I think that the most difficult thing is allowing yourself to be loved, so receiving the love and feeling like you deserve it is a pretty big struggle. I suppose that’s what I’ve learned recently, to allow myself to be loved. Happy 51st Birthday, Nicole Kidman! (June 20th, 1967)
SCREAM THAT!
I still can’t get over the fact that Aubrey Plaza got Kathryn Hahn pregnant on a Disney Plus show. This year has been wild.
"From the moment he started speaking I couldn't stop thinking about her. She died for this. She believed in this, and if it all goes away then it was all for nothing. I can't let this be for nothing. I just can't.”
I just listened to Silver's words in ep.XXXV and they reminded me at once of Flint's final ones: “All this will be for nothing. We will have been for nothing.”
Sorry to all Silver's supporters, but I couldn't help thinking…how selfish is that?
I mean, the war had a meaning as long as it was the only thing left and the cause Madi had died for, but it suddenly doesn't anymore as soon as she “comes back to life”? When even her own mother understood the meaning of her sacrifice. Of course I was glad she was alive, and I'm not saying Silver should have believed in a war which didn't belong to him (‘cause it never belonged to him, he just joined) but EXACTLY for this, who gave him the right to decide when to put an end to it?
He should have remembered how it felt like to have that war as the only thing left, to know that who you love has died, even if not for it specifically, at least for the same principles, trying to gain the same results, and what did he do? He deprived Flint of that only thing left. He deprived Madi of something she had been ready to DIE for, even without having ever suffered directly what she tried to save all her people from. Who was him to take that decision? How much arrogance does it need to do that?
And ok, he told Flint about Thomas (but ONLY when it came useful to himself to do so) and probably granted him the only thing he still really desired (admitted this is really how things went), but I’m not considering this because this is not the point. The point, just for me of course, is that that scene when Flint says that phrase is probably the most haunting of the last episode, because the treason and the injustice there cut so deep that it really hurts.
Despite everything, he should have left Madi her war and -if he really was a friend to Flint- should have told him about Thomas, regardless if it was useful or not.
Guess it's the main reason why the final is so conflictingly sad and beautiful.
It isn't even about whether the revolution could work or not, it's really only about selfishness.
This should be paired with the look the two of them share after her rescue in ep.XXXVIII.
How beautifully their relationship developed!
She absolutely can eat him alive, but after her Don Quixote quote I guess he would have been honored if she had. At least someone definitely worthy of his respect would have been the end of him lol
Anyway, what a team! I can see them on thrones ruling Nassau alongside Eleonor. If only...😢
This little moment when she sets foot on the ship for the very first time lives in my head rent free because the confidence in her eyes is incredible and he looks like he knows she can eat him alive if she wants to.
Let the water wash away Everything that you’ve become On your knees, today is gone And tomorrow’s sure to come Tomorrow’s sure to come
Miranda was always what Flint needed, and to her last moments, she remained exactly that. Flint needed a sacrifice to his cause, a martyr to fight in the name of, and that’s what Miranda became. Because ten years and Flint was still fighting the trappings of civilization for all Miranda said that he had abandoned it. Because Miranda was civilization. She and Flint and Thomas were all parts of some unique machine, and Thomas might have have been been the engine in the machine, and Flint the weapon, but Miranda was the outer shell, the body, the thing that upheld both those things. She was music and bitter hope and china cups and antiseptic on Flint’s wounds. She was someone to bring home books to and someone to write I’m sorry to and someone to say, “you’re getting blood on my floor.” She was the last person who had any idea whatsoever of James McGraw, the only person who knew him as James McGraw, who once called him lieutenant, who once knew what he looked like in a navy uniform, who once knew what he looked in like in the candlelight of a London drawing room. And in turn, he knew her. Knew her as the woman she once was, knew how she looked in fine silks and jewels and pearls in her hair, knew what she looked like with Thomas on her arm, who knew her as a wife and socialite and lady and a scandal, as all the things she never was on Nassau. And if Flint was ever to try to take true and exiting revenge, she needed to die. Because as long as she was alive, she was the promise of civilization, of peace, of memory, for Flint to return to. And that’s what she realizes when she puts her head down in Peter Ashe’s drawing room and asks him about the clock. The façade of civilization, the dinner, the pleasantries, Flint and Ashe shaking hands, the talk of a trial, a pardon, it needed to be broken, because in that moment to allow it to exist was intolerable. And she broke it, destroyed it with six words. But she was civilization, and she destroyed herself.
https://archiveofourown.org/works/64803721/chapters/166533523
(Link also in comment)
My attempt at AgathaRio's backstory + Rio character study, inspired by mexican folklore, views of Death in literature, a lot of songs and my love for these two women.
Hope you'll like it.
Lately I went rewatching ep.I. It was the third time, but the first one being as obsessed with this show (and having the full picture of it) as I am now. And, wow, it really could be called an “introduction”. I mean, besides all the main characters' introduction, in those 60 minutes there are hints to all of the main themes treated in the show.
They give a sketch of the pirate figure they are going to deepen throughout the seasons (free men who keep what they want) and also of the way they are seen and conceived by the civilized world (as fearsome monsters).
They also start to give some hints about the nature of that “civilized world”.
They even introduce the concept of shame! I didn't remember that.
Captain Hume says: ”gossip is what holds civilization together. It reinforces shame. And without shame the world is a very dangerous place.”
Which, wow, is pretty ominous considering what we are going to discover in season two.
They also start to make it pretty clear how things work in Nassau, how important it is to have allies and at the same time how easily those alliances may change, with poor Gates trying to gain votes for Flint (and I'm going to say it once again: he didn't deserve to die. Like, I love Flint, but this I can't forgive him.)
And speaking about Flint, they already give very important informations about him.
Sure, we see him being the bossiest and the strongest of the bunch, all determined with his actions and plans and all, but what I'm really talking about are the hints to his personality.
Of course we don't know him yet at episode one (and I'm sure the first impressions of him must have been the most disparate. I can't even remember my very first impression of him, but considering my actual tastes in characters I think that if I had first known him now I would have loved him at once) but they drop things which are very important considering what we are going to discover about his character.
Like, we know at first that he doesn't trust his men at all (“I don't trust them with the truth”+ the various lies lol), and we see that he definitely is not “one of them”, because they find him too different from them to be considered such and probably this is where all those mistrust in him come from (“I know they've always found me aloof, too educated” which really, really, tells a lot about him).
And I just thought: how strong must he have been to gain and hold the power over those men in a world where there are no rules, no indisputable ranks, where trust and submission is granted (and only barely promised) to the stronger ones or to the ones who are considered the most fitted to receive it only basing on one's subjective judgment and advantage, without even being liked by those men?
And also, Dufresne says that “he loves his books” which is another one of the things that in my opinion are so beautiful about his character for the deep links those books have with his story and his development (I could write a whole essay about Flint's books lol).
Anyway, I just finished rewatching season 4 some weeks ago and since I can't stay for long without BS anymore I thought: why not starting it again? And so. Btw, I really needed to rewatch the first season since I feel like I still haven't appreciated it enough.
They'll speak of me in whispered tones and say my name like it shakes their bones - a Captain Flint/James McGraw playlist
My humble tribute to this incredible character and his equally incredible story.
Hope this makes him justice.
Listen on YT:
https://youtu.be/mbedUGAoxr8?si=OSKzJtvjhiDVRt2M
You'll find timestamps, a translation of the italian song and some notes in the comments section on YT.
"What's going on in this house is not a simple affair." ~ she said.
"It is not." ~ he replied.
I think what he really meant here was not "it's something worse", but "it's something more". It's something that changed our whole lives.
Even if I can't help blaming him in this scene for not listening to her, I have to say that his way of feeling things deeply without ever letting them show completely is so precious to me.
This conversation is perfect, seen in the aftermath.
It perfectly depicts these two amazing characters in all their shades.
She/her, writer, books lover (whichever, from every age and every nation) tv shows lovers (ouat, iwtv, black sails, hannibal, good omens...), anime, manga and danmei lover (mxtx especially), rock lover. Women lover. Earth lover. Ao3: https://archiveofourown.org/users/EleonoraParker/works
196 posts