The Annux Attolis Eugenides, lounging languidly where his wife might notice.
Shared on this blog at the request of the creator, a Queen's Thief fan without a tumblr account, who wanted to make it available for public enjoyment.
Special bonus lineart (Color your own Annux Edition)
“and the tune he played made lucy want to cry and laugh and dance and go to sleep all at the same time.”
final outcome from a college project!! we had to illustrate a section from a story and i would never pass up an opportunity to draw my babygirl mr tumnus <3
(close ups under the cut)
Eu fiz essas ilustrações durante o Dia dos Namorados de 2022, eu amo demais esse projeto! “Uma moça inteligente e determinada, que para salvar seu pai de uma dívida, vai trabalhar na mansão de um jovem veterano da Segunda Guerra, recluso e amargurado pelas cicatrizes em seu rosto devido ao campo de batalha.” >>> I made these during brazilian’s Valentine’s Day 2022, and I love it so much! “An intelligent and determined lady, to save her father from a debt, decides to work on a manor of a young, World War II vet, recluse and bitter due to the scars in his face caused by the battlefield.”
im curious . only count weddings that you like, remember. i went to one when i was 1 year old and that doesnt count
reblog for sample size etc etc etc
Petition to start referring to Susan Pevensie's arc as "The Tragedy of Susan" rather than "The Problem of Susan." Her arc is not defined by the "problem" of growing up; it is the tragedy of forgetting she is a queen.
In Prince Caspian, we see the seeds of this. "It's no good behaving like kids now that we are back in Narnia," Peter tells her when she is afraid of entering the treasure chamber in the ruins of Cair Paravel. "You're a Queen here." Aslan does not chide her for being too grown-up to believe in him; he lends her his breath for bravery so that she can stop listening to her fears. Susan's "problem" in this book is in fact that she behaves more like a child than a queen.
In many ways, Susan's arc parallels Prince Rilian's in The Silver Chair. He is the Lost Prince; she becomes the Lost Queen. He is enchanted to forget who he really is. The Green Lady twists his birthright so that he is going to conquer his own land and rule as a usurper--the land where he is meant to be the rightful ruler! He unconsciously trades his role as the true prince for a false kingship (similar to Edmund trading his birthright as a true king of Narnia for the Witch's false promise to make him a prince ... hey, you'd almost think this was a theme or something).
Susan likewise trades her identity as queen for a false substitute in England, exchanging the substance for the shadow. She is a child pretending to be a grown-up, not actually being grown-up. Lewis never says there's anything inherently wrong with "lipstick and nylons and invitations," but they are merely the outward trappings of society. What makes a person a king or queen comes from inside. When Rilian returns to Narnia, he is instantly recognized for being a prince, despite his lack of a crown or any of the other formal trappings of royalty. He is recognized because he is no longer hidden by the armor of the Green Lady--and so he looks like himself. In fact, he not only looks like himself, he looks like his father. (Which is also how Lord Bern recognizes Caspian in the Lone Islands, despite Caspian not having any outward proof of his kingship--Caspian looks and sounds like his father. Shasta is recognized as a prince because of his resemblance to his brother--oh hey, we've got another theme going.)
Susan has put on the armor of the world, and in doing so has lost herself as queen. That is what makes her arc a tragedy. But! There is always, always hope. Rilian is rescued. Shasta is restored to his true identity as Prince Cor. Edmund is redeemed. Aslan breathes on Susan. Caspian's kingship restores right order to the Lone Islands. No one is ever irredeemably lost.
Once a king or queen of Narnia, always a king or queen of Narnia.
Even when they themselves have forgotten who they truly are.
Hey students, here’s a pro tip: do not write an email to your prof while you’re seriously sick.
Signed, a person who somehow came up with “dear hello, I am sick and not sure if I’ll be alive to come tomorrow and I’m sorry, best slutantions, [name]”.
War of the Rohirrim spoilers:
I understand that Hama had to die. I do. I understand that he absolutely had to die in the specific the way that he did, because Hama as a character represents the valor and honor of the people of Rohan (exemplified in his mastery of song, which is how those values are upheld in the community and passed along to the next generation), and Wulf, who rejects these values, had to kill him in a dishonorable way to represent his attempt to destroy the values of the Eorlingas and prove that valor and honor are worthless. And I understand that Hama’s instrument being passed to others represents that that valor and honor did not die with him, and could not be destroyed by Wulf. I understand this! I do! But also, have you considered: it made me sad
Both Selfish; you each lose 2 points
You Selfish, prev Cooperative; You gain 2 points
You Cooperative, prev Selfish; You lose 1 point, prev gains 1 point
Both Cooperative; You Each gain 1 points
(ps make sure to say what you voted)
Making this post long so you have to scroll to see prev's tags.
Christian FangirlMostly LotR, MCU, Narnia, and Queen's Thief
277 posts