thing about decisions: for it to be a choice, there has to be another option. and our heroes make their mistakes because that's what they do, while we aren't privy to that other option, leaving that little what-if. it's a favorite human pastime, to think about what might have been.
we start at episode 4, though, fourty or so years after what you could arguably call the start, and find ourselves watching the dominoes fall in place throughout 1, 2, and 3.
and we can hate the choices, hate the tragedy, hate what happened to our beloved characters, but we knew. we had the luxury of knowing.
it's a love story, it's political intrique, it's sci-fi at its finest, and they were dead from the start.
Roman Catholic female who's a little too neurospicy for her own good.
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