writing’s going great why do you ask
[image id: screenshot reading [hi, future self, I’m aware this makes no fucking sense. Please fix it. Thanks.] /end id]
theres always that moment during the course of enjoying a character where it switches from ”this is my favorite character” to ”i enjoy this character in a mentally ill way”
Actually, can we talk about how Garbage a lot of ubiquitous writing advice in the late 2000's was?
Like "you have to begin in the middle of the action! your first line has to be a 'hook' that draws the reader further into the story!"
This is the bullshit responsible for the amount of books that begin in the middle of some sort of pointless fucking action scene that I care nothing about because I just got here.
Like I guess this makes books easier to "sell" or whatever on some level of the process, but it's garbage storytelling advice because setup and establishment of the Way Things Are is almost always necessary.
On some level I don't think it's actually possible to begin a story right on top of the "inciting incident" because...you don't have the raw materials to "incite" anything with. If you have to set up basic things about the characters and world after the "inciting incident," it's not really the inciting incident anymore, is it?
The event that "launches" a character into their plot line is something that follows from the character's established situation, desires, traits etc. It's a follow-up to a situation that makes a Story of some kind inevitable.
It is, by definition, an event that makes no sense and does not matter to the reader at all unless the "setup" already exists.
If you try to begin right in the middle of the event that "sparks" the plot, you're going to end up including a second, "real" event that actually does the job, because you can't do the job if the character, the stakes, the rules, etc. are not there yet.
Now the action scene you stuck to the beginning of your story is probably dead weight that is getting in the way of the setup.
“they tried to kill each other” yes and? do you have a problem with true love
"But let me give you the dark side of writing groups. One really dark side of writing groups is, particularly newer writers, don't know how to workshop.
"And one of the things they'll try to do is they'll try to make your story into the story they would write, instead of a better version of the story you want to write.
"And that is the single worst thing that can happen in feedback, is someone who is not appreciating the story you want to make, and they want to turn it into something else.
"New workshoppers are really bad at doing this. In other words, they're really good at doing a bad thing, and they're doing it from the goodness of their heart. They want you to be a better writer. They want to help you. The only way they know is to tell you how they would do it, which can be completely wrong for your story."
—Brandon Sanderson, Lecture #1 Introduction, Writing Science Fiction And Fantasy
This isnt a joke my favorite piece of writing advice that I’ve ever seen is someone that said if you were stuck with a fic and couldn’t figure out why or what was wrong, your problem is actually usually about ten sentences back. Maybe there was something wonky about the tone or the dialogue or you added something that didn’t fit but it’s usually ten sentences back. And every single time I get stuck in a fic I count back ten sentences and it’s always fucking there
R. - They/Them - Queer SF/F/Romance writer - Carrd with social media links.Avid fan of anything gay. This is my writing journal.
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