Death's Beloveds

BLACK SAILS + Who We Are by Hozier (insp.)

I think that the most difficult thing is allowing yourself to be loved, so receiving the love and feeling like you deserve it is a pretty big struggle. I suppose that’s what I’ve learned recently, to allow myself to be loved. Happy 51st Birthday, Nicole Kidman! (June 20th, 1967)

Happy birthday Wei Wuxian!

I'm so happy to share my first playlist about this amazing character!

Timestamps are on the way

The Weight Of Grief Masterlist-

A/N: this story is currently ongoing! Now that I have everything I’ve pre written posted, and ppl have shown some interest. I’ll be continuing to work on it and my intentions are to have a new chapter posted every week minimum! Plot wise you can expect at least 7-8 more chapters of this particular story, it really just depends on the flow of things. it honestly may go over, there is just so much to include✋🏽😭

Summary:

Centuries ago, Agatha Harkness was condemned by her own coven for entangling herself with the dark arts, yet when they tried to execute her she turned their magic against them, draining them of their power and leaving nothing but hollowed husks & ashes in her wake.

In the aftermath of Salem, she found solace in an unlikely love, forging an unbreakable bond with the Reader and later with the cosmic enigma herself, Rio Vidal. Their passion burned bright, but fate is rarely kind to those who defy its balance.

When Nicholas Scratch was born, he was not just your son but a child of magic, a gift from Rio—one that came at an unforeseen cost. Fearful of the price that would one day be demanded, Agatha ran taking Nicholas with her in a desperate attempt to keep him safe. But no amount of magic, no amount of hiding could change what had already been decided.

Years later, Agatha stands on your doorstep, stripped of her power and seeking aid. But the wounds of betrayal are not so easily mended and the weight of grief is not so easily forgotten. How dare she return now, after all this time—after leaving you to grieve alone. Love, loss, and the cruel hands of fate weave their story together once more, But some wounds do not heal without a price.

Prologue 

Ch 1.

Ch 2.

Ch 3.

Ch 4.

This is great! 😍

Love her so much🖤

i really love to make collages with aesthetics for characters uu

marie-joseph sanson, «innocent : rouge.»

In ep.IV they show us this embrace, this beautiful, beautiful and painful scene. Those few seconds hold such a deep meaning…and yet in that moment we do not know ANYTHING about it. So what? Is one supposed to see it and then go on with the show and forget about it, putting it in a corner of their mind with all those “you will understand later” things? Because that’s what happened, the first time I watched this season I completely forgot about it. And that’s such a WASTE! Pretty much all of the Flint/Miranda’s scenes in the first season are a waste, in a way. Please do not misunderstand me, I think those scenes are really amazing and I also think that the timing of the “great revelation” was perfect, I wouldn’t have liked it so much had it come before, and exactly for these reasons I’m saying that those wonderful scenes are “wasted”. Because a lot of those get lost in the first watch, since one can’t understand the importance of them still and so doesn’t even give them the right amount of attention they would deserve. Of course the mystery was intriguing, and something sounded pretty strange since the beginning, but still…STILL. Almost all of the scenes about the two of them or about Miranda kill me on rewatch, knowing their whole story. But that’s the thing, you have to rewatch it to get the complete beauty of them. And I think that’s a shame, because people who like the show but are not obsessed with it as I am would probably never rewatch it, but maybe, if they had remembered or rewatched at least those scenes, there would be one more chance for them to be as obsessed as I am with it.

Really, how beautiful this hug was? An “It’s over” kind of hug, but with a double meaning. It’s over like we put an end to part of our misery, venting our anger on the responsible for it, but also, it’s over like our old existences are over, and we will never be the same persons we used to be ever again. Which is pretty much what happens with every revenge (I’m not judging though). I just love it so much, I wish I had been able to see all of that since the first time I saw it.

This scene always makes me laugh. Like...Rogers had it all prepared to discuss the bargain with Flint as "civilized" men and then he just begin saying the last thing he should have if he wanted to have any hope of succeding. Of course he couldn't know, but still that's so funny lol

Poor Flint.

THIS BITCH WOODES ROGERS REALLY KNOWS HOW TO PLAY THE GAME. Wow. You can't just SAY the words Lord. Thomas. Hamilton. like that they're nothing to James McGraw/Flint! And just look at the phrasing of this - "I understand that you knew him."

Interesting analysis. It's hard for me to look over Hennesy's words, but this interpretation of them actually make sense. Thank you for sharing. It's just too sad that this doesn't change anything for James and the way he had felt about it, back then as well as later in the years.

I keep thinking about just how much love and affection there is from Admiral Hennessy's side in that final confrontation with James, and how it makes the whole thing all the more devastating.

Had Hennessy responded to the news of James and Thomas' affair with revulsion and anger, it would have been easy, far easier, to cast him aside as a "villain" — both for us as the audience, and also I think, for James.

But earlier in the episode we hear that James considers him to be a father figure and here, right before they walk into that office with Alfred Hamilton waiting for them in it, knowing full well what James has done, he still calls James son:

Good God. You perceive the danger about this to be imagined. I told you when this began to be careful of those people. To be aware of just how sharp and unexpected the knife would be if you discounted that danger. I'd thought you'd heard me, son.

There is no reason for him to do that, not to someone he is about to permanently cast out of his life. Once they walk inside too, Hennesy's lips utter that terrible pronouncement but his expression, his voice is so gentle as he does it. Alfred Hamilton is in the room with them and what James has done is so outside cultural norms, it severely limits what Hennessy can say or do. Without uttering the words, this scene is yet another entry in the show's collection of "this is not what I wanted"s.

In fact, while AH would like to avoid the scandal of his son having a homosexual relationship, I have no doubt there were ways to hang James that would be equally if not more amenable to him that would not cause such scandal, and yet they give him a way out of London without any charges to his person, quite likely because it was the best Hennessy could manage to salvage under the circumstances. And yet still, Hennesy's words:

I would like to defend you. I would like to remind myself that every man has his flaws, his weaknesses that torment him. I would like to help you recover from yours. But not this. It is too profane; it is too loathsome to be dismissed. This is your end.

I keep thinking about what James tells Miranda in s1 re the pardon to go to Boston: "They took everything from us, and then they called me a monster." But who called him a monster? Given how quickly he and Miranda have to leave London after that confrontation in Hennessy's office, not to mention the way the actual affair with Thomas is swept under the rug, I highly doubt he had any more conversations about it except what transpired in Hennesy's office.

It is so much more devastating I think when someone says I love you but what you are is too vile, too profane for me to ever accept. Says I love you but I cannot accept you, and perhaps that is why what James hears Hennesy tell him is that he is a monster.

I completely agree. It may seem sudden and it surely is unexpected, at least it was for me, but once you know it you finally can put all the pieces into place and that's just wonderful. I love this show for this thing they do of leaving nails all around and then giving wire to connect them all.

And yeah, that episode is not only a great work speaking about directory and scenes and all, but is also what definitely caught me in the Black Sails' web. Sure, the show has a lot of interesting point and themes that keep you into it, but making the main character bisexual in a pirate show and making of his lost love the cause of his whole fight and rage? Well, let's just say that their braveness was definitely rewarded. Absolute geniouses.

one time I looked up the ratings of each episode of black sails. I expected to see s2e5 near the top, but I wasn’t exactly surprised when it was actually at the bottom (free us from the clutches of homophobia man). I read some of the comments and they were saying that the reveal felt out of nowhere. Okay, so actually you just have no media literacy skills. For me, the revelation made so much sense that I experienced something akin to ascension. I felt I had unlocked all of the knowledge there was to unlock. My whole engagement with the show changed. That thing that had been bubbling under the whole time, in every interaction between Miranda and flint, in every mention of Thomas, in every display of rage from flint, in each one of his desperate schemes.

I just find it so hilarious that people thought it was out of nowhere? Louise Barnes and Toby Stephens were actually the only two cast members aware of the backstory from the beginning of the show, and you can see it so much in the way they act their characters. So much unspoken, but that doesn’t mean it’s not there. Season 1 ep 7 — that whole altercation they have where he refuses to apologise to England, the way she says ‘if he were here he’d agree with me’, the tension of it all. The note Thomas wrote in the front of their copy of meditations? It’s so obviously not out of the blue, it’s set up so brilliantly so as to evade perception but also to lodge itself in your brain before you even know what *it* is.

Tom Hopper (Billy) said it was the best episode of television he’s ever seen. Literally years later, in a promotional interview for the umbrella academy. I agree wholeheartedly.

saying that it was out of nowhere is just wrong. It’s either a) just a guise for your homophobia or b) a betrayal of your evidently terrible media literacy and critical analysis skills.

When I saw the episode so many things from season 1 finally clicked in to place inside my head. The enigma of Flint, for the first time, began to slightly unravel.

"These violent delights have violent ends,

And in their triumph die like fire and powder,

Which as they kiss consume."

Romeo and Juliet

FlintHamiltons paintings aesthetic.

Two different worlds entwined by the strings of fate. I thought this ship deserved such kind of artistic tribute.