I'm 100% Sure That Will Knows About Thomastair

I'm 100% sure that Will knows about Thomastair

More Posts from Duchess-of-nothing-and-nowhere and Others

Whatever you do, don't imagine post-infirmary-scene Thomastair sound asleep, snuggled up in the narrow infirmary bed.


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Paris really is the Thomastair city. Why were they locked in the sanctuary in the first place? Because the Mortal Sword was in Paris.

Iconic.


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* the TLH Gang standing around Jesse's coffin *

Alastair: I am going to bury something that reminds me of the person that I used to be, that I don't want to be anymore.

* drags Charles to the coffin *


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Yessss MY NAME IN A BOOKšŸ˜±šŸ˜±šŸ˜šŸ˜šŸ˜ I'M SO GONNA LOVE HERšŸ˜šŸ˜šŸ˜

Here Are The Responses I Got For The Name Of Henri’s Little Sister! So All Of The Submissions Are At
Here Are The Responses I Got For The Name Of Henri’s Little Sister! So All Of The Submissions Are At

Here are the responses I got for the name of Henri’s little sister! So all of the submissions are at the very top, and I made a word cloud. The bigger names are the ones that was submitted the most times. If the choice was made solely on how many people wanted it, then Annika Jaakoppi would win :)

P.S. I now understand why @partylikeawordstar was overwhelmed.Ā 

Let's talk about The Mummy (1999)

Someone was talking at me yesterday about this movie and I was getting riled so I decided to go full rant. Specifically in regards to the feminist podcast that slammed it.

I don't even remember which podcast it was, but I am still rankled and baffled that any "feminism in movies" podcast could jump to anything but "this movie is phenomenal."

First of all, even just discussing the overall quality: sure, it might not have been groundbreaking with its cgi or plot twists. But back in the 90s, that wasn't the standard of measure like it is now (and even now is a shitty standard that needs to die). This movie was light and funny and yet hit all the right beats to maintain the dire stakes needed to make it a compelling action flick.

Its characters are fully realized and entirely distinct from each other. Even those treated with a broader brush, such as the Americans, were charismatic enough that we were fully invested in their fate. The entire cast of characters were real people with real impact and real agency.

Let's Talk About The Mummy (1999)

The script is quotable and fucking hilarious. There are gems from literally every single character. Rick and Evie have actual chemistry, aided by Rachel Weisz's natural magnetism and Brendan Frasier's career-long knack for acting utterly charmed with his female costars.

Actually, let's talk about Rick O'Connell for a second. This is peak 90s Brendan Frasier. He is absolutely GORGEOUS, suave, and cool, rugged and handsome. He is the epitome of the 1920s adventure hero. Dear god I want to kiss those casting directors. But for all his general peak masculinity? He's feminist as fuck. He is equally dumbstruck by Evie as she is by him, and it's wholly evident that it's more than a "oh no she's hot" thing.

How do we know?

Let's Talk About The Mummy (1999)

He steals her some tools to dig with. This gift demonstrates that he a) has identified her passion for archaeology, b) has recognized her proficiency in the field, despite it not being explicitly stated on screen, and c) sees a chance to restore her full and active participation in the discovery of Hamunaptra.

There is never a moment where Rick assumes to be the leader of the expedition. He is the weapons expert, the muscle--and he knows it. Better than that, he's totally okay with it. He follows Evie's lead in all things.

Another favorite moment of mine is when they're facing off with the American team on Day 1, and Evie realizes there's a chamber underneath Anubis they could use to excavate the statue. She puts her hand on Rick's arm, looks him in the eye, and says very deliberately "there are other places to dig." And he yields, instantly.

By comparison, see the way the Americans treat their workers and guide.

Let's Talk About The Mummy (1999)

Does he groan about his work being made exponentially harder as a result? Nope. And that's a recurring theme in his behavior the entire goddamn movie. The only time he is in charge is when a situation is in his wheelhouse-- namely, combat and rescue. And it deserves mentioning that the majority of the time that he's in charge, Evie is not present.

Meanwhile, Evie-- her adventurer's spirit chafing in an academia that dismisses her for her gender-- is an absolute marvel. She is visually coded as being very feminine (she's in dresses and long hair most of the film), but that fact in no way detracts from her competence and agency.

Let's Talk About The Mummy (1999)

She is consistently protrayed as a fully capable expert in egyptology and there is never a single moment where she waffles on what to do. Even when she's the damsel in distress, she actively makes the choice to be so because she weighs the potential outcomes and decides doing so provides their best chance of success.

Let's Talk About The Mummy (1999)

Evie is never the passive victim. She is constantly brash, constantly scheming, and saves the lives of her would-be rescuers mid-abduction. And when her brother (who is the failure of the family, against type) needs help with translation, she correctly translates for him while being throttled by a mummified priestess.

When I first saw this film, I was too young to realize how novel it was. Back then, all I knew was that it was just a good time. But now as an adult-- an adult acutely aware of the treatment female characters have gotten in the twenty years since-- I marvel at the respect with which the writers and directors treated Evie.

I marvel at how tender Rick was allowed to be, despite his rugged adventurer archetype.

Let's Talk About The Mummy (1999)

The Mummy (1999) is peak storytelling. It doesn't try to outsmart the audience, but rather lays out a consistent, coherent narrative that gives the characters and viewers room to breathe. It invests the audience enough to care whether the characters succeed in their goals.

The Mummy (1999) does it right. It's the reason that any talk of the Tom Cruise version gets an immediate eyeroll from me, because whatever modern grimdark grit they shove into a story about a mummy cannot compare to the reliable and timeless entertainment of the 1999 adaptation.

All modern media should aspire to be the kind of film that The Mummy (1999) is.

NCCU Princes

So according to google Ben Lamb (The Christmas Prince) is 1,88m tall. Josh Whitehouse (The Knight Before Christmas) and Sam Palladio (The Princess Switch) are 1,88m tall as well! This leads me to the conclusion that a new prince in a new installment of the nccu must be 1,88m tall as well. Who could that be? Shawn Mendes (1,88m). In this essay I will....Ā 


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sometimes you need dialogue tags and don't want to use the same four

A colour wheel divided into sections with dialogue tags fitting the categories 'complains', 'agrees', 'cries', 'whines', 'shouts', and 'cheers'
A colour wheel divided into sections with dialogue tags fitting the categories 'asks', 'responds', 'states', 'whispers', 'argues', and 'thinks'

I hate how the best series get cancelled. Like those series had me binge watching the hell out of them. My thoughts would be on them the whole day and yes they get cancelled after the first season.

Mentions : Mixte 1963, My Lady Jane, Deadly Class

Annika

BTW, I am looking at your suggestions for Henri’s sister’s name. After deadline (Friday), I’m going to look at all your ideas, maybe pick a few personal faves, and then we could vote or something. Okay. back to work!

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duchess-of-nothing-and-nowhere - Nothing and Nowhere
Nothing and Nowhere

A dozen different fandoms, but my biggest is TSC

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