Wow... This Is Absolutely Perfect ☝🏻

Wow... this is absolutely perfect ☝🏻

Why the SPN mixtape scene from 12x19 is screenwriting gold, and should be taught to the next generations of screenwriters everywhere - analysis

20 seconds. Two lines of dialogue, three gestures, a couple more camera angles. Episode 19, season 12 of a genre TV show “Supernatural”. A single strike of screenwriting and cinematic genius. The mixtape scene.

Robert Berens and Meredith Glynn, I bow before you.

This scene should be used as an example for future screenwriters how you can put maximum of meaning into minimal time and dialogue. Should be analyzed and taught at universities everywhere, how to achieve the most using the least. How to write for TV, where you only have less than an hour to built something spectacular.

WOW.

Let’s just peel off all the layers of these 20 seconds of footage and these 13 words. 13 WORDS.

(Cas knocks, Dean doesn’t say anything. Cas opens the door, apologizes for disturbing Dean in his room, and then takes a cassette tape out of his left inside coat pocket, and puts it on the desk, while tapping the label on it that says “Deans (sic!) top 13 Zepp traxx”.)

Cas: Um, I just wanted to return this.

Dean: It’s a gift. You keep those.

13 tracks. 13 words. The future. So number thirteen is important for the future. I mean, are you trying to tell us something here, writers?

(Dean takes the tape, oustreches his arm, and gives it back to Cas. We see Cas’ hand grabbing the tape, and taking it back.)

That tiny scene is ENORMOUS from the perspective of the narrative and the characterization. Let’s see what we can get out of it. (Prepare yourself: it’s gonna be long. Damn, how much meta can you write based on 20 seconds of television and two lines of dialogue?) (Hint: A lot.)

Weiterlesen

More Posts from Elliotandeni and Others

4 years ago

this scene is purely sebastian stan

3 weeks ago

Being a writer is so nice because I just realized that all the headcanons I have about my OCs can easily become canon if I want to and that made me feel so … powerful.


Tags
4 years ago
SEBASTIAN STAN As Mickey Henry In MONDAY (2019) — Dir. Argyris Papadimitropoulos
SEBASTIAN STAN As Mickey Henry In MONDAY (2019) — Dir. Argyris Papadimitropoulos
SEBASTIAN STAN As Mickey Henry In MONDAY (2019) — Dir. Argyris Papadimitropoulos
SEBASTIAN STAN As Mickey Henry In MONDAY (2019) — Dir. Argyris Papadimitropoulos
SEBASTIAN STAN As Mickey Henry In MONDAY (2019) — Dir. Argyris Papadimitropoulos
SEBASTIAN STAN As Mickey Henry In MONDAY (2019) — Dir. Argyris Papadimitropoulos
SEBASTIAN STAN As Mickey Henry In MONDAY (2019) — Dir. Argyris Papadimitropoulos
SEBASTIAN STAN As Mickey Henry In MONDAY (2019) — Dir. Argyris Papadimitropoulos
SEBASTIAN STAN As Mickey Henry In MONDAY (2019) — Dir. Argyris Papadimitropoulos
SEBASTIAN STAN As Mickey Henry In MONDAY (2019) — Dir. Argyris Papadimitropoulos

SEBASTIAN STAN as Mickey Henry in MONDAY (2019) — Dir. Argyris Papadimitropoulos

6 years ago

Scenes I need...

Peter Parker: -on meeting Loki, offers his hand- Hi, I’m Peter!

Loki: -shakes his hand- Loki of Asgard.

Peter: Aren’t you like…a bad guy?

Loki: It varies from moment to moment.

Peter: So like…on a scale of one to ten, ten being the worst evil imaginable, like…killing puppies, and one being I’ll spit on your hotdog…where are you right now?

Loki: …maybe a three?

Peter: Cool. Lemme know if it gets above a six.

Loki: -thinking- I like him.

3 weeks ago
There Are A Lot Of Bad Things Every Day But I Think Standing In The Sun And Watering The Strawberries

There are a lot of bad things every day but I think standing in the sun and watering the strawberries really does make everything a little less bad 🍓


Tags
5 years ago

Me basically. And literally.

elliotandeni
7 years ago
Idk If This Was Made Already (apologies If So) But I Noticed Jensen Has A Peculiar Way Of Unconsciously
Idk If This Was Made Already (apologies If So) But I Noticed Jensen Has A Peculiar Way Of Unconsciously
Idk If This Was Made Already (apologies If So) But I Noticed Jensen Has A Peculiar Way Of Unconsciously
Idk If This Was Made Already (apologies If So) But I Noticed Jensen Has A Peculiar Way Of Unconsciously
Idk If This Was Made Already (apologies If So) But I Noticed Jensen Has A Peculiar Way Of Unconsciously

Idk if this was made already (apologies if so) but I noticed Jensen has a peculiar way of unconsciously allowing himself to let on public displays of affection towards other men - in this case, Misha. And this impacts his performance as Dean. 

Things we know for sure:

Jensen seems to always end up close to Misha, and one way or another finds himself touching Misha (more than he does other people he works with)

Misha is soft and tender towards Jensen (even if he tries to bro-slap Jen, it comes out as a lingering caress)

Jensen believes in a solid traditional concept of masculinity (perceptible by some comments like “real men do this/have this”, etc..) 

I don’t intend to psychoanalyze Jensen or judge him for some of his core beliefs. I do think, however, that all metas in this world are not enough to fully understand Dean and Cas relationship if we don’t consider the dynamics between the actors who play them. In order to understand why Dean acts the way he does in certain situations, we can’t ignore Jensen’s personality, and his relationship with Misha. I’ve found some of the bro-slaps and rough manhandling a bit inappropriate for some of the emotionally charged scenes, and now I’m pretty sure they weren’t scripted at all. I always thought this was Jensen’s way of bro-ing up Dean and Cas’ relationship but I wasn’t aware how much of it was not deliberate/intentional. 

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Women are raised to be (more) at ease in what concerns developing intimacy with same gender friends. They’re not scolded or marginalized by saying “I love you’s” and openly showing affection towards one another. Masculinity, on the other hand, traditionally establishes itself by the rejection of all traits associated with the feminine. An anti-femininity, if you will. Femininity - traditionally - includes not only intimacy with other women but liking men. Involves allowing them to touch you in intimate ways (I know it sounds like a bunch of crap in 2017, but gender norms have been shaped and defined by these principles for centuries). 

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There’s a part of born-and-raised-in-Texas-Jensen that rejects the idea of having intimacy with other men. His knee-jerk reaction is “hell, nah, I gotta go”. It’s not even about sexuality, it’s about his idea of manhood, and gender boundaries. Here lies, I believe, the reason why we don’t see Dean being as physically affectionate towards Cas as it would seem natural in their story. Jensen sees Dean as the manliest man there is, in some ways he even admires and looks up to him - as a reference. What Jensen - thinks he - has control over, is the definition of said boundaries: Cas is Dean’s bro. He runs with this even though he knows it’s more complex than that. What Jensen can’t see, is how that mask - the boundaries, the effort, the whole thing - goes up in flames with a single off camera (and set) interaction with Misha. 

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Most men are raised to only seek intimacy with women, and they crave it with other men, with their friends. Once they feel their manhood is no longer being questioned all the time, once they settle down in a het relationship, have a bunch of kids and their social status is unquestionably secure, they start to allow themselves to experience small portions of intimacy with other men. And I mean, closeness, tenderness, gentleness in the touch. Allowing themselves to feel and be felt by their friend without having to school their facial expression, or recoil from their touch wondering what it looks like from the outside - without worrying about what people will think.

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We sure enjoy the show he and Misha put up on every Cockles panel. The innuendos are fun, messy and liberating, but Jensen has shown, more often than not, to actually be drawn to Misha. His body language indicates he gravitates to Misha whenever he can, even if so ever slightly, he will turn towards Misha, look him in the eye, study his reaction after every comment, every remark. There are countless posts on here pointing out just how differently Jensen carries himself around Misha vs everyone else on the set. We can see it. What we don’t always see, so well, is Jensen’s inner struggle to reestablish boundaries with someone who keeps making him tearing them down - Misha. What I’m getting at is that, something as impersonal as a shoulder-slap is charged with meaning coming from Jensen. Dean doing it towards Cas, shows this is Jensen’s definition of love between men, of affection - matter of fact, as affectionate as he can bring himself to be in public. It says “I love him, and were he a she, I would kiss him on the cheek”.

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We can’t fully understand Destiel and the feelings involved without looking into certain attitudes the actors (let) bleed out to the characters. The same way, some of the the teasing and - downright - filthy looks Dean gives Cas, actually result of Jensen teasing Misha during shooting. When Jensen allies with Jared and tries to make Misha break character by flirting with him, making R rated comments, sexual innuendos, etc… Which, by the way, is what I call - flirting. One thing is to shove a broom or whatever between Misha’s legs to make him break character like Jared is fond of, another entirely different is to sexually tease and frustrate Misha. Jensen knows the power (and I had to make an effort to not type “influence”) he has over Misha, and he likes it enough to keep using it. The real question is how much he gets off on this bizarre dynamic.

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We should discuss more often about how when it comes to Dean and Cas, the writers do not script what we love to gif over here: the longing looks, the sexy tease, the checking out mode… Whereas, the distance between them is planed and set by marks on the floor to fit the camera angles, the mannerisms, facial expressions and looks are mostly Jensen and Misha. 

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What I find intriguing about the bro-slap is how it contrasts immensely with Jensen’s body language towards Misha. He wants to touch Misha. Whether in unscripted scenes or off camera, Jensen wants to touch him. No one is making him reach out to touch him every chance he gets, be it a shoulder/back/chest slap, a hand on his shoulder or back, putting his arm around him, or rubbing shoulders… it is obvious that Jensen craves that touch, that intimacy, even if (and probably, I’d say) he doesn’t realize it. So his brain offers him a way out, a coping mechanism to touch Misha in a way he’s comfortable with, he can touch him all he wants as long as he’s rough and manhandles him. Mainly when he’s hyper aware of thousands or even millions of eyes on them. I don’t believe for a minute Dean would bro-slap Cas in private, not at this stage, not with their story, I do believe those scenes are Jensen giving himself permission to have some men-on-men intimacy. Oddly enough, for such a careful actor, Jensen, sure knows how to school his body movements in public but can’t seem to be able to exercise control over his facial expressions, eyes, or his unruly eagerness when interacting with Misha.

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5 years ago

Is there a specific Peter/Tony overprotective moment that warms your heart the most?

YES!

All of Infinity War. 

He was so overprotective with him in this. Always standing between him and other people, standing close by, standing in front of him. Never taking his eyes off of him, getting defensive all the time for him, not minding the close contact at all (probably because he needed it too)

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never taking his eyes off of him…

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6 years ago

This is beautiful and melancholic and unbelievable sad. But it sums up humanity in a perfect way and reading this gives me hope that there are still a few good people out there.

gosh but like we spent hundreds of years looking up at the stars and wondering “is there anybody out there” and hoping and guessing and imagining

because we as a species were so lonely and we wanted friends so bad, we wanted to meet other species and we wanted to talk to them and we wanted to learn from them and to stop being the only people in the universe

and we started realizing that things were maybe not going so good for us– we got scared that we were going to blow each other up, we got scared that we were going to break our planet permanently, we got scared that in a hundred years we were all going to be dead and gone and even if there were other people out there, we’d never get to meet them

and then

we built robots?

and we gave them names and we gave them brains made out of silicon and we pretended they were people and we told them hey you wanna go exploring, and of course they did, because we had made them in our own image

and maybe in a hundred years we won’t be around any more, maybe yeah the planet will be a mess and we’ll all be dead, and if other people come from the stars we won’t be around to meet them and say hi! how are you! we’re people, too! you’re not alone any more!, maybe we’ll be gone

but we built robots, who have beat-up hulls and metal brains, and who have names; and if the other people come and say, who were these people? what were they like?

the robots can say, when they made us, they called us discovery; they called us curiosity; they called us explorer; they called us spirit. they must have thought that was important.

and they told us to tell you hello.

5 years ago

I love this SO MUCH

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IronDad Bingo: Holidays

Tony laughed as Peter came bounding in to the lab, cheeks flushed from the cold. It took Tony a second to realize that Peter was carrying something, a little too concerned with how red his cheeks were - making a mental note to readjust the heaters in the kid’s suit. 

“Where’s the fire, kid?”

Peter smiled, planting the package - a present, from the haphazard wrapping job - on the lab desk. “Happy Boss’ Day, Mr. Stark!”

Tony blinked, before turning to face him. “Happy… what?”

Weiterlesen

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