I’ve realised that what I miss about fantasy is it being truly escapist. I miss it depicting places where I would actually want to go.
Every dang kid I knew waited for their Hogwarts acceptance letter. Reading the books and seeing it on screen gave you this warm, fuzzy feeling and a feeling of longing, even when they were in danger and fighting monsters and evil wizards, you want to be there.
You want to go to Middle Earth, see hobbits and elves and dwarves and run through this land of incredible beauty, mysticism and magic.
You want to be in the TARDIS, seeing the universe.
The more recent trend of fantasy is this gritty, dark realism and places where you would just never want to go. I don’t want to go to Westeros. I don’t want to be in The Hunger Games, I don’t particularly want to be in The Witcher universe. I’m living in the world of Black Mirror and I hate it.
Fantasy used to say “hey our world kinda sucks but here’s a cooler one”, but now it says “hey our world kinda sucks, but here’s an even worse one.”
That isn’t to say that the above are bad. They’re not.
But I miss beautiful, escapist fantasy that gives me a break. That takes me somewhere magical, somewhere otherworldly and gives me messages of hope and optimism in the face of darkness. I really, really miss that.
there's actually more at someone's old and dead sideblog that i found like two minutes ago while researching this autistically
@youtriedstars
annabeth trying to dismantle a GOD's unbeatable machine because her fatal flaw is hubris and percy just knowing he was going to sit on the machine because his fatal flaw is loyalty THIS FUCKING WRITERS ROOM PLEASE SPARE ME
made too many jokes abt being sexy and cool and accidentally developed an ego
People talk about District 12’s meadow being a graveyard after the war, but if you think about it, the entire district is a graveyard.
Many of my ancestors do not have graves because they died in coal mining accidents and no one bothered to take their bodies out because it was too expensive. My dad can even point out where they are. There are warehouses built on top of essentially a graveyard, but that apparently doesn’t matter because they didn’t have enough money to be important.
Think about how many people are underneath District 12 because they were never gotten out of the mines. It was a district built on top of death from well before the war.
Katniss is such an unreliable narrator. She says "Then something unexpected happens. At least, I don't expect it because I don't think of District 12 as a place that cares about me" girl you deliver strawberries to the Mayor, you hunt and trade for the district, when you fell at Prim being chosen someone caught you, when you went to Prim people parted for you, when you volunteered EVERYONE stopped. Idk how to tell you but I think you're a pillar of the community.
I've enjoyed episode 3 the most so far, but I think the show is still struggling to find a good balance between taking itself seriously and the absurdist humor that RR writes with. My main takeaways:
The Fight Scenes (or Lack Thereof?)
It seems very peculiar to me that the show is just speed running through its battle scenes. Again, it feels very much like the product of Disney trying to sanitize anything that's too extreme?
The trio fleeing from the kindly ones in the book ended with Percy taking control of the bus and then crashing it. It explodes. They lose all of their stuff (money, food). In the show, they simply bail out the back window. No true panic. No tension. Just, okay :) we're leaving now :)
The Medusa Scene. I'll speak more to this later, but in terms of the fight we get to see... well we get to see nothing. Apparently this fight required us to view it through the lens of the invisibility cap (ie. not at all),
I understand this show is intended for a younger audience, but the books are as well. Even the movies, which are pg, came up with better ways to show things without necessarily showing things. As a result, it feels like anything that might induce the slightest bit of tension or fear are sanded down and its honestly doing such a disservice to the books and the audience.
Medusa
I actually really liked this portrayal of Medusa. The 1950s housewife vibe landed well for me. And I loved the actress's voice -- very soft and soothing but always sounding as if she were just about to cry.
Also, I really liked her dialogue. Her digs at Athena and Poseidon were perfectly tragic.
That being said, I really prefer the trio's arrival to the emporium in the book. In the books, they've been wandering the woods and are lost and exhausted and hungry because of the battle/bus crash where they've lost all of their stuff. It almost feels like the emporium popping up "out of nowhere" was more of it finding them.
Meanwhile in the show, Grover finds it through scent on a satyr path and they immediately know its Medusa, which imo takes out so much of the fun of it all??? In the books, they dont know. Grover's just like, freaking the ever living fuck out, and clearly Percy and Annabeth have let him take sole custody of the shared brain cell, cause they're more concerned about getting some food than anything else
Just... RIP dumbass shenanigans
And honestly, I'm not really sure what necessitated the change here in the show (of them not being tricked). It would have been one thing if they were going to change Medusa entirely to not wanting to harm them at all, but imo, I think its arguable/evident that show Medusa was looking for an excuse to petrify Annabeth and Grover (at minimum) regardless of anything.
Honestly, I would have had the show loosely play it out as: book arrival (they dont know its Medusa), keep the dumbass energy and banter, the trio figures out it Medusa while they're eating, Medusa is the more sympathetic version we see in the show, regardless it still ends with the battle.
Also, I do mourn the book battle. The panic and absurdity is just handled better imo. Annabeth shoving them off the bench, Grover flopping all over the place with the shoes but actively getting a good few hits in, Percy having to use to the reflection to behead her... the #TeamWork was emphasized a little more there to me.
Characterization
I think the show is absolutely nailing certain parts of the characters.
They've gotten Percy's anger and his derision towards the gods down. But, I think they're actually underscoring some of his, idk, sincerity? His kindness? It was the line "she met a pinecone's fate" that just rang off to me. While undoubtedly funny, it's just such a stark difference from his reaction to Thalia's story in the books, where he was unsettled by her fate and felt a sincere sympathy for her. The line in the show I assume is meant to criticize the gods, but still, it feels like it comes at the expense of the sensitivity that he has.
They've gotten Annabeth's bluntness, intelligence, pride, and superiority down cold. No question about it. But I feel like they just need to let her be more of a 12yo kid?
Like. In canon she and Percy banter and argue over the silliest of things. She plays hacky sack with Grover and Percy. She blushes and hyperventilates when Luke interacts with her. Episode 3 is like the first time we've gotten to see her do something remotely childish (buying all that candy) and I'm just dying for more of that!! She's not the "mom" of the group and she has her canon dumbass moments. I'm hoping more of this is captured moving forward. They've gotten a good start on the banter, but let Annabeth be more silly! Cause she is!
(Absolutely none of my personal qualms about the characterization are Walker or Leah's fault. They've done amazing. It's the writing/directing I'm side-eyeing).
OH! And I'm sorry but Percy being like "Annabeth we're going to bury medusa with your hat on" would have never ever flown with Annabeth. In no world.
But Grover eating them up at the end? Iconic. Good for him.
Suzanne collins wrote a trilogy where a main media propaganda strategy was to market a horrific act of violence as a love story to distract ppl and then it got adapted into a box office breaking movie and ppl made it all about the love triangle. so then since they didn’t get the point the first time Suzanne collins wrote a prequel story about the main dictator and she makes it so that you as a reader want it to be a genuine love story so badly even tho it’s so very clearly not and instead feels extremely unsettling to make her point even more meta which then gets adapted into another box office breaking film and now ppl are making romantic snowbaird tik toks. do u think she’s gonna write another book that’s somehow even more blatant or just give up and start executing ppl? hard to say but I wouldn’t blame her for the second one
😭😭😭😭
Love how tumblr has its own folk stories. Yeah the God of Arepo we’ve all heard the story and we all still cry about it. Yeah that one about the woman locked up for centuries finally getting free. That one about the witch who would marry anyone who could get her house key from her cat and it’s revealed she IS the cat after the narrator befriends the cat.
i’m gonna cry it’s raining right now and i just passed by a family where both parents were without an umbrella but their kid who couldn’t have been older than like 3-4 was proudly holding this GIANT umbrella whose diameter was as tall (if not taller) as the kid. both the parents were getting absolutely drenched but u could tell the kid was just so happy to have an “adult” task and carry the umbrella themselves and i think that sacrifice is what love is all about
Ironic that here you can know more about me than anywhere else. (English isn't my first language, sorry for any mistakes.)
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