I’m Gonna Publish This Letterboxd Review Because Omg This Movie Is So Great And This Review Express

I once sat in an Catholic Studies lecture where a professor argued in all seriousness that Snape, by the end, was the most moral person in the entire series. He based his case on this passage:

https://www.biblegateway.com/passage/?search=Matthew%205:43-48&version=NIV

Snape’s the only character who comes close to ‘love thy enemy’, because he’s sacrificed his life and reputation in order to aid those who despise him or have failed him. Most of the other characters are fighting because the people they love are at risk. He shows genuine remorse, and genuinely seeks to do better. I don’t know that I wholly agreed with the professor, but it was a compelling case. If you’re a consequentialist, Snape did far far more good than evil. Saving lives > being a bitch to toads and their owners.

Having studied my entire basic education in a Catholic school, I can say that from a Christian-Catholic moral perspective—one based on repentance but especially on penance as key pillars for earning a place in Heaven and reaching God—Severus fits perfectly as the ultimate example of the stray sheep who returns to the flock. He is the prodigal son; he’s Saul of Tarsus, who persecuted and judged Christians but later became one of their most devoted followers.

From a purely Catholic viewpoint, Severus is the perfect acolyte because he embodies the teachings of Jesus, who always advocated for those who strayed from the path. In Catholic thought, there’s great reverence for those who make mistakes, choose the wrong path, but later find redemption. And it’s not just about changing one’s beliefs—it’s about taking a painful, thorn-filled path where suffering itself demonstrates one’s worthiness for the Kingdom of Heaven.

Severus doesn’t just repent; he imposes upon himself a life solely dedicated to atoning for his sins. He renounces any personal happiness or fulfillment in order to be considered worthy of returning to the “flock.” It’s a deeply Catholic figure, now that I think about it—something I hadn’t realized before, but it makes perfect sense. Maybe that’s why I find everything he does so justifiable? Probably because, even though I’m not a believer and never have been, I grew up in an environment where figures like Severus were held up as examples of unwavering willpower and strength of character.

Let’s not forget that Catholicism also praises humility and condemns arrogance. The humility of doing good deeds without seeking recognition is considered virtuous, while the arrogance of wanting to be seen as a hero is sinful. Jesus sacrifices himself on the cross under extreme torture—that’s the Catholic ideal of the martyr. Your sins are forgiven not only if you repent but also if you become penitent. Severus is the ultimate penitent figure, and I probably have a very biased view of this because of the environment in which I was raised.

I will always value the sheep that returns to the flock more than the one that never left, because the former is the one that needs help the most. That’s how I was taught—that Christ didn’t care for the rich or for those with intact morals; he sought out the poor, the accused, the sinners, because they were the ones who needed a guide.

The priests really brainwashed me, my God—but it definitely makes sense. You can take the girl out of the Catholic school, but you can’t take the Catholic school out of the girl.

@mothercain

Photos ~ silkenweinberg

Yusuke Kitagawa Fanart made with watercolor (2022) an old fanart

Inspiration: Innocence, Osho Zen tarot card

Persona 5 takes inspiration from the theory of archetypes by Carl Jung's and the book "Tarot an the archetypal journey” a book that combines the theory of archetypes and the symbolisms of the Tarot.

Yusuke in the game is related to the Emperor's card, as a tarot reader, I find it fun to look for what other tarot cards that would define him.

Innocence is a card that describes a person who lives life like a child but without begin one. The innocence of children is beautiful but ignorant. It will be replaced by distrust and doubt as the child grows up and learns that the world could be a dangerous and scary place. However, this innocence shows a person who has lived a full life and his intellect and acceptance of changes make his vision of life like that of a child.

Yusuke's innocent attitude does not arise from ignorance, arise from his sensitivity, knowledge and acceptance of his life.

Maybe I'm in my own echo chamber but I'm so glad more people are starting to realise how annoying and absolutely hateful the marauders fandom is and how much damage ATYD did for it AND the Harry Potter fandom in general. When did this fandom turn into a Wolfstar and Jegulus digital shrine? So many interesting characters and stories and opportunities to explore and you choose to regurgitate what a random fic incorrectly tagged as canon complaint says?

I'm not even joking, it has gotten to the point where literal adults with fully functioning brains lack the comprehension abilities to form their own opinions about characters.

I'm not saying that people arent allowed to enjoy non canon compliant work because they absolutely are and I encourage it because that's the whole point of a fandom and fanfics in general but it also goes the other way around when fans start raging at you because you tell them to engage with something outside of ATYD for once and to explore characters beyond somebody else's scope.

It's annoying when you arent allowed to have fun or post a character without somebody bashing you for liking them and redirecting their hatred for a character AT YOU.

For example, ATYD paints Snape as a rich, stuck-up pureblooded fascist creep who deserved to get bullied when its actually the exact opposite and everybody goes along with it.

ITS BORING AND REPETITIVE. It takes away so much fun from a fandom.

Pls ppl. I am begging you to open your minds up a bit and think for yourself instead of regurgitating some rando's opinion in order to fit in.

Also, what's up with critiquing everybody and their mother for not agreeing with your boring ass ship??

Variety (1983), dir. Bette Gordon

Hyperfixating pt. 3

Requiem (2025)

Here is a model/contraption i created based around Haydens ring theory. This diagram has been heavily inspired by various old planetarium and astronomy diagrams i dug up. I wanted to create my own imaginary diagram of what this would look like, of course having the diagram designed for an earlier time. You may also notice hints of Etienne’s designs throughout, such as pinholes in the cenotaph from him memorial to Isaac newton :) Im not used go creating anything in such detail so i am quite pleased with the outcome, Enjoy :)

@mothercain <3

Blaming Snape for creating Sectumsempra is like blaming a woman for carrying pepper spray in her bag for self-defense after being repeatedly harassed by a specific group of men. Can you really blame a victim for creating a weapon to protect themselves against their tormentors, while at the same time praising the Marauders' ingenuity for creating tools to spy on, stalk, and invade others' privacy purely for fun and bullying?

What kind of ridiculous logic is that?!

Soy una persona autista. Normalmente me pongo los cascos incluso cuando estoy con amigos o familiares. Eso me provoca un sentimiento de culpa al pensar si estoy siendo contradictoria: “¿Estoy haciendo esto porque me siento incómoda con mi familia?” La realidad es que no. Mi familia es de las pocas personas con las que me siento a gusto, segura. Con ellos, todos mis fantasmas pasados, todas mis heridas, sienten lo que es el alivio, lo que es el bienestar, lo que es estar tranquila. Ahí sé que no todo es hostil, y que, por lo tanto, no es necesario estar en alerta.

Ahí es cuando pienso que quizás no es una contradicción, que más bien es un acto de supervivencia. Como un puente que une dos necesidades que, a veces, no saben funcionar juntas. Una necesita protegerse, quiere estar a salvo y a gusto, y aunque se encuentre en un lugar seguro, solo sabe actuar de la única manera que ha aprendido: aislándose, permaneciendo en la intimidad, en las sombras. La otra necesita amor, no quiere estar sola y disfruta de la compañía.

La música se vuelve un ritual, un intento de calmar un momento abrumador, una forma de abrir una puerta entreabierta. A veces solo llego a asomarme; no quiero abrirla del todo por el miedo que siento. Algo me susurra y me aconseja. Ese algo me dice que aún no es seguro abrirla por completo. Es una voz que probablemente parte del miedo, una advertencia disfrazada.

Es una lucha constante entre mi necesidad de estar conmigo misma, de intimidad, y mi necesidad de conectar.

Soy tan sensible que, a veces, interactuar con otros se me hace demasiado. Interactuar se vuelve una lucha por ser vista, por pertenecer a los lugares en los que mi cuerpo está, pero no los siento como propios. Es una lucha de identidades, de querer ser vista por alguien verdaderamente, ya ni siquiera sé por quién. Lo busco desesperadamente: puede ser un familiar, un amigo, o quizás solo quiero ser vista por mí misma.

Solo quiero ser vista, y no a través de fragmentos de otras personas. No quiero que mi identidad se forme a partir de cada señal de rechazo que recibo, a veces disfrazadas de comentarios inofensivos, otras veces simples miradas, y en las peores ocasiones, señales claras de que no quieren que forme parte de ese lugar. También está la ansiedad de no saber qué hacer con eso. ¿Qué puedo hacer? Lucho, ¿pero para qué lucho? ¿Qué busco exactamente?

En esos momentos me siento como el monstruo de Frankenstein. Ese monstruo que ni siquiera tiene nombre y que, como un niño pequeño, camina torpemente a la deriva. Una criatura hecha de partes ajenas, incompleta, tan extrañas que hasta a mí misma me cuesta comprenderlas.

Cada rechazo dibuja una nueva identidad. Una identidad creada sin consentimiento, armada con pedazos de otros, que ni siquiera son propios. Una identidad formada por comentarios que resuenan como ecos, por prejuicios que desfiguran partes de mi identidad, por palabras degradantes que hacen daño a mi autoestima. Que se acumulan en capas para construir una narrativa condenada desde el inicio a vagar en busca de pertenencia, amor, comprensión, como si ese fuera su único destino, ser incomprendida desde el principio.

El deseo de buscar una identidad propia se hace presente y no se detendrá hasta que lo consiga