Maybe I'm in my own echo chamber but I'm so glad more people are starting to realise how annoying and absolutely hateful the marauders fandom is and how much damage ATYD did for it AND the Harry Potter fandom in general. When did this fandom turn into a Wolfstar and Jegulus digital shrine? So many interesting characters and stories and opportunities to explore and you choose to regurgitate what a random fic incorrectly tagged as canon complaint says?
I'm not even joking, it has gotten to the point where literal adults with fully functioning brains lack the comprehension abilities to form their own opinions about characters.
I'm not saying that people arent allowed to enjoy non canon compliant work because they absolutely are and I encourage it because that's the whole point of a fandom and fanfics in general but it also goes the other way around when fans start raging at you because you tell them to engage with something outside of ATYD for once and to explore characters beyond somebody else's scope.
It's annoying when you arent allowed to have fun or post a character without somebody bashing you for liking them and redirecting their hatred for a character AT YOU.
For example, ATYD paints Snape as a rich, stuck-up pureblooded fascist creep who deserved to get bullied when its actually the exact opposite and everybody goes along with it.
ITS BORING AND REPETITIVE. It takes away so much fun from a fandom.
Pls ppl. I am begging you to open your minds up a bit and think for yourself instead of regurgitating some rando's opinion in order to fit in.
Also, what's up with critiquing everybody and their mother for not agreeing with your boring ass ship??
in decent quality too!
here is the archive collection of these films so you can favorite on there/save if desired.
links below
black girl (1966) dir. ousmane sembene
the battle of algiers (1966) dir. gillo pontecorvo
paris, texas (1984) dir. wim wenders
desert hearts (1985) dir. donna deitch
harold and maude (1973) dir. hal ashby
los olvidados (1952) dir. luis bunuel
walkabout (1971) dir. nicolas roag
rope (1948) dir alfred hitchcock
freaks (1932) dir. tod browning
frankenstein (1931) dir. james whale
sunset boulevard (1950) dir billy wilder
fantastic planet (1973) dir. rené laloux
jeanne dielman (1975) dir. chantal akerman
the color of pomegranates (1969) dir. sergei parajanov
all about eve (1950) dir. joseph l. mankiewicz
gilda (1946) dir. charles vidor
the night of the hunter (1950) dir. charles laughton
the invisible man (1931) dir. james whale
COLLECTION of georges méliès shorts
rebecca (1940) dir. alfred hitchcock
brief encounter (1946) dir. david lean
to be or not to be (1942) dir. ernst lubitsch
a place in the sun (1951) dir george stevens
eyes without a face (1960) dir. georges franju
double indeminity (1944) dir. billy wilder
wild strawberries (1957) dir. ingmar bergman
shame (1968) dir. ingmar bergman
through a glass darkly (1961) dir. ingmar bergman
persona (1961) dir. ingmar bergman
winter light (1963) dir. ingmar bergman
the ascent (1977) dir. larisa shepitko
the devil, probably (1977) dir. robert bresson
cleo from 5 to 7 (1962) dir. agnes varda
alien (1979) dir. ridley scott + its sequels
after hours (1985) dir. martin scorsese
halloween (1978) dir. john carpenter
the watermelon woman (1996) dir. cheryl dune
EDIT: part two here + the letterboxd list
Blaming Snape for creating Sectumsempra is like blaming a woman for carrying pepper spray in her bag for self-defense after being repeatedly harassed by a specific group of men. Can you really blame a victim for creating a weapon to protect themselves against their tormentors, while at the same time praising the Marauders' ingenuity for creating tools to spy on, stalk, and invade others' privacy purely for fun and bullying?
What kind of ridiculous logic is that?!
I'm going to say this very seriously because I couldn't care less if you dislike a character and have a pathological need to justify another one at all costs, just because you can't handle being a fan of a guy who wasn't actually a hero. I usually like characters who are absolute pieces of shit, so I have no problem with this, but it seems that some people take it way too personally.
But I don't care. I don't care if you hate Severus Snape. I don't care if you need to call him a Nazi or a racist or any of those things that are neither true nor have any real political, social, or cultural comparison within the lore of the saga. I don't care if you have to invent that he was a stalker or a harasser when he wasn't, or if you need to say he never showered and was ugly because you have the mental age of a five-year-old. I don't give a damn.
There is something beyond fandom, beyond personal taste, and beyond internet wars, and that is the fact of JUSTIFYING a sexual assault.
So, as someone who, due to life circumstances, has spent several years in therapy, had to go to therapy precisely because of being in relationships involving violence and abuse, and who also has training in the prevention of gender-based violence, sexual violence, and sexual abuse, I am going to extend an act of courtesy to all these people who, either out of ignorance, lack of knowledge, or simply because they have empathy shoved up their ass, are denying that certain things constitute sexual violence. I will provide a free lesson on this very serious topic, because I am seeing people who literally have the same discourse as the average potential abuser who denies violence unless the victim is half-dead in a hospital. And I will explain why this view is so incredibly problematic.
This post is going to be long, guys, so get ready:
Sexual violence is a complex phenomenon that encompasses much more than rape. There has been a concerning trend of minimizing or even denying certain forms of sexual violence. This has a serious impact on both society’s perception of these offenses and the struggle of victims for recognition of their suffering. I'm gonna address what constitutes sexual assault from a legal, moral, and psychological perspective, why it is problematic to deny or minimize it, and how such denial not only discredits victims but also contradicts the very principles that many people defend in other areas.
Sexual assault is not limited to rape. In general terms, any sexual act committed against a person’s will, without their consent, or through coercion can be considered sexual assault. This includes non-consensual touching, forced exhibitionism, sexualized verbal harassment, and, in some cases, acts that involve public humiliation of a sexual nature, such as forcibly stripping someone against their will.
From a legal standpoint, different jurisdictions have established that sexual violence does not require penetration to be considered an offense. For example, the Spanish Penal Code, following its 2022 reform, specifies that any act that violates a person’s sexual freedom without their consent is considered sexual assault. In other countries, similar legislation reinforces the idea that rape is only one form of sexual assault but not the only one.
One of the key elements in determining whether an act constitutes sexual assault is consent. Consent must be explicit, informed, and voluntary. It is not merely the absence of a "no" but the presence of a "yes" that is free from coercion. In cases such as forced public stripping, the lack of consent is evident, and the humiliation imposed on the victim has an undeniable sexual component, making it an act of sexual violence.
Moreover, the perpetrator’s intent is not the determining factor in classifying an act as sexual assault. That is, the aggressor does not need to have a sexual intent; what matters is the impact on the victim and the nature of the act itself. This is a fundamental distinction in criminal law and forensic psychology.
Sexual assaults have devastating consequences for victims. Various studies have shown that people who suffer this type of violence may experience post-traumatic stress disorder (PTSD), depression, anxiety, shame, and loss of self-esteem. In cases such as forced stripping, there is an added element of public humiliation that can generate an extreme sense of vulnerability and helplessness, with lasting psychological effects.
When it is denied that these acts constitute sexual assault, victims’ suffering is minimized, and their experiences are delegitimized. This is particularly serious when denial comes from individuals who identify as human rights advocates, as it perpetuates the very structural violence they claim to seek to eradicate.
Denying that certain actions constitute sexual violence has multiple negative consequences:
It minimizes victims’ suffering: By denying that something is sexual violence, victims are told that their pain is not legitimate or that their experience is not valid.
It discredits years of feminist and legislative struggle: For decades, feminist and human rights movements have worked to ensure recognition of the multiple forms of sexual assault. Denying these assaults is a step backward in these advancements.
It reinforces a culture of impunity: When sexual assault is justified or minimized, it contributes to a culture in which these acts are neither socially nor legally sanctioned.
It implies victim-blaming: Denying that something is sexual violence can lead to blaming the victim for their emotions or for "exaggerating" their suffering, which is a form of revictimization.
A serious issue arises when certain sectors justify sexual violence against specific individuals based on their ideology or social position. It is deeply ironic and hypocritical that those who accuse a person of being a "Nazi" or "racist" without solid evidence then deny that this person can be a victim of sexual violence. This attitude is not only morally reprehensible but also aligns dangerously with historical strategies used by totalitarian regimes, where sexual humiliation was employed as a method of torture and punishment.
Denying sexual violence against someone because of their ideology is, in essence, justifying it. This is not only a form of dehumanization but also contradicts the principles of universal human rights. Legal protections must apply to all individuals, regardless of their ideology, past, or character. Justifying violence based on the victim’s ideology leads to a dangerously fascist stance, the very thing that many claim to oppose.
Sexual violence is a structural problem that goes beyond fandom wars or ideological debates. It has real psychological damage, serious legal consequences, and a profound social impact. Denying or minimizing it is not only irresponsible but perpetuates a culture in which victims are silenced and perpetrators remain unpunished.
Those who consider themselves progressive and human rights advocates have a moral responsibility to be consistent in their discourse. One cannot condemn one form of violence while justifying another depending on who the victim is. Sexual violence is sexual violence, regardless of whom it is committed against, and denying it is a betrayal of the fundamental principles of justice and human dignity.
A lot of people are surprised to realize that the scene in Snape's Worst Memory happens after the werewolf prank. When first reading OOTP, people generally assumed that SWM showed escalating tension between the Marauders and Snape that up led to the prank. But in DH, we see Snape and Lily talking about the prank before SWM. This means that the Marauders are still singling Snape out and targeting him after prank. Why?
My theory is that the bullying actually got worse after the prank. Because the only way to hold their friend group together was for the Marauders to double down and rally around blaming Snape for what happened.
Think about it: How did that incident not tear them apart? Sirius not only exposed Lupin's secret – he also attempted to use Lupin as a weapon against Snape, and he could have gotten James killed in the process. That's a huge betrayal.
But Sirius isn't mature enough to take responsibility for it. Lupin isn't self-confident enough to confront Sirius about it. "James would-consider-it-the-height-of-dishonor-to-mistrust-his-friends Potter" isn't going to be the one to lay blame on Sirius or break up the group. But it's too big an issue to ignore. The only way they can get over this is to put it all on Snape. It was just a joke, and Snape is an idiot, and James is a hero.
If you compare the two incidents that the books show us of the Marauders bullying Snape, you can see that totally different dynamics are driving the bullying. This shows how and why the bullying got worse after the prank.
The first bullying incident we see is on the Hogwarts Express, when James and Sirius engage in verbal bullying of Snape, with one small attempt at tripping him up as he leaves. This bullying is a form of bonding for James and Sirius and forms the basis of their friend group. This is an example of bullying driven by Peer Group factors (source), and this sort of bullying is generally done to:
to attain or maintain social power or to elevate their status in their peer group.
to show their allegiance to and fit in with their peer group.
to exclude others from their peer group, to show who is and is not part of the group.
What we're seeing here is that the soon-to-be Marauders are in new environment and they're defining their peer group and establishing social hierarchy, trying to establish their status. The Marauders continue in this pattern of Peer Group bullying throughout their school career, as evidenced by the detention records Snape has Harry transcribe in HBP. The Marauders seem to have thrown out hexes in a scattershot way to establish superiority over other students and look cool. This casual, incidental sort of bullying is likely what Snape experienced for the first several years of school.
But what we see in SWM isn't bullying to maintain Peer Group dynamics. This bullying isn't just flinging a single insult or a clever hex. James and Sirius hunt Snape, they deprive him of his wand and ability to escape the situation, and they repeatedly hex him until Lily (temporarily) stops them. This incident is extremely personal. This is an example of bullying driven by Emotional factors, and this type of bullying is done when the bullies:
have feelings of insecurity and low self-esteem, so they bully to make themselves feel more powerful.
don’t know how to control their emotions, so they take out their feelings on other people.
may not have skills for handling social situations in healthy, positive ways.
What we're seeing here is all the fraying edges of the Marauders' friendship. Sirius has just damaged their group, but he can't apologize or address it without accepting blame, so he has to take his emotions out on Snape. Punishing Snape is a way to exorcise his guilt. And it's actually imperative that he bully Snape into silence, because he is the one who has revealed Lupin's secret to Snape and put them all in jeopardy. Lupin can't confront Sirius about the betrayal of trust, and likewise he can't confront his friends here. Not only does Lupin not have the emotional security for handling this situation, he also can't risk putting himself in front of Snape in this moment, lest Snape scream "Werewolf" instead of "Mudblood." James is here trying to work through his own insecurities – in bullying Snape he is defending his friends, but James is also trying to get Lily's attention. James offers to change his ways if she'll give him a chance, because James needs to reassure himself that he is chivalrous, that he is a hero.
Looking at the way the bullying dynamics change and escalate in those two scenes, I think it’s clear that Lupin’s line, “Snape was a special case. I mean, he never lost an opportunity to curse James so you couldn't really expect James to take that lying down,” is an understatement.
Snape was a special case because he knew Lupin’s secret, which would always make him a potential threat. The Marauders would always take any opportunity they could to reinforce that Snape was powerless to do anything to them. And they’d continue to take out all their emotions about the prank on Snape rather than confronting each other.
Happy birthday to Severus Snape! the edition is done in Shuffles
There is a thing that deeply disturbes me about Severus' behaviour in SWM. He just wrote a very important exam on a subject that we know he loves and deeply cares about. He probably had been diligently preparing for it for a very long time, was anxious and aspiring how all the studious kids usually are. A normal teen behaviour is sharing how you wrote it with your friends – this is exactly what the Marauders do. But Severus approaches no one, talks to no one. Lily is hanging out with her other friends – he isn't invited to spend time with them, nor is he exchanging at least a couple of words with Lily personally. While she clearly has other people to chat with, Severus doesn't talk to any slytherins, not Mulcibier or Avery or anyone else. And he doesn't seek anyone out too, he just settles with reading alone like it's normal. Yes, he is introverted, but even the most introverted person would like to share such an important event with someone close to them.
It's like Severus had absolutely no one in that school who cared enough to hear about his pride and joy of writing the exam well, or his worries on getting something wrong. It's like he didn't even expect anyone to care. It is clear from everything in that scene that he is painfully lonely and largely ostracised, that him and Lily aren't particularly close at that point, and that he doesn't have any "gang" or any good friends in slytherin either.
rough sketch of everyone’s favorite greasy ball of hate for my harry potter tarot project. in very loose terms the heirophant has a lot to do with religion and/or devoting yourself to some kind of group or cause, reversed it means being in a group which no longer represents your beliefs. perfect for snape’s character arc!
9w8 sx INTP | 21 | Spanish Here I talk about tarot and sometimes I do movie reviews.
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