I Think The Hunger Games Series Sits In A Similar Literary Position To The Lord Of The Rings, As A Piece

I think the Hunger Games series sits in a similar literary position to The Lord of the Rings, as a piece of literature (by a Catholic author) that sparked a whole new subgenre and then gets blamed for flaws that exist in the copycat books and aren’t actually part of the original.

Like, despite what parodies might say, Katniss is nowhere near the stereotypical “unqualified teenager chosen to lead a rebellion for no good reason”.  The entire point is that she’s not leading the rebellion. She’s a traumatized teenager who has emotional reactions to the horrors in her society, and is constantly being reined in by more experienced adults who have to tell her, “No, this is not how you fight the government, you are going to get people killed.” She’s not the upstart teenager showing the brainless adults what to do–she’s a teenager being manipulated by smarter and more experienced adults. She has no power in the rebellion except as a useful piece of propaganda, and the entire trilogy is her straining against that role. It’s much more realistic and far more nuanced than anyone who dismisses it as “stereotypical YA dystopian” gives it credit for.

And the misconceptions don’t end there. The Hunger Games has no “stereotypical YA love triangle”–yes, there are two potential love interests, but the romance is so not the point. There’s a war going on! Katniss has more important things to worry about than boys! The romance was never about her choosing between two hot boys–it’s about choosing between two diametrically opposed worldviews. Will she choose anger and war, or compassion and peace? Of course a trilogy filled with the horrors of war ends with her marriage to the peace-loving Peeta. Unlike some of the YA dystopian copycats, the romance here is part of the message, not just something to pacify readers who expect “hot love triangles” in their YA. 

The worldbuilding in the Hunger Games trilogy is simplistic and not realistic, but unlike some of her imitators, Collins does this because she has something to say, not because she’s cobbling together a grim and gritty dystopia that’s “similar to the Hunger Games”. The worldbuilding has an allegorical function, kept simple so we can see beyond it to what Collins is really saying–and it’s nothing so comforting as “we need to fight the evil people who are ruining society”. The Capitol’s not just the powerful, greedy bad guys–the Capitol is us, First World America, living in luxury while we ignore the problems of the rest of the world, and thinking of other nations largely in terms of what resources we can get from them. This simplistic world is a sparsely set stage that lets us explore the larger themes about exploitation and war and the horrors people will commit for the sake of their bread and circuses, meant to make us think deeper about what separates a hero from a villain.

There’s a reason these books became a literary phenomenon. There’s a reason that dozens upon dozens of authors attempted to imitate them. But these imitators can’t capture that same genius, largely because they’re trying to imitate the trappings of another book, and failing to capture the larger and more meaningful message underneath. Make a copy of a copy of a copy, and you’ll wind up with something far removed from the original masterpiece. But we shouldn’t make the mistake of blaming those flaws on the original work.

More Posts from Everything-ornothing-aboutme and Others

In my bedroom but wanting to get home

never bothered watching the movie but I feel this frame on a spiritual level

Never Bothered Watching The Movie But I Feel This Frame On A Spiritual Level

I’ve realised that what I miss about fantasy is it being truly escapist. I miss it depicting places where I would actually want to go.

Every dang kid I knew waited for their Hogwarts acceptance letter. Reading the books and seeing it on screen gave you this warm, fuzzy feeling and a feeling of longing, even when they were in danger and fighting monsters and evil wizards, you want to be there.

You want to go to Middle Earth, see hobbits and elves and dwarves and run through this land of incredible beauty, mysticism and magic.

You want to be in the TARDIS, seeing the universe.

The more recent trend of fantasy is this gritty, dark realism and places where you would just never want to go. I don’t want to go to Westeros. I don’t want to be in The Hunger Games, I don’t particularly want to be in The Witcher universe. I’m living in the world of Black Mirror and I hate it.

Fantasy used to say “hey our world kinda sucks but here’s a cooler one”, but now it says “hey our world kinda sucks, but here’s an even worse one.”

That isn’t to say that the above are bad. They’re not. 

But I miss beautiful, escapist fantasy that gives me a break. That takes me somewhere magical, somewhere otherworldly and gives me messages of hope and optimism in the face of darkness. I really, really miss that.

Suzanne collins wrote a trilogy where a main media propaganda strategy was to market a horrific act of violence as a love story to distract ppl and then it got adapted into a box office breaking movie and ppl made it all about the love triangle. so then since they didn’t get the point the first time Suzanne collins wrote a prequel story about the main dictator and she makes it so that you as a reader want it to be a genuine love story so badly even tho it’s so very clearly not and instead feels extremely unsettling to make her point even more meta which then gets adapted into another box office breaking film and now ppl are making romantic snowbaird tik toks. do u think she’s gonna write another book that’s somehow even more blatant or just give up and start executing ppl? hard to say but I wouldn’t blame her for the second one

annabeth trying to dismantle a GOD's unbeatable machine because her fatal flaw is hubris and percy just knowing he was going to sit on the machine because his fatal flaw is loyalty THIS FUCKING WRITERS ROOM PLEASE SPARE ME

My neighbour has been trying to learn how to play the trumpet. And I say trying becAUSE AFTER 5 FREAKIN YEARS HE MAKES ME CRY EVERY TIME HE STARTS PLAYING UNDER THE SEA

Like i know i cant sing but thats another level revenge


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how do i talk about my loneliness? do i say it’s more a sense of alienation than anything else? do i want to risk naming the thing, to excavate the ruins of my old self? she is still here; a ghost, a haunting. maybe i am just made of echoes, never a real voice or an authentic sound but the remains of something. i am leaning towards the horizon like a flower towards sunlight but i am rooted. do i say that i have even forgotten how to write? words used to bubble out of me when i looked at a blank page, like freed prisoners or escape artists. now the words die on my tongue, like a betrayal. maybe i’m just tired. maybe it’s just weariness, a profound fatigue that precludes everything. i am a smudge. negative space. defined by things unspoken. wordlessness, a loaded silence. a loaded gun. how do i talk about the reasons why i cry myself to sleep at night without turning it into a cliché? how do i talk about the mood swings, the anger, the roiling mess of god-knows-what in my chest and in the pit of my stomach that i am no longer empowered by? where do i put the anger, the mourning? if not released by expression, then can i find a way to be a good cage for my restlessness? can i be a good ruler so melancholy doesn’t curdle into rage? now even the words on the page look hollow, lifeless. i realise i have been giving up for quite some time. it does not feel like relief. this whole time, i have been nursing a revolution inside me. i feel mutinous—against the world, against myself. if i cannot put my insecurities into poetry, if i cannot make my ugliness poetic, then i’m afraid there’s nothing left. do i say that sometimes i am seized by episodes of grief, facing the emptiness and silence pressing in around me, pulsing from within me, until i either suffocate from the claustrophobia or implode like a star? do i say that i am sick of trying, sick of feeling like i should give up, sick of needing to let go when holding on is the only thing i’m good at? do i say that i am a fundamentally hopeless person, oscillating between cynicism and optimism every day until i give myself whiplash? do i say that a scream has been building inside of me, drowning out the silence, perhaps even replacing it, but i do not have the freedom to voice it? do i say that my existence has been lined with incompleteness? do i say that i confuse solitude with agency, anger with redemption, and numbness with respite? do i say what i have never allowed myself to say before—that i am tension yet i persuade myself into thinking i am at peace; that i am always trapped in the push and pull of opposing inner forces, the old coward and the new fool; that i am a contradiction, egoistic yet self-effacing? my life is a perpetual attempt at reconciliation. i crave attention, recognition, care, clout—i know some part of me believes i am owed these things—yet every material accomplishment i am forced to call my own exists to negate this vision of myself, which is a delusion, at the end of the day. i think i am going insane. when push comes to shove, i stumble and fall. there is no rationalising my way out of this labyrinth of desires and dreams and disappointments. i am outlined in discrepancies, built up by expectations and then torn down by reality. is this loneliness? is keeping yourself to yourself strength or denial? the inarticulable parts of me i hate the most, yet they are a spectre that haunts me, a shadow self that i want to fistfight but am too jaded to. i am alienated from myself. i am fragmented, compartmentalised to the point of no return. i never bring my whole self towards anything; i don’t even know what wholeness is. everything matters, then none of it does. i am in limbo, neither heaven nor hell but a kind of purgatory, a small place where only i exist. it’s the solipsism of the depressed that i take refuge in, and at the same time want to disavow. is this loneliness, then? being too ashamed of these unflattering details of yourself to voice them out, so you have to carry them like a burden, and it ends up defining who you are anyway?

The Companion To My Other Post About Jason Braiding Reyna’s Hair—i Like To Think That Jason Used

the companion to my other post about jason braiding reyna’s hair—i like to think that jason used to do these very neat, practical braids for her and she only started wearing the side-braid everyone draws her with after jason disappeared :’(

image

obsessed with the implication that both Keira Knightley and Orlando Bloom are aware of their influence over baby bisexuals and also approve of it [x]

Seguir leyendo

I know that we've gotten 500 unnecessary Twilight retellings but what I really want is a retelling of Mockingjay where instead of Katniss getting rescued at the end of CF, it's Peeta, and he spends at least half the book gaslighting, gatekeeping, and girlbossing his way through this entire situation, completely derails Coin's attempts to use him as a political mouthpiece by weaponizing her own manipulation against her, and in general being an insufferable nuisance who is just so good at charming everybody into siding with him that Coin gives up and agrees to rescue Katniss

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everything-ornothing-aboutme - A bit of everything
A bit of everything

Ironic that here you can know more about me than anywhere else. (English isn't my first language, sorry for any mistakes.)

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