one thing that really gets me in rotj is when luke is first captured, right as he’s calmly insisting that vader still has good in him, vader (standing behind him) ignites his lightsaber and you see this flicker of fear on luke’s face, then acceptance. i think luke went into this situation knowing conceptually that he would probably die, but this is the moment where the reality of that sets in, and he really has to accept the possibility that his father might destroy him and decide again whether he trusts him not to
I haven’t platonicposted in a while
Headcanon: Bilbo eventually evolves into something of a Santa Claus figure to Hobbits.
“It became a fireside-story for young hobbits; and eventually Mad Baggins, who used to vanish with a bang and a flash and reappear with bags of jewels and gold, became a favourite character of legend and lived on long after all the true events were forgotten.”
Mad Baggins was remembered for randomly appearing with money, but Bilbo Baggins was well known for being extremely generous with his, especially to people who weren’t too well off. Frodo, of course, is just as free with his fortune as Bilbo was, as is Sam when he comes into it, and even Lobelia with what she has left after Saruman’s occupation, and as “Baggins” begins to decline as a name, it becomes somewhat synonymous with charity, and this gets mixed up in the legends about Bilbo’s funny adventures and ridiculous stories until everything’s too tied together to separate.
Bilbo would give out lots of gifts in the winter, to ensure everyone had warm clothes and a roof that didn’t leak, which is how he eventually became tied to Yuletide, and the legends start out as, “Mad Baggins will share his fortune with those who truly need it,” and eventually evolves into, “Good little Hobbitlings might get gifts from Mad Baggins,” and there are all sorts of pageantry and games, like someone will dress up as Mad Baggins and use Hobbit stealth magic and sleight of hand to “appear” in various places, set off a firecracker, and then run for it, and anyone who can catch him can have some candy out of his bag.
Long after Hobbits stop having dealings with Dwarves, and perhaps even after they stop believing in them altogether, they become mystical figures attached to the Mad Baggins legend, coming and going as they please and answering to nobody; anybody who catches a Dwarf may get cursed, but they also may win a treasure off of them like nothing else (and the curses, of course, are the sorts of dreadful things Hobbits can think of; thin foot-hair for a season, or never finding something until you’re looking for something else).
You know those creepy ornate woodland Santas, or like, the horrible Victorian illustrations? They have those too: Mad Baggins (a bright red nose and curly golden hair around his ears, bald on the top of his head and wearing boots of all things) accompanied by thirteen dwarves and a troop of ponies, passing out gifts and then disappearing with more than Hobbit skill. But the classic image of Mad Baggins, the one that springs to mind when children think of him, and appears in whatever their version of The Night Before Christmas is, garbs himself in green and silver and carries a sword (quite an outlandish thing among Hobbits!), and laughs often, being a great lover of song and good food and drink and practical jokes.
And if sometimes the perfect gift does appear out of thin air with no reasonable expectation, well. They say he learned from wizards too, and even though all things are diminished in the latter days, nobody ever said they were going to dwindle to nothing, did they? And it sits well with certain entities that at the end of the day, this is what’s left of a certain Dark Lord’s legacy; a legend borrowing the incidental property of his magic talisman to grant invisibility to bring gifts to children.
Eilonwy held up the golden ball. He took it, cradled it reverently in his hands, and whispered something she could not make out. He looked her in the eye. “Did you know this was your mother’s?”
Warm gladness bloomed in her chest. “I thought it might be,” she said, “because I couldn’t imagine Achren giving it to me. But I wasn’t sure. She never tried to take it away.”
“No,” Gwydion said, that wistful smile back on his face. “She coveted it, beyond a doubt, but it would have done nothing for her. But for you…” he hesitated. “Can you use it?”
“I can do this.” She took it back and cupped the smooth sphere, raised it glowing before his face. A spark of glimmering gold mirrored it in both his eyes. She felt from him a rush of emotions so palpable it almost knocked her over, too many, too intense even to unravel one from the other. He was looking at the light as though transfixed, and with an effort that felt like a dam breaking, he tore his eyes away and gently pushed her hand down, blocking the glow from his vision.
Rewatching the pilot for comfort reasons, and the way Coulson approaches May in the office about wanting her on his team... Tells her it's not a combat op gig, how they'd be the ones picking the ops, making the calls... No red tape... And he quips with his stupid smirk, amused, "This is where they actually make the red tape, isn't it? I always wondered."
She smiles. She misses it. Misses the action. Misses him. She confined herself to a desk bc she couldn't trust herself in the field after Bahrain. She can't get hurt again at a desk (besides a nasty paper cut 💀)... But that doesn't mean she doesn't miss her old life in the field. She just prioritized keeping her emotions securely under lock and key over what she wanted bc it's what she thinks she deserves after what happened. She can't afford to hurt anyone else. It's safer this way for everybody.
Thank goodness one (1) Phillip J. Coulson convinced her to leave the desk and red tape creation behind to "just drive the Bus." 🥹🫶🏻
The Annux Attolis Eugenides, lounging languidly where his wife might notice.
Shared on this blog at the request of the creator, a Queen's Thief fan without a tumblr account, who wanted to make it available for public enjoyment.
Special bonus lineart (Color your own Annux Edition)
consider: teenagers aren’t apathetic about everything they’re just used to you shitting all over whatever they show excitement about
HELLO HI YES YOU
ARE YOU GETTING TIRED OF A LOT OF RECENT MCU PROJECTS BC THEY JUST REPEAT THE SAME ASPECTS AND THE CHARACTERS DON'T SEEM TO EVER SHOW UP AGAIN
ARE YOU LOOKING FOR SOMETHING MCU-ADJACENT BUT NOT TO THE POINT OF REWATCHING ALL THE MOVIES?
THEN MAY I PRESENT TO YOU: AGENTS OF S.H.I.E.L.D.
COMPLETELY MCU WITH THE PLOTS WE KNOW AND LOVE ONLY DONE CONSIDERABLY BETTER THAN THE MCU EVER COULD
FOUND FAMILY!! PINING!! ANGST!! SEASONS-LONG RELATIONSHIPS!! WHAT MORE COULD YOU WANT
TRY AGENTS OF S.H.I.E.L.D. TODAY
I hate the term "religious guilt" because most people who use it are severely muddling up (a) religious OCD (b) some messed up heresy like "it's wrong to be happy" (c) religious doctorine you don't agree with but aren't sure whether you're right not to
Christian FangirlMostly LotR, MCU, Narnia, and Queen's Thief
277 posts