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Lewis Hamilton - reaction pack.

26 Books Every LGBT Person Absolutely Has To Read

Oh, and non-LGBT people – you should probably read these too.

1. More Happy Than Not by Adam Silvera 

“It really shines a light on the effect depression has on LGBT+ youth, and I think it’s also really important that it addresses being gay in a Latino community, where being gay is unheard of. It’s a really important book and I recommend it to everyone.”

2. Maurice by E.M. Forster 

“It’s a classic about a man in Edwardian England who falls mutually in love with a peer at Cambridge and their subsequent years together. It deals heavily with class difference and societal expectations for a man in the upper middle class during this era but it ends happily, so that’s a plus.”

3. Aristotle and Dante Discover the Secrets of the Universe by Benjamin Alire Sáenz

“It’s such an amazing and well-written book that not only explores queerness but also being a POC (specifically being Mexican) and figuring out who you are and learning to accept and love yourself. It’s such a great book and I love it so much.”

4. I’ll Give You The Sun by Jandy Nelson

“It’s a beautiful book about love (in all its forms), loss, and starting anew. The book is amazing and I always find something new in it each time I re-read it. It’s a must read for all LGBT+ rights advocates.”

5. Tell Me Again How A Crush Should Feel by Sara Farizan

“It was great because it showed a POC who didn’t know how to come out to her Muslim parents.”

6. Lies We Tell Ourselves by Robin Talley

“It’s about the hardships endured during the 1950s in Virginia, especially with integration and accepting your sexuality at that time. The two main characters Sarah and Linda are complete opposites, both on different sides of the battle for civil rights, but soon realise they are falling for each other.”

7. Rubyfruit Jungle by Rita Mae Brown

“This was a great lesbian coming-of-age novel that highlighted all the issues people in the LGBT community faced back then [in the ’60s]. It’s important for me to not ignore the advances that people fought for, for me to be comfortable coming out today.”

8. Middlesex by Jeffrey Eugenides

“It’s about an intersex person and their family’s history as Greek-American immigrants.”

9. Fun Home: A Family Tragicomic by Alison Bechtel

“It’s a graphic memoir that parallels many experiences young queer folk have when coming out and claiming their own identity. It’s a MUST read.”

10. The Song of Achilles by Madeline Miller

“It’s the type of book that’ll leave you bawling your eyes out in the middle of the night after you throw your book at the wall.”

SEE FULL LIST IN LINK ABOVE

These Comments are so Great!

More Female Characters to Avoid in Your Writing

A long while back, I typed up some posts ranting about characters and tropes I disliked.  These were Male and Female Characters to Avoid in Your Writing, and they’ve become my most popular posts yet.  Recently, I was struck by some topical inspiration, and decided it was time for a sequel!  

One again, these are my personal, subjective opinions!  No one dictates your writing or portrayals but you, and no one can or should decide how you consume fiction.  Also, as you may notice, I actually like most of the ladies below;  I just don’t like certain aspects of their portrayal.

Enjoy, and happy writing everybody! 

1.  The Daenerys (i.e. the spontaneous war criminal)

Image source

Who she is:

The formerly heroic Mother of Dragons, who randomly charbroiled a city full of innocent people.

Why it sucks:

I’m not even talking about this from a feminist standpoint, or how one of the most consistently heroic and powerful female characters took an abrupt and undignified backflip into the Dark Side.  I’m speaking from a writer’s standpoint.  

Regardless of whether you liked Daenerys, she was rivaled only by Jon and Brienne as the show’s most consistently heroic character  From locking away her dragon children to ensure the safety of her subjects, to freeing countless enslaved citizens, she’s spent a decade proving herself to be an altruistic and noble figure.  And then, in the final two episodes of the entire show, the writers dracarys-ed that shit.

For some comparison, just imagine how ridiculous it would be if Jon Snow suddenly went batshit and started hacking up citizens because he was feeling stressed.  That’s about as plausible as Dany’s sudden passion for genocide.

And for the record, I’m not opposed to Daenerys becoming Mad Queen.  If it was done properly. This would mean informing the actress far in advance so she could modify her portrayal accordingly (which they didn’t), and building up to it through foreshadowing and established attributes.  Not at the last fucking minute.

Honestly, the only characters who remained narratively consistent to the very end are Drogon and Ghost, who are both precious babies who did nothing wrong.  

How to avoid her:

Decide as early as possible where a character arc is going.  Contrary to what Game of Thrones seems to believe, the character arc is important.  It should have a beginning, challenges that incite development, and a satisfying conclusion that showcases how a character has changed and evolved.  

And if you didn’t decide early?  You still have to come up with a conclusion that makes sense for your character, and not slap on the most unexpected ending possible in the name of Subverting Expectations.

On that note?  Subverting expectations isn’t always a good thing, and a reader predicting your ending isn’t the worst possible outcome.  Focus on telling a good story.  

2.  The Rayon (i.e. the transgender stereotype)

Who she is:

A transgender woman (portrayed by the male, cisgender Jared Leto) dying slowly of AIDS in Dallas Buyer’s Club.  Her role in the narrative is to teach the supposedly heterosexual (more on that later) main character that queer people are human beings.  

Why it sucks:

Rayon is many things in Buyer’s Club, and most are firmly rooted in stereotypes.  She’s a sassy, flirtatious, clothing-obsessed, self-loathing, drug-addicted prostitute.   She’s hypersexual, but never treated as romantically desirable.  She’s tragic, but also one of the few consistently comedic characters in an otherwise bleak film. 

It’s her job to gently goad the main character into treating her with basic respect, but he never quite gets there.  He refers to her with male pronouns throughout the entire film, and never acknowledges her as a woman.  At one point, he aims a gun at her genitals and offers her a “sex change operation.”  Which, is supposed to be comedic.

This isn’t to say that there are no sassy, flirtatious, clothing-obsessed, self-loathing, drug-addicted transgender sex workers, nor is there anything wrong with “stereotypical” trans people.  It isn’t the job of the marginalized to dispel stereotypes.  And if real trans people had created and portrayed Rayon, she could have been a realistic, dynamic, and compelling character.

And I say “created” because Rayon is strictly fictional.  Outside of this film, she didn’t exist.  

“Well, at least they tried to offer representation!”  you protest.  “What else was it supposed to be about?  A straight dude in the AIDS epidemic?”

Well, no.  Though the main character, Ron Woodroof, is presented to us as a violently homophobic, transphobic, womanizing asshole, the real Woodroof was, by all accounts, kind-hearted, open-minded, and bisexual.  

What could have been a powerful story of a queer man defying his diagnosis, living joyfully and meaningfully, and helping to prolong the lives of countless AIDS-sufferers, was instead watered down to a story of a straight, pugnacious asshole and his stereotypical, long-suffering, transgender sidekick who dies to Teach Him Compassion.  

How to avoid her:

Read books by trans people.  Consume media they create or endorse.  

List of youtube channels created by trans people here, and 21 books for trans awareness month here.

Put out a special call for transgender beta readers to point out mistakes, misconceptions, and offer tips on an authentic portrayal.

Garner insight into their perspective and experiences, and give them personalities outside of being trans.  

3.  The Piper Chapman (i.e. the unflavored oatmeal)

GIF source

Who she is:

The “protagonist” of Orange is the New Black, and its least compelling character.  She and Larry are the sort of people who would ask me for a threesome on Tinder.  

Why it sucks:

Piper’s hook is that she’s a privileged, affluent white woman who unjustly finds herself in prison for – well, for crimes she committed.  But expected to get away with, because, Privilege.

This isn’t to say Piper is boring.  She’s far from likable, but being likable and being boring aren’t the same thing.  In another series, watching a relatively cushioned, naive, bourgeoisie woman string along various significant others, thoughtlessly incite violence, and navigate an unfamiliar prison setting would make for thought-provoking and hilarious satire.  

But when compared to her charismatic supporting cast, with richly developed backstories, motivations, and relationships, she’s painfully bland.  I would much rather watch a series centered around Suzanne, Nikki, Taystee, Poussey, or even Pennsatucky.  They’re just more developed, opulent, enjoyable characters. 

It could be argued that Piper is the viewpoint character, whom the audience is supposed to relate to.  But I can assert that I don’t relate to Piper.  At all.  Her lack of empathy towards others – such as leaving Alex after the death of her mother, cheating on her fiance, and inadvertently starting a *ahem* white power gang – alienated me to her.  

Which might not be such a bad thing, but Piper is (supposedly) the protagonist.  We don’t need to like her, but we should probably be able to relate to her.

Or maybe I’m just jealous that hot women aren’t inexplicably fighting over me.

How to avoid her:

Your protagonist doesn’t have to be the most likable character in your story.  They don’t even necessarily have to be the most interesting character in your story.  And certainly not the most morally good, powerful, or knowledgeable.  But the viewpoint character is the character who we spend the most time with, and from whose eyes we perceive the story.  It’s important that we understand and relate to them emotionally.

Look at examples like BoJack Horseman, Holden Caulfield, Tony Soprano, Beatrix from Kill Bill, Mavis from Young Adult, Nadia from Russian Doll.  All are complex characters, with varying degrees of moral ambiguity.  Yet we can empathize with them emotionally and identify with them.  Even if we’ve never been in their situation, we see where they’re coming from.

4.  The Charlie (i.e. the dead lesbian)

Who she is:

One of the few recurring openly queer characters in the incredibly long-running Supernatural.  A lesbian who’s journey was (sort of) brought to an end when she was killed and dumped in a bathtub to incite drama.

Why it sucks:

I love Supernatural  but it can be remarkably tone deaf towards queer people, women, and marginalized groups.  Which, probably merits fixing, considering its following is largely comprised of queer people, women, and marginalized groups.  

I probably shouldn’t have to explain why killing off women and queer people for drama is Bad, but I’ll delve into its history a little:  from what I’ve read, censorship laws of the twentieth century forbade the portrayal of queer people unless they were ultimately killed or “reformed.”  This is why so much LGBTQ+ fiction is essentially gay tragedy porn, and why gays are so frequently buried to aid in the emotional narrative of their straight counterparts.  

That’s not to say queer people can never be killed off.  I might not have an issue with Charlie’s death (especially in a show as violent as Supernatural), if she weren’t the only openly queer character at the time.  

And there’s plenty of room for representation!  If Dean was openly bisexual, if angels were vocally confirmed to be nonbinary, and if there were more recurring, respectfully portrayed female and sapphic characters, Charlie’s death might not feel like such as slap in the face.  But as it is, it feels like a contribution to an ugly pattern.

In fairness, Supernatural has since improved in its portrayal of queer people:  two gay male hunters were introduced and given a happy ending, an alternate universe version of Charlie was introduced to the cast, and God is portrayed as a bisexual man.  

Yes.  All of that happened.  You have to see it to understand.

How to avoid her:

Educate yourself on the history of censorship in the LGBTQ+ community, as well as hate crimes and decreased life expectancy.  Make sure you aren’t contributing to the suffering of queer people.

If you have only one confirmed queer character in the midst of a very large cast, I’m inclined to think you need more.  You could say I’m BI-ased on the matter, though.

Look up “fridging,” and think about how many stories use the death of female characters to incite drama for men.

5.  The Allison (i.e. the reformed feminine)

GIF source

Who she is:

She’s one of the most interesting members of the Breakfast Club, and that’s saying something.  A self-proclaimed compulsive liar who will “do anything sexual” with or without the promise of a million dollars (as well as one of the most quotable characters in the film) she demonstrates the emotional pain and complexity that’s often ignored or shrugged off as teen angst.  

And then she gets a makeover and a hot boyfriend, and suddenly everything’s better.  

Why it sucks:

It would be one thing if Allison’s problem was that she didn’t feel pretty or desirable.  But she never (to my recollection) offers any indication of that, and that’s part of what makes her such a refreshing portrayal of insecurity.  She’s emotionally neglected by her parents, and that is appropriately treated as devastating.  

It’s a complex and beautifully-portrayed problem that deserved far more than such a superficial, slapped-on solution.

Similarly, there’s no reason why Allison is paired up with the jock at the end of the film.  Neither showed any romantic interest in one another until her unnecessary makeover.  

A much better ending to her arc would be her finding acceptance among her newfound friends, and finally garner the recognition and acknowledgement she never got from her parents. 

I was torn between using Allison for this example, or Sandy’s makeover from Grease.  In both, girls are encouraged to alter their appearances to solve plot-related problems.  And both were “fixed” to conform to some standard of femininity or feminine sexuality that they didn’t meet before.

How to avoid her:

If a character feels the need to change their appearance to accommodate others or be respected, that should probably be treated as a negative thing.

Your character’s appearance can be a good tool to represent emotional changes.  If they alter their appearance, there should be a meaningful reason behind it – outside of fitting into societal norms or garnering the approval of others. 

A girl putting on makeup isn’t a groundbreaking plot point, and girls who don’t perform to standards of femininity aren’t broken or deficient.  They don’t need “correcting.”

Endgame - Whatever it takes - (2019)

Tony Stark in Avengers Endgame (Photoshop CS6). Also available: STEVE. 

The Lady of Elche, sometimes interpreted as an Atlantean priestess, is also believed to be related to the Carthaginian goddess Tanit. Greco-Iberian bust from Alicante (αρχαία Ελίκη), Spain, c.400-350 BC.

Why Japanese is EASY

A lot of people want to study Japanese but think it’s too hard and that they will never succeed. That is really a myth, though. Here is why Japanese is actually easy.

1. All verbs are regular, there are only 2 exceptions 

If you know French, this must sound like a dream to you. In other languages [like French] there seem to be more irregular verbs than regular ones. Not in Japanese, though. There are 3 groups of verbs, the first 2 being regular and very easy to conjugate. The third group consists of only 2 irregular verbs!

2. Easy pronunciation 

Japanese doesn’t have any exceptionally hard to pronounce letters. Unlike Arabic, German or Finnish, Japanese should be quite easy to pronounce for English speakers. Also, Japanese isn’t a tonal language like Thai or Chinese. 

3. No genders, plural or articles

Anyone who studies a romance language [and many other languages that have that] knows how frustrating it can be when you use the wrong article or verb ending. In Japanese, it doesn’t even exist, so nothing to worry!

4. Grammar is easy!

That’s true. It’s just completely different from English, but that doesn’t make it hard. After a while, it will feel completely normal. The best part about the grammar is that you can build a whole sentence with just one word. For example, if you wanted to ask somebody in English if they did their homework, you’d say ‘did you do your homework?’ Kind of long, isn’t it? In Japanese, you can ask by using only the verb ‘to do, can, be able to’ - like this: ‘done?’ Also, spoken, you can drop many words if you don’t really need them, especially particles! So if you’re not sure what particle to use, chances are you can just easily leave it altogether without the sentence losing its meaning. It’s easy to build sentences that seem to end in ‘…’, but that’s completely normal in Japanese and everyone will understand.

5. Tons of resources

Sadly, there are some languages people don’t really care about or not a lot of people want to study/ are interested in. Japanese is not one of those languages. There are hundreds of books about Kanji alone! And so many courses for every level. Also, it doesn’t matter what you’re interested in - anime, manga, books, movies, game show, video games, dramas, music - it’s all out there and super easy to find, so you definitely will find something you can listen to or read to practice your skills.

6. Kanji/the writing systems are hard?

No. They aren’t. It’s just a huge workload, it takes time and effort, but they are not hard.

At first, having to learn 3 writing systems will seem exhausting. But believe me, later, when you start reading, you will be so glad! You can detect if a text has a lot of foreign words at one glance if it has a lot of Katakana, for example, and you could say a lot more on twitter because of the syllabaries!

So actually, the 3 systems put together makes everything easier to read!

So please, just start studying and go at your own pace, and have fun studying every day ⭐︎

NGC 2736, Pencil Nebula

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