when he hires snipers to kill anyone that touches you đ
Dear Irene Adler,
I am writing to inform you of your duck nails, it hurts my eyes every time I watch A Scandal In Belgravia. Please seek professional help.
I am looking forward to skipping that part of the episode.
Regards,
Chesie
guys⌠thatâs just the pool scene. a. ten. minute. scene. i am very serious about my gays đż
the straightest and THE GAYEST thing about Sherlock is how much he likes guns
Iâll never get people who think Sherlock is a straight man. Gay? Sure. Aro and/or ace? Sure. But straight?????? Thereâs no universe where heâs straight. Thereâs barely any where heâs interested in women at ALL. Heâs been queer since ACD created him, we may never know in what way, but heâs queer. Always has been. Thatâs not even a theory, thatâs just canon from the literature itself lmao
The only acceptable casting for a remake of âThe Birdcageâ
anyone else found the âiâm a high functioning sociopath, MERRY CHRISTMAS *bang*â cringy as hell?
like i imagined Sherlock having a bit more class when it comes to murder :/
Analysing the Great Game PART 2: The Pool Scene
The pool scene was something that always confused me, but to be fair, I never really paid attention. in this post(all the parts, there will be like 5) Iâm going to analyse it chronologically (if you call 10 minutes of tv history) based only on what we know from series 1, with some occasional (extremely rare and brief) references to later episodes. I did this because I havenât analysed them and because I believe series 1 had the strongest vision and characterisation of Sherlock, Moriarty and John. I also wanted to stay as focused on the scene(and episode) as possible, and not let things that I know influence my analysis too much. so yes, some things might sound crazy in the context of what we know, but if you isolate this episode and series 1 it makes sense.
why does Sherlock choose the pool as a place for meeting? Itâs a connection to Carl Powers - first crime, first case, first meeting (first date). Moriarty mentions it as being a nice touch â pretty romantic. Sherlock wanted a private meeting with Moriarty, as we can understand from him hiding the fact that he was texting Jim from John. He was even willing to risk the countryâs safety(missile plans). And yet Moriarty uses John for Sherlockâs final test.
let the flirting begin. Sherlock: âBought you a little getting-to-know-you presentâ. The way Sherlock so casually offers the plans is almost like heâs proving that âyeah, I donât think itâs that deep eitherâ. And during the whole conversation the plans only came up again when Sherlock wanted Moriarty to release John. And even then Moriarty dismisses them(âI could have gotten those anywhereâ).
Sherlock wrongly assumes that Moriarty created the game (âof 5 pipsâ if you will) to distract him from dealing with the missile plans case. and I should mention that Mycroftâs role in this episode is interesting as well. throughout the whole episode heâs been nagging John about it, who was lying to Mycroft that Sherlock is working on it. it mightâve been just a red herring for the viewers which I accept wholeheartedly, but it could also be the first hint of Mycroftâs association with Moriarty. But this isnât about Mycroft as few things are.
Sherlock looks unhappy when he sees John. naturally 1. John is in danger 2. he wanted to meet his rival privately. the distain in his face can be explained by his sudden realisation that he will have to keep up appearances, act in front of John.
now, in the whole scene sherlock doesnât seem too worried about Johnâs safety and not at all angry at Moriarty for involving him in this. so he either feels safe or is indifferent about safety.
âI gave you my number, I thought you might callâ I find it interesting that Moriarty actually called sherlock multiple times during their game, but he only did so as a criminal mastermind. He had the victims talk for him and all the dialogue meant business. To me this line is a subtle hint at needing an increased level of intimacy. in a way itâs Moriartyâs invitation for Sherlock to see behind his constructed personas. Letâs also take in account that he said this line in a sort of sing-song, which later will be very clear that itâs a way to deflect, avoid vulnerability. now he was talking to Sherlock as Jim, not some puppet master. he was implying that this relationship they share transcends the classic villain-hero dynamic. They share their untreatable boredom and loneliness though being misunderstood. Something so simple â a phone call - is the crumb of tenderness needed to free their connection from the boxes of their roles. now that the game was over they could allow themselves to be less formal about it, less conventional(in their interaction as Hero and Villain).
But then again thereâs the issue of John being there. which seems counterintuitive. why would, if not only to raise the stakes, Moriarty involve john in this intimate meeting?Â
One possibility is that Moriarty simply isnât ashamed of his eccentricity(which in Moriartyâs and Sherlockâs case is the fact that danger, risks and proving their intelligence turns them on) and wants to encourage Sherlock to also embrace that darker part of him. he put Sherlock in a situation where he has to face his internalized need to conform. But, if thatâs the case, then itâs odd that Moriarty doesnât fight the performance that Sherlock makes for John. He expects Sherlock to be a hero who wants to defeat the villain and save the day and Sherlock acts accordingly. Even if it's obvious later that it is just theatre. Moriarty plays his part perfectly and possibly only because he respects Sherlock more. More than he wants Sherlock to become someone who lives like him, that's selflessness right there. Moriarty understands that Sherlock needs it, he needs to feel right by John and thus - society.
Another reason for John being there could also be that Moriarty wanted to create the contrast between someone who is doomed to misunderstand Sherlock - John and someone who gets him perfectly - himself. which considering the emotional subtextual subtlety of the whole scene feels more likely. although theyâre not mutually exclusive.Â
on a more surface level note I do think the line was supposed to just be a hint that he was Jim from IT. but at the same time, he was behind a door, and we, and only we as viewers could see his face. which in film usually means that the emotion is genuine, because thereâs no one to perform to. and in that moment, he was doing his detached, creepy thing, which for me always read as very raw and desperate. Pretending to be scary, especially in privacy, is a coping mechanism. maybe there was a part of Moriarty that wanted a more ânormalâ relationship with Sherlock. Moriarty is conflicted about how much freedom he can create for himself and someone just like him, how far can he break the system and defy what's "meant" for him (being treated like a psychopath and nothing else). that's what this moment means. Sherlock and Moriarty share a unique bond that is often seen as wrong or sick, by people like John. perhaps here Moriarty was willing to be Sherlock's true friend or partner, even if it was just the residue of whatâs expected of him by society. Something thatâs understood by others, something rooted in proximity and mundanity, something more proper than their intellectual game. because doesnât every outcast dream of being normal, even if just for a moment of weakness?
John literally has no personality after series 2
honestly, no one does (except for Mary, thank god)
also making him an alcoholic just because Harry was, was cheap as shit
like at this point let my boy do Sherlockâs coke, maybe itâll wake him from his lowkey-giving-bigot-homophobia-fight-club slumber
series 1 John is my roman empire(later he becomes the embodiment of the wing-cutting society, which John and Sherlockâs friendship was supposed to defy. like he was supposed to be the one who got Sherlock, but instead he was just shoving his own morals down Sherlockâs throat)
practical is boring. serve Cunt, endanger lives
LGN LOUIS GABRIEL NOUCHI Fall/Winter RTW 2025 if you want to support this blog consider donating to: ko-fi.com/fashionrunways
Hi, this is part one of my analysis of the great game. In this post iâll be highlighting moments which display Sherlockâs growing fascination with Moriarty and Moriartyâs undeniable obsession with Sherlock. I aim to (at some point) explain their dynamic beyond the romantic undertones already present in a lot of their lines. This is only an intro into my big theory - the analysis of pool scene.
*low k might be my fav ep
Sherlockâs obsession with Moriarty
Moriartyâs obsession with Sherlock
these may or may not be just shameless (intellectual) flirting
Here is what i wrote down while watching, might be a little sparse, but the important bits are all there. Also disclaimer: my formatting skills suck and iâll be editing the post a lot post posting (now thatâs a trippy sentence), because i canât sleep at night knowing i donât make any sense đ
p.s. - every quote that's numbered is also provided at the end of the post (Moriarty's words said by the victims), theyâre important as i think itâs Moriartyâs way of avoiding vulnerability.
Thereâs an explosion at Baker street. Sherlock is unharmed but gets a package. A pink phone replica. 5 pips = 5 bombs = five tests. On said phone a picture of 221C that Moriarty knew Sherlockâs seen before. in there Carl Powersâ shoes.
Sherlock gets a call (1): âHello, sexy. Iâve sent you a little puzzle just to say hi.â Sherlock: âthe curtain rises. iâve been expecting this for some timeâ. Heâs excited, and heâs been waiting for Moriarty to act ever since A Study In Pink.Â
In the lab, right before Jim comes in. âWhy is Mycroft trying to bore me, when someone else is being so delightfully interestingâ ((ok not to be biased but that is literally sherlockese for âi have a crush on a boy đ¤â ))
Jim walks in, Sherlock looks at him(reads him in a fraction of a second). Jim looks Sherlock up and down. No but literally how did no one notice his weird fan behaviour around Sherlock?? Molly was invisible to him and he was speaking to John while staring at Sherlock.
(Also can i just mention how Sherlock says âtinted eyelashesâ when proving why he thinks Jim is gay and the picture is of his eyebrows)Â
Carl Powers, âitâs where i beganâ Sherlockâs first case - Moriartyâs first crime it's pink this time cuz this is so gay at the age of 14 (20 years ago). Tbh we donât know if itâs Moriartyâs first crime but i just find it romantic to think so. Of course he couldâve committed that one just to get Sherlockâs attention OR his obsession with Sherlock started after that, because maybe Sherlock's involvement in that case led him to believe that they were âmeant to beâ rivals. Perfect opposites (i mean theyâre like 80% similar but sure dude). Basically he felt personally seen by someone who had the incentive to dig deeper, beyond the standard practices of police work, someone who believes that there is more to see.
Sherlock solves the case, blogs about his findings, communicating with moriarty and making him stop the clock 3:âwell done you, come and get meâ. When alone Sherlock says to himself: âElegantâ. âNo, i canât be the only person in the world that gets bored.â As one wise person has said: any emotion that is experienced by a character in private is real. (SHOUTOUT TO @asherlockstudy) This of course applies to truths as well, and here Sherlock is being as honest as possible. This line proves how much Sherlock truly needs Moriarty, someone who understands that inexplicable pain of being bored. Just by knowing that someone like that exists, Sherlock feels understood, freed from the loneliness of being estranged, from the discomfort of being a âfreakâ. This game is the highest form of entertainment, something that allows him to be himself and to be valued for it. But more on that in the pool scene.
Another puzzle, 8 hours. (5): âWe were made for eachother Sherlockâ*Sherlock smiles* and softly says âThen talk to me in your own voiceâbro is cheezing after the call broâŚ
âOur friendly bomber. I am on fire!â(heâs having fun âşď¸)Â
(6):âyou can come and fetch meâ Sherlock is smiling like crazy again.
John: âItâs all meant for youâ. Sherlock: âYes, i know đâ !!!!! (video 1 below for the face expressions) (btw I was literally just filming my laptop so sorry for the shit quality, I just want to have proof for my yapp :DD)
Like how special one must feel to have someone be willing to kill tens or even hundreds of people just to entertain you? Itâs not even about the lives to be honest, just the fact that someone is creating these personalised little puzzles. Like, isnât that hot? This is also one of the MANY moments when John expresses his disapproval for Sherlockâs involvement in this game, mostly the giddiness about it. This will be important later on (iâm edging yâall so hard with this hinting :Ddd but iâm writing this after everything else so oops).
Sherlock is kinda defends(?) Moriarty, when Lestrade asks why is the bomber doing this. Sherlock answers *shrug* âgood samaritanâ, Greg is all like âheâs a bomber, hello?â Sherlock: âbad samaritan đ¤đâ (Idk what's with the emojis but I just wanted to show how relaxed and goofy he was about it all). Basically, Sherlock interprets Moriartyâs âgameâ as a personal service, despite it being morally questionable.(ok but bro canât stay serious, like heâs smiling all the time â[weâre dealing with] something new đâ )
Ok now that iâm going over everything for the millionth time i noticed that this moment here was one of the worst attempts of hiding his âintellectual crushâ. Sherlock isnât big for conventional morality, and iâll touch on that later, but this was so unserious it almost seemed like he became more comfortable in himself. He began to see that saying out of pocket or perhaps cynical stuff like that is fine, however much of a crime against âpreserving the social peace of normiesâ it seems to be. I made that shit up, hopefully yâall get what this means :D Having someone like Moriarty allowed him to question his own role in society and how he, despite often being against succumbing to what's normal(and boring), conforms to it, to society, which further strengthens his feelings of estrangement. We're getting kafkaesque in here, boys! (sorry)
âNovelâ Sherlock realised Moriarty is a consultant criminal(he organises crimes but no one has direct contact to him). When John asks (again) why Moriartyâs doing this, Sherlock canât help but smile. âi think he wants to be distractedâ *says in a breathy tone(intrigued/touched)* (WAIT I didn't know I could only put 1 video omg I literally feel 80 years old, how does Tumblr work!? *crying*) So Sherlock was staring into space, his face lit up upon realizing that him and Jim are the same, that they experience the same things and blah blah blah he looks horny in this scene I legit don't know what to even say bruh. (I'm mad that I couldn't put the video in lmaoo)
No but fr John noticed Sherlock has an intellectual crush on Moriarty and was annoyed at how entertained (and fulfilled) Sherlock was by this morally grey game.
The golem was hired to kill the astronomer guy and his friend professor because they wouldâve been able to expose that the painting was a fake based on the stars. Sherlock figures it all out: âOh that is brilliant, that is gorgeous. this is beautiful. Love this!â. The gallery woman admits to the fraud. Sherlock learns that this is in fact Moriarty behind this. *smiles*.Â
our baby boy solved everything and now is curled up, watching shit telly :(Â
Sherlock was waiting for John to leave to write to (more like at) Moriarty *smiles*. He lied to John about having given the missile plans to Mycroft. Sherlock actively wants to keep John out of this, because of his disapproval, John finds Sherlockâs fascination with Moriarty repulsive.Â
So to summarize the absolute randomness I spew out in this thing: the connection between Sherlock and Moriarty is quite vague, but ultimately based on their eccentricity(and in this case it doesn't really matter if(more like "how") it's romantic). I'll talk about it all in the big post I PROMISE, this is just the intro so you can follow my impossible thought process. Another important thing: John as the symbol of conventionality and morality. That's it, I'll post again in like a month because the feeling of responsibility paralyzes me LMAO. ok bye ;)
+
Moriartyâs words said by the victims:
âhello, sexy. iâve sent you a little puzzle just to say hi.â
â12 hours to solve the puzzle, sherlock, or iâm going to be so naughtyâ
âwell done you, come and get me.â
âclever you, guessing about carl powers. i never liked him. carl laughed at me, so i stopped him laughing. This is about you and me.â
âthe clue is in the name âjanus carsâ[s:whyâd you be giving me a clue] why does anyone do anything? because iâm bored. we were made for eachother sherlockâ
âyou can come and fetch meâÂ
âi like to watch you danceâÂ
âyouâre enjoying this, arenât you? joining the dots.â
ânice touch this, the pool, where little carl died. i stopped him. i can stop john watson too, stop his heartâ
okay, but saying âi owe youâ is basically a wedding vow soâŚ
iâm insane. i like sherlock bbc and the romantic implications of destruction(sheriarty). iâm good at overanalysing things that feed my self centred need to prove my identity by being a reflection of the perception i have of myself. iâm cool like that đđ¤.
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