The tl;dr: A guy is selling subscriptions to a software tool to "help you write better novels." And to train it, he's used tens of thousands of novels from authors you know, without those authors giving him permission.
...Sometimes things seem to blow up with unusual speed. This particular shit seems to have hit the fan yesterday, primarily on Twitter, when various authors discovered the guy's website, prosecraft.io, which featured "clippings" of the authors he'd stolen from... and the revelation that he had scraped their entire books, not just excerpts, to train his AI. ("2,470,720,986 words," his website bragged, "from 27,668 books, by 15,622 authors." The only authors who were off limits, apparently, were people using [or paying for] his software.) Though the website is offline now, if you take a look at this Google search, you can see the covers of just some of the books the entire contents of which he exploited for AI training.
This usage goes well beyond the "fair use" defense that he belatedly (and ineffectively) attempted to employ. It's straightforward copyright infringement, on a massive scale: good old fashioned theft.
The guy took the website down within hours of this news starting to blow up all over Twitter... which is no surprise. But this ain't over yet.
Gizmodo has a goodish breakdown of the broad situation here.
If you search here on the #prosecraft tag, you'll find local reaction, and numerous furious (and sometimes quite funny) responses imported from Twitter. Plainly, at the legal end of things, this guy is about to get nuked from orbit. (Among the authors he made the gross tactical error of stealing from: Stephen King, James Patterson, the Pratchett Estate, and Nora Roberts. This... is not going to go well for him.)
Leverage's John Rogers sums it up succinctly:
Meanwhile: the guy who created this whole mess is still selling subscriptions to his Shaxpir software (I'm not adding the URL here) that he trained using stolen goods. So (until someone stops him) you might like to reblog this info for the attention of others here who prefer their writing to stay human-made as well as -fueled, and not to support the seriously ethically-challenged.
And on a side issue: I'm idly wondering how long it'll take somebody to DMCA his still-live site's webhost or his domain registrar with an eye to taking down that down too. Granted, it'd be a temporary solution at best until the big hitters' lawyers can get more permanent solutions in gear. But enjoyable...
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also put what kind of jam in the notes, I am curious about what everyone likes! I use peach preserves or hot pepper jam
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Start with the zero draft. Honestly, the only thing you need to know about your story in order to complete a solid zero draft is the basic timeline of events and 2-3 main characters. Zero drafts don’t need to include any minor characters, backstory, world building, subplots, anything. They’re just a rough estimate of what your story is going to be and where it’s going to go.
This way, you have something to work with when you do approach the task of maturing your story, which is a lot easier to do when you have already gotten the garbage ideas onto paper, seen them, realized they’re bad, clipped out the good parts, and developed a better understanding of your story’s trajectory.
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I legitimately thought the app was glitching or some shit. 😭😭😭 Forgot the second part of the season is coming out in July.
I’ve been so excited about the ideas this chart has given me for Violins and Violets, so I’m making this fifth “Inside the Writing Process” post about it. It’s immensely useful for…
OK, so I’m sure a lot of people with ADHD have seen this going around and related to it a lot, but I think a lot of writers could relate to it as well in terms of things that can distract us from the main points of our WIPs (and of course some writers have ADHD anyway).
I saw a copy of this chart on Facebook yesterday, and it got me thinking. Disclaimer: I don’t know if I have ADHD (I have executive dysfunction and a lot of trouble concentrating, but I don’t know why, and don’t have time or energy to get it looked into), but it did get me thinking.
It made me think about how to organise my expansions of the world around my WIP Violins and Violets (currently seeking beta readers), because I wanted to address a lot of things in the book that just weren’t practical to address (because there’s only so much you can put in a book without it become completely unreadable. This is why I’ve never finished Kushiel’s Dart by Jacqueline Carey, even though I love it, especially all the beautiful world building… it’s just too much to hold in my head). It was always in my mind that I could solve this problem (too many ideas for one book) quite simply, by writing more books.
This is a really long post, I know, but if you want to learn a fun way to come up with ideas for prequels, sequels and companion books for your story, keep reading! It’s a little bit like the snowflake method, and of course you can then use that to expand each individual idea that you have. It’s also available in shorter form here.
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Everyone, today is an important date in music history:
HAPPY TENTH ANNIVERSARY
I’d lose interest if I found out it wasn’t about horses too
the year is 2023, marie kondo holds j*ff b*zos by the skin on the back of his neck in front of a public gathering
“does this one spark joy?” she shouts at the restless audience, they boo in response
she snaps his spine like .5mm mechanical pencil lead and throws his lifeless corpse to the crowd, they cheer in response
22 | she/her | crying through life like everyone else | writerblr (or at least trying to be) | may post some of what I'm working on here | v shy 😳
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