I was talking to a kid in my daughter’s class today, and she said that she thought it would be fun to write a story about the Titanic, but with supernatural creatures.
So I said, “Yeah, that would great! What would the creatures do? Would they save the Titanic from sinking?”
And she gave me the most disgusted look. I have never seen a 9 year old face look so appalled.
“No,” she said, speaking very clearly so as to never be so grossly misunderstood again, “they’re going to eat the passengers.”
God I hope she lets me read it.
Dear friend, if you are a writer — particularly a young writer — who is reading this right now, I want you to promise me something. Are you ready? l want you to promise me that you will stay away from epithets when you are talking about characters who know one another’s names.
You do not need to say, “the blond man.” You do not need to say “the older man,” or “the taller man,” or “the smaller man.” You definitely do not need to transform adjectives into nouns and say things like, “the older,” “the younger,” or lord forbid, “the other.” (Unless you are writing the kind of academic paper that cites Lacan or bell hooks, in which using the other/Other is allowed, and also important).
I know it might seem repetitive, but using names and pronouns is enough. They are the kinds of words that fade into the rhythm of your writing, and they will never stand out to your reader. They are the words that make sense.
When you look at your friends, you’re not thinking of them as “the red-headed woman,” or “the shorter person.” You’re probably thinking something like, “Natasha’s hair is getting so long,” or, “she looks beautiful today,” or “Jamie’s got a great shirt.” You think of people’s pronouns. You think of their names. And that is what your character does, too.
Between Cait Corrain and James Somerton, I’m becoming really fucking sick of people using neurodiversity and mental health struggles as excuses to do shitty things.
Autism didn’t make you racist and adhd didn’t make you plagiarize.
You’re just a shitty person.
Sometimes you need to outline a whole ass fantasy novel in a single day instead of dealing with your feelings
Two roads diverged in a wood, and I— I took the one that added 35k extra words to the projected length of this fucking story ahgeilahgleiag
For some reason the versions of this where he gives two salutes is being deleted and replaced with a version with a quick cut to a cheering crowd so I’ll just share it here 🙃
i know i've said this before but i'm going to say it again because the more i work with geriatric women the stronger i feel about the fact that the only anti-aging that women in their 20s/30s should be obsessed with is building strong bones and muscle mass. that's like the most important thing you can you can do right now to lay a good foundation for healthy aging. you can botox the shit out of your face but that's not going to do anything to save you from dying prematurely from a fatal hip fracture that you can't bounce back from because you didn't do anything to prevent yourself from becoming frail and breakable. like i know that sounds harsh but that is reality for a lot of older women and i don't want that to be you.
you spend 30 minutes choosing the perfect synonym for “said” only to change it back to “said.”
you google “how long does it take to bleed out” at 3 a.m. and now the FBI is probably watching you.
you write one sentence, stare at it, rewrite it 14 times, and somehow end up back at the original version.
“this scene is so important” but you have no idea what the scene actually is or why it’s important.
you come up with the best story ideas… in the shower… with no way to write them down.
your characters feel like real people but also you’re like “who are these guys and what do they want from me?”
your brain says “start writing!” but instead you reorganize your desk, reread your notes, and spend two hours naming a side character who shows up once.
you’ve cried over your WIP exactly 67 times and will do it again because the pain is the point.
you reread something you wrote and think, “wow, did i peak as a writer three months ago?”
every writing session begins with the sacred ritual of scrolling social media, opening unnecessary tabs, and procrastinating until panic sets in.
you have no idea how long a chapter should be, so you just… vibe.
you can’t watch tv or movies without mentally critiquing the plot, dialogue, and pacing.
your writing playlist is 98% vibes, 2% songs you’ll actually listen to while writing.
you keep a “murder notebook” but swear it’s not suspicious because it’s for your novel (probably).
the phrase “just one more draft” is your eternal mantra, even though you’ve rewritten this thing more times than you can count.
do people have no shame anymore?
I am constantly dragging my sister into long-ass phone calls and cornering her at family dinners.
She is the wall at which I throw things to see what sticks or, even better, what bounces back with improvements made
the most powerful writing tool is actually Brainstorming With The Girls
I write things sometimes. she/her, but I'll take whatever pronouns suite the bit
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