Daisypandasstuff - Untitled

cinderella marries the prince

and it’s… fine. The prince is great! They’re in love, he’s very sweet and passionate, writing her poems and songs, giving her anything she wants. The time she spends with her husband is great.

but cinderella is not royalty, her family was noble but she never spent time in those circles. She’s used to being busy, she’s used to cooking and cleaning and mending. There are hours, days, where she has nothing to do.

time passes. cinderella learns the fancy lady type of needlework. Learns to ride horses. Reads a lot.

as is normal for royalty at the time, they travel and are hosted by nobles or stay at castles owned by the king. But even that variety begins to become routine. The prince is distracted, there’s a lot of young women living and working on their route. Daughters of nobles. Younger and prettier with soft hands that have never done a day’s work.

cinderella needs something to spend her time on, and there’s a part of her thinking a couple-only trip might get her husband’s attention again, so she suggests making an old castle that’s fallen into disrepair their “project.” It was built in the time when castles were made to be defensible, so it’s quite sturdy, but it’s overgrown and secluded. The prince doesn’t know why his family stopped living there either. A hundred years ago it was their summer home.

so they go. And they work. And for a while it’s great! But when they leave for winter cinderella’s husband forgets her once again. cinderella resolves to make the best of her life and stop worrying about a man who has gotten what he wanted from her.

summer comes again and this time cinderella goes alone to the old castle (minus staff, of course, but cinderella manages to narrow it down to only repair workers and one maid). She can cook and clean and mend again, but this time it’s her own choice. She is happy.

this summer they make more progress on repairs. The workers say that most of it can be salvaged, except one tower that’s been completely overgrown with vines and briars. It will have to come down, eventually, but for now it can be safely ignored.

cinderella has more free time now. The old castle has a surprisingly untouched library, though time and moisture have damaged many of the books. Behind a collection of greek poetry cinderella finds an old diary. Very old, in fact, at least a hundred years. It’s rude to read a diary, of course, but whoever wrote this is long dead, and cinderella is bored, so…

from the description of activities the author looks to have been nobility. Maybe even a princess. She’s sensitive and sweet and smarter than she seems to realize. If circumstances had been different cinderella wishes they could have been friends…

after the summer ends cinderella returns to her husband. He’s spending a lot of time with a young musician and cinderella can’t even work up the energy to care. She does some research about the castle and the family she’s married into, finds out the name of the princess who wrote the diary.

aurora. Cursed and forgotten. She died young, they say, in a plague that also took out the castle staff and her own parents. Luckily they avoided a succession crisis, but not so lucky for the dead.

time passes. cinderella goes to the old castle again and again, even out of season. Soon enough all that remains to be done is the old tower, and the builders say they should tear it down and fill the gaps before it gets cold.

one night cinderella is restless. The princess from the diary had been fond of that tower, and cinderella is far more attached to a dead woman than she ought to be. She gets out of bed, reads by candlelight, and finally goes to walk the empty halls.

she finds herself going to the tower. Pushing past the vines that don’t seem so troublesome really. They almost part before her. The stairs are perfectly intact, the door at the top is already cracked open. As if she should have done this years ago, cinderella steps into aurora’s bedroom.

she’s as beautiful as the stories say. And sitting under her hands, crossed across her stomach as it rises and falls, is a book of greek poetry.

years later, people will tell the story of cinderella as a cautionary one. Don’t seek above your station. Don’t marry for prestige. After all, a girl who grew up as a servant once married the crown prince, and disappeared after only three years. She ran away, they say, she couldn’t handle the lifestyle.

two old women who run a bookshop together agree with the lesson. Marrying for the wrong reasons never ends well. It’s best to wait for someone you have things in common with, shared interests.

or, failing that, the more linguistic of the two says, wait a decade or ten for someone to fall in love with you from your diary.

her partner laughs and hits her with the socks she is mending.

Data Soong anatomy

Character Analysis of Pete Dinunzio (Comic Vs. Pilot)

Disclaimer: This is by no means a very good or professional analysis or anything, this is just me whipping out my Honors English high school powers for fun, to put these guys in a jar and shake them. Getting as much content out of this comic as possible even if it means yapping. Pete goes first because he's easy, lol

The Comics Highlight His Flaws

The first difference I noted when watching the pilot first and then delving into the comics is; Pete is aggressive. Much more aggressive. He's the most argumentative member in the first few panels, with most of his comments being rather pessimistic or sexual in nature. He always has some sort of retort or comeback to defend himself and his views, and his passions come out mostly in anger.

There's also a silent shame that comes with his behaviors, much more likely to complain about what he doesn't like than happily explain what he's passionate about. When he does have passionate moments, it's because these things that make him very vulnerable are being criticized, and he gets defensive. Like his love for Christopher Lee.

Without any prior knowledge of these characters, it can be assumed that Pete comes from an abusive household. His behaviors are major signs. He's most likely so combative because he's used to constantly being under fire, especially with (I think) 8 other siblings who are implied to be mostly older men. If he didn't have a slick comment or keep up this "tough" persona, he'd be their personal punching bag - figuratively and literally.

All Pete really knows is aggression, being canonically the poorest member (he states that he couldn't even afford to be in the Boba Fett conversation in the comics). It's been shown that the club lives in a shitty area in Staten Island. Plus, they're heavily bullied. It's shaped the way he communicates and interacts with the world around him. Even his obsessions - he likes seeing people get ripped apart to the point it becomes a kink.

Even the way he speaks sets him apart. Not necessarily his accent, but his word choices are usually much simpler and his points are very blunt. He's not portrayed as booksmart, and his swagger comes off more as a performance (both of masculinity and of nonchalance) than a natural way of being.

It's also worth noting his position in the very first panel of the comics. Bill is head of the table, of course, it's his house and he's the leader. (I'll get to that symbolism in Bill's analysis). But Pete is sat right next to him, lower than Bill and somewhat distant from him, but still seeming closer and getting more focus than Jerry and Josh.

His position is meant to draw your eye from an artistic perspective, he is unconsciously trying to secure himself a good spot for control and stability. If you're on Bill's bad side, you end up like Josh (I'll get into the lolcow-ification of Josh later on too), but Pete gets the least shit from Bill. Pete is not a pushover, and he feeds into Bill more. Their bickering seems almost comedic.

Totally different dynamic than he has in the pilot, so them getting along so well may be retconned. He has much more of a moral compass in the pilot, and while both versions show Pete *attempting* to be a mediator and a voice of reason, the pilot shows it more. Almost like Pete didn't want to be there, much preferring Jerry's company since they were both reasonable.

Bill and Pete's dynamic also goes to solidify Pete's relationship with his father and the toxic masculinity he displays constantly. Pete has the urge to stray and separate himself from the obviously immoral tendencies of his father, but still seeks approval from an authority figure in which he admires. Someone he sees as "cool" and capable, teeter-tottering between loving him and fighting him. His father is very authoritative, Pete was never allowed to question anything. He associates anything "girly" with pain - like how Bill associates women with sexist stereotypes, expecting to be hurt by them because of their shared experiences with bullying and Bill's mommy issues. Except Pete had it literally beat into him.

Him connecting masculinity to being capable and independent leads directly to his tendency to make choices on the fly. In a house that's always arguing, someone has to make a decision. And Pete wants to be seen as the macho man who knows what he's doing, but also doesn't care that much. So he mainly makes decisions with common sense, emotion, and whatever he's compelled to. A very "pull yourself up by the bootstraps" mentality from living in a conservative household.

Though I do feel that most of his decisions come from a place of shame. If you're secure, you usually don't have to make it a point, or brag about it, or defend it so vehemently. You just... are secure. This directly ties into his canonical bisexuality along with his horror passions. His whole life he's been told everything about him was fundamentally wrong, and he's trying to run from it. Which is why he tries to separate his personal love for horror makeup and SFX from traditional gay and drag art forms. Those things are looked down on. He hates being looked down on. Which is why he uses gays, along with Josh, as scapegoats.

The Pilot Highlights His Positives

From the first 25 seconds of the pilot, Pete is already a more positive version of his comic alternative. He's more successful in diffusing the bickering between Josh and Bill, and is more level-headed and goal-oriented. He's calmer, seeing things go wrong and actually wanting to find solutions instead of dwelling on the small details and who-did-what. He almost feels like a disgruntled mother with more humor. His independence also shines, but so does his tendency to run into danger without thinking.

Pete also sits much farther in the pilot at their meeting table. He's at opposite ends of the table, like the other head, or leader, willing to criticize Bill and never really seeing eye-to-eye with him. He tries to lead before Bill does, starting with the "Sexy Sirens" tape, and has a little bit of a power struggle. He's leaning back, to distance himself, and his nonchalance is more natural, it's just who he is. Josh and Jerry seem closer to Bill than Pete is, which is a total 180 from the comics.

A big point of Pete's character in the pilot that isn't touched upon at all in the comics is his sense of justice. He wants things to be fair - from the trivia-off in Joe's shop, to the DnD game. He tries to break up fights but will hit back if he's being hit, or someone else is being hit unjustifiably. Much like a shephard dog instead of a guard dog, like his comic alternative. But only to the club, he's still a menace to his general environment.

His trauma is shown more subtly but it is still made a point - while Pilot Josh is unconcerned when Bill's mother is yelling at the club, Pete seems the most worried and distraught, the first to start sweating and holding his head. His body language screams abuse. His introduction panel also shows he's relatively used to beat downs, seeming silently resigned and defeated rather than horrified like the other characters.

His sexuality also seems more on-par with a teen boy and less hypersexual, and there's less sexist comments. He's definitely still a little freak, shown with his creepy little faces, clawing at the glass, and his comments about "Battle Broads" the series, but he's not trying to repress nearly as much.

Combining the Two

Since the point of the comics was to be an exaggerated version of real life incels, I'd say the pilot is a more realistic representation of who Pete is as a person. But with such a short run, it didn't get to show the entirety of his character, which would have to be fleshed out across multiple episodes. The comics is a satirical piece mocking and displaying the worst of the worst, and t pilot is a commentary on the societal failures that lead to children with this kind of behavior.

There are some parts where they undeniably intersect though. Like Pete's tendency towards violence to solve his problems, and one specific comic panel (which I can't exactly find right now) where Pete comments that sewing's for sissies, and Jerry insists that he's not. Pete's reply is "Of course not you, Jerry, you're a wizard. Keep it up." This can be seen as him just wanting his clothes repaired, but it can also be interpreted as Pete putting his own insecurities and internalized feelings aside because he loves and respects his friends too much. It shows that he doesn't actually believe what he's saying to the degree he insists. Pete is the second most likely to have the capacity to change his ways, if he ever so chose.

Honestly, it's up to interpretation how these traits are combined. Some fans like the comics more, some fans like the pilot. Though Evan seems to be leaning more into the pilot interpretations of the characters now than the comics, showing a possible reboot or retcon of their old traits, just like the retcon of Epilogue Pete.

Summary (MBTI, Enneagram, etc.)

I'm gonna use my general knowledge of personality quizzes to get my point across, lol.

I honestly believe his MBTI is ESTP, as someone who studied it for a very long time and spent way too long on PDB. But he is a very unhealthy ESTP that never found an outlet for his more creative attributes, and lives in unhealthy environments that disrupt his peace.

On the good side, he can adapt easily, read his environment and the people in it well, and he is extremely passionate. He's pushed by his love of horror and film, seeking out people with the same interests and motivation to get things done. He's very experience-based, seeking out adventure, and has a lot of energy. He's very down to earth, lives in the moment almost too much, can easily improvise and comes up with decisions very quickly. He's a quick thinker, but thinks after he acts, not before, and is very life-smart. He's a good communicator, he's practical, hedonistic, and fair.

Deep down, he seeks validation from his peers, wanting to be seen as competent, talented, valuable. At his best, this helps him connect with others in a meaningful way like he craves. But he never really gets there, which leads to him forming a persona he believes will get him that respect. He's actually a very sensitive person in that way, not necessarily emotional but very touchy when it comes to what he loves. He's prone to pessimism, doesn't think about the consequences of his actions, and doesn't see himself in a world in which he's truly successful.

He's selfish, rude, doesn't trust others, has an intense aversion to rules, and doesn't look at any information that goes against what he believes. He can be bossy at times, or judgemental of others who don't meet his standards, and doesn't keep other people' feelings in mind. This leads to an internal struggle with seeing everyone as fake or not as dedicated, but also wanting, needing connection with other people. This can lead to him being rather conspiratorial, which leads to the whole "Jock vs. Nerd" conversation.

I also think he's a sp/so (self-preservation social) 8w9. His biggest fear is being hurt and betrayed by the people he loves, so he seeks out control and stability so that can't happen. He tries his best to be self-reliant so he has no need to open up to others and make himself vulnerable, and he's hard to warm up to. But once he likes you, he's loyal for life. He isn't very loud about these traits, trying to maintain an air of calmness while also being no-nonsense. He doesn't want to lose control of his anger, but also has a tendency to do so, leading to small outbursts of strong aggression. While he craves connection, if he has too many failed relationships, he may start to see them as a waste of his time and become very introverted, like how he became in the epilogue.

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Yep, that's it, enough yapping for me. Those are all the things I noticed, hopefully it's entertaining to somebody lol.

glimpse into my beautiful imaginary world where arthropods are really big and we domesticated them

edit: people are starting to say some "my worst nightmare" or "eeeww no that one is yucky and scary" comments on this like they do on any bug post and id like to say. it's fine if you don't like bugs it's fine if you're scared of bugs but don't put that on MY post clearly talking about how much i like them and how cute i think they are. you can make your own damn post about how much you hate wasps or spiders or whatever. i'm blocking people who make these kinds of comments.

legends say jimothy t. kirk imploded gay style after the 7th trial in mr spock’s transfer-proof lippie experiment

hey guys can you help me find that old portrait of a girl holding a little painting of a naked dude and cracking up about it?? I want to say it’s by Rembrandt but that’s probably not right

I'm obsessed with them and the idea of twisted Sprout being protective of twisted Cosmo so I drew them again... I might just make an art dump post of all the doodles I've done of them over the past week they are my favorites well Sprouts my favorite and his pastry boyfriend just got dragged along because I draw them together a bunch.

Throws this at you

Here's the first batch of toons for my au!

I had a lot of fun making this. It's probably the most self indulgent thing I've made in a while hehe. Expect more doodles about it!

he was the only one that wasnt too busy to babysit