Most of the time, if you do something odd you're not allowed to do, getting you out of there is all that people are really concerned with. If you haven't stolen anything, caused any material damage, and clearly have no intention to put up a fight over being removed from the situation, you're not worth the trouble of getting you into trouble. Somebody who's unloading boxes from a company van to a storage and comes back to the truck to find that some weirdo has climbed inside the van through the open back doors doesn't get paid enough to forcibly physically detain you until the police arrive.
Most likely they just go "dude. could you like fuck off? you're not supposed to be there." And as soon as you shrug like "yeah lmao I know, sorry, impulse overtook me" and clearly proceed to comply with the request to fuck off, you're free to go, they're just relieved that you're gone. Most people aren't hell-bent on vengeance and punishment, they just want you to stop being their problem.
Me, on the welcome desk in the library: Good morning, how are you today?
Customer: I have welcomed Jesus into my heart and so I am well today and every day.
Me, a little unnerved: Okay then! Is there something I can help you with?
Customer, digging around in his bag and pulling out an iPhone in a box: Unfortunately, Jesus can't help me with this fucking phone, so I came to the library.
the number of times i think about the full body viking skeleton i saw in the museum is ridiculous like when i say it haunts me i mean it actually haunts me
@lovers-teeth get peer reviewed idiot (affectionate)!
its finally warm enough for me to go swimming at my local lake
for my fellow southern/midwestern USAmericans: ain't it
the japanese “-ne?” particle and the british slang term “innit” serve the same function
I will be honest guys, the Red portrait of king Charles is gorgeous asdfghjkl
it's a bad portrait. Like. Objectively. It does the opposite of what's intended. It looks like the painter is insulting him. If it was in a contemporary gallery with no context you would see it immediately as the ambivalent criticism of Charles's reign, how he fades into the overwhelming red background as a tiny little figure, small and insignificant, insufficient for the clothes he's wearing. It reminds my of Goya's portraits, how they were so 'realistic' that they ended up making these great figures look pathetic to the viewer. So these are our rulers?
the sheer novelty. the surprise and shock, the kinda cunt it's serving for no reason. I. I love it. It's an incredible portrait by Jonathan Yeo. By the sheer fact that Charles, the man, is impossible to portray as greater than man because he's just such a nothingburger of a dude. So a portrait made to make him look huge and interesting made him be swallowed in red brushstrokes. The butterfly, that reminded me immediately of " we will all laugh at guilded butterflies", draws more attention than him. It looks like an omen. It looks like a warning in all this red. Something is not right here.
This is the best royal portrait ever 10/10