R. - They/Them - Queer SF/F/Romance writer - Carrd with social media links.Avid fan of anything gay. This is my writing journal.
229 posts
so many ways a character can be dog-coded. stray following someone home and begging for scraps. old and needs to be put out of its misery. attack dog. guard dog. lap dog. puppy that pees on the carpet from excitement. shelter dog just happy to finally have feet to curl up on. unsocialized that bites anyone trying to show kindness. silly goofy puddle monster. obedient until the leash comes off
yeah, this is my pet knight, she's a rescue. i gave her a brief act of mercy and she followed me home and sat outside my door to guard me from intruders. she swore her undying allegiance to me in exchange for a gift of grace and now she sleeps at the foot of my bed and weeps when im late coming home. and yeah, she only eats wet food because she's a snob, also.
my favorite genre of fictional character is like "i am terrifying to almost everyone, i'm very good at killing, i can endure anything, i've become exceptionally good at playing into my reputation, and if you try to give me positive social interaction i will react with confusion and cower in a corner like an abused animal. and i may try to shoot you. but there is also a chance i may imprint on you like a feral dog receiving its first loving touch! good luck."
I see a few people sayin that you definitely need an agent to get published traditionally. Guess what? That's not remotely true. While an agent can be a very useful tool in finding and negotiating with publishers, going without is not as large of a hurdle as people might make it out to be!
Below is a list of some of the traditional publishers that offer reading periods for agent-less manuscripts. There might be more! Try looking for yourself - I promise it's not that scary!
Albert Whitman & Company: for picture books, middle-grade, and young adult fiction
Hydra (Part of Random House): for mainly LitRPG
Kensington Publishing: for a range of fiction and nonfiction
NCM Publishing: for all genres of fiction (YA included) and nonfiction
Pants of Fire Press: for middle-grade, YA, and adult fiction
Tin House Books: very limited submission period, but a good avenue for fiction, literary fiction, and poetry written by underrepresented communities
Quirk Fiction: offers odd-genre rep for represented and unagented authors. Unsolicited submissions inbox is closed at the moment but this is the page that'll update when it's open, and they produced some pretty big books so I'd keep an eye on this
Persea Books: for lit fiction, creative nonfiction, YA novels, and books focusing on contemporary issues
Baen: considered one of the best known publishers of sci-fi and fantasy. They don't need a history of publication.
Chicago Review Press: only accepting nonfiction at the moment, but maybe someone here writes nonfiction
Acre: for poetry, fiction and nonfiction. Special interest in underrepresented authors. Submission period just passed but for next year!
Coffeehouse Press: for lit fiction, nonfiction, poetry and translation. Reading period closed at time of posting, but keep an eye out
Ig: for queries on literary fiction and political/cultural nonfiction
Schaffner Press: for lit fiction, historical/crime fiction, or short fiction collections (cool)
Feminist Press: for international lit, hybrid memoirs, sci-fi and fantasy fiction especially from BIPOC, queer and trans voices
Evernight Publishing: for erotica. Royalties seem good and their response time is solid
Felony & Mayhem: for literary mystery fiction. Not currently looking for new work, but check back later
This is all what I could find in an hour. And it's not even everything, because I sifted out the expired links, the repeat genres (there are a lot of options for YA and children's authors), and I didn't even include a majority of smaller indie pubs where you can really do that weird shit.
A lot of them want you to query, but that's easy stuff once you figure it out. Lots of guides, and some even say how they want you to do it for them.
Not submitting to a Big 5 Trad Pub House does not make you any less of a writer. If you choose to work with any publishing house it can take a fair bit of weight off your shoulders in terms of design and distribution. You don't have to do it - I'm not - but if that's the way you want to go it's very, very, very possible.
Have a weirder manuscript that you don't think fits? Here's a list of 50 Indie Publishers looking for more experimental works to showcase and sell!
If Random House won't take your work - guess what? Maybe you're too cool for Random House.
A list of words commonly used in the Writeblr community and their meaning!
I’ve gotten a lot of questions about what some things mean, so I thought it was time to compile a list of meanings.
This list gets updated every so often. Please click here to see the most up-to-date version of this post!
Writeblr — A community of writers on tumblr; A blog that posts primarily about writing. See here for a more in-depth explanation. (Also written as Writblr on occasion)
WIP — Stands for Work in Progress. Primarily, it’s a piece of fictional work that is still in the writing process and is unfinished. (Also see: WIP page)
OC — Stands for Original Character. This is a character entirely of your own creation.
Tag list — A tag list is a list of users who will be tagged in every post that a Writeblr makes about a certain WIP. It is often included at the bottom of a post, and people are free to ask to be included, or removed from it.
WIP Page — A page or a post on a Writeblr that describes a WIP. Commonly includes a synopsis, setting, characters, etc. See here for what goes in a WIP page and how to make one.
Tag games — Tumblr games where people will do something (often answer questions, a snippet of their WIP, etc) and ask other users to participate by using the @ function in that post.
Ask games — A tumblr game where a user will request people to send them things with the ask function. Often times will include a list of questions they wish to be asked.
Writing Sprints — An activity done by writers, where they write as much as they possibly can for a set amount of time (often 10-15 minutes). Can be done with multiple people, and is a common activity for a group of writeblrs to partake in.
Fanfiction — Fiction written by a fan about an existing TV show, movie, book, etc. Often features the characters, the setting, etc. of that piece of media.
AU — Stands for Alternate Universe. AUs typically feature the same cast of characters of a WIP or an existing piece of fiction with a major change or two. (For example, a Fantasy AU would involve placing the characters in a fantasy setting. There also may be an AU of what might happen if a certain character didn’t die in their story).
Canon — Material or information that is accepted as an official part of a story. (i.e., the creator confirms it and includes it in their story).
Headcanons — Ideas and interpretations of a fictional work that is accepted by a fan, but isn’t necessarily supported by canon.
Moodboard — A collection of images meant to evoke a certain feeling or emotion. Often used by Writeblrs for their WIPs and OCs.
Ships — The concept of a fictional couple. Can be either canonical or not. If you ‘ship’ someone with another character, you like the idea of them being involved with each other, often romantically.
OTP — Stands for One True Pairing. This is often used to describe someone’s all time favorite ship.
BrOTP — Someone’s favorite platonic ship. A portmanteau of ‘bro’ and ‘OTP’.
Beta Reader — A person who reads through a draft before publication to give suggestions and feedback to the author to improve it. Can be paid or unpaid, depends on the author.
Sensitivity Reader — A person who reads through a draft to check for issues of representation, cultural inaccuracy, insensitive language, etc. For example, if you are a white author who has black characters in your story, you should have a sensitivity reader who is black, so they can let you know if you are accidentally being offensive, or misrepresenting them in any way. Many writers will have multiple sensitivity readers to give them feedback, so they can make the proper changes to be more inclusive and culturally sensitive. Can be paid or unpaid, depends on the author.
TW — Stands for trigger warning. Often followed up with the trigger (i.e., tw: self-harm). This is to warn people that there is sensitive content in a post or a WIP, and that if they do not want to see it, they should not proceed any further. Used in tags and the top of the actual post for visibility, and often accompanied by a “Read more” cutoff.
OP — Stands for Original Poster. It refers to the person who originally made the post. If someone says ‘thanks op’ on a post, they are addressing the person who created the post in the first place, not the people who have reblogged or added things to it.
Planner — A person who plans out their story before they write it, often with an outline. (Also see: Pantser and Plantser)
Pantser — A person who does not plan out their story, or plans very little before they write it. Comes from the term ‘flies by the seat of their pants’. (Also see: Planner and Plantser)
Plantser — A person who does both planning and improvisation in their writing. A portmanteau of planner and pantser. (Also see: Planner and Pantser)
Have a word you’d like to see included? Let me know and I’ll add it!
Have a question on what a writeblr term means? Feel free to ask me!
If you’d like to ask me for advice on writing or running a writeblr, please check out my Ask Guidelines and FAQ first.
Ask Guidelines | FAQ | Advice Masterlist
attempted murder is a form of intimacy by the way . don't listen to people who tell you different
The majority of the projects I am asked to beta include blind characters who cover their eyes. Modern characters wear sunglasses. Other characters wear blindfolds for older settings. The story usually justifies the decision in some way, but I always ask: why?
I also neglected to include this in my post on Things I Want to See More of / Less of in Blind Characters. I don’t think I considered it at the time. However, unlike my post on blind seers, I think this trope actually causes some harm in subtle ways and I usually encourage avoiding it. I’ll discuss why in this post.
Keep in mind that blind characters are not so common. Because they aren’t very common and because not everyone in your audience knows a blind person in real life, the way the character is represented could lead audiences to believe that is how blind people are. This, coupled with a general lack of information given in everyday life, allows writers or artists to unintentionally influence how real life blind people are perceived.
Sure, blind people create blind characters as well. However, we don’t usually get as much exposure or opportunities. We could be held back by other barriers, such as poverty. This means it can be hard to counteract tropes we don’t like or that activity harm us.
Blind characters covering their eyes is potentially harmful for a few reasons.
One reason is that it is assumed that all blind people always cover their eyes. This means that in real life, blind people are not as easily recognized even when they have a cane. The white cane is supposed to be what alerts others that a person is blind. Instead, people get confused about why a blind person isn’t wearing sunglasses if they’re blind. This leads to unnecessary explanations, lost time, refusal to help, and sometimes hostility. Wearing sunglasses helps some blind people communicate blindness more easily. They may feel forced to adopt the stereotype.
Another reason is that it unknowingly touches on the pressure some blind people face to cover their eyes. This could be because they are self-conscious about them or because of pressure to make other people feel more comfortable. This pressure could originate from the way their eyes look or move, or even due to lack of eye contact. Sometimes, stories present these ideas as normal for blind people, which increases the idea that blind people should be ashamed of their eyes or that they should prioritize the comfort of others for something superficial.
While I am not sure about the exact origins, the stereotype probably comes from a few sources: shorthand symbolism and abled actors playing blind characters.
-Shorthand symbolism could be used in art or plays to indicate a character’s blindness.
-Because films and shows are so popular and more easily consumed, audiences are more often exposed to blind people on the screen. Actors who aren’t blind often wear sunglasses to make them appear blind to audiences who would perceive eye movements as breaking character. The actors in live-action material often wear sunglasses to hide their eyes. Why blind actors aren’t hired initially is another story.
This page discusses the sunglasses trope in films.
-Some blind people who wear sunglasses for any reason may also simply be more recognizable as a blind person as opposed to blind people who don’t wear sunglasses. This means others may not be aware that blind who don’t wear dark sunglasses exist.
I should mention here that blind people are simultaneously expected to wear sunglasses as a signifier of blindness while also accused of faking for wearing them. The rationale is the idea that blind people can’t see the sun and therefore would never need sunglasses. This, of course, depends on the stereotypes that all blind people are totally blind, which is not true. Most sources I have found over my time writing this blog state that less than 10 to 15% of blind people are totally blind, which means about 85 to 90% of blind people have light perception or some residual vision.
Many writers have characters cover their eyes because it feels right. Some assume the character would feel uncomfortable with the way their eyes look and that they prefer to hide them. In order to write this trope well, you must understand your reason behind it.
Let’s examine why blind people wear sunglasses in real life. This page is a good one to read and was very helpful in constructing this post.
Light sensitivity, or photophobia, occurs when people have sensitivity to light, usually sunlight. Blind people can also expirience this.
Sunglasses are used to shield their eyes from the sun when outdoors and from big windows when indoors. Some sources state synthetic lighting is not usually an issue and others state some people may want to wear their sunglasses indoors.
For characters who aren’t modern, the equivalent of sunglasses would probably be a blindfold or eye patch.
Blind people like fashion just as the next person. They might enjoy wearing sunglasses occasionally. However, they don’t wear them all the time.
Blind people might also want to protect their eyes from dust or injury, whether they can see or not. This can be accomplished with sunglasses or regular glasses.
This is one of those tropes I prefer people avoid. I say “avoid” because I want to come across it less which means way less people need to use it.
Think about why you want your blind character to cover their eyes.
Is it because it simply feels right to you? Is it because you believe it will help audiences understand or accept that your character is blind? Is it because you can’t imagine your character any other way? Is it because your feel deep down that your character’s eyes would make other characters uncomfortable?
Think about where this idea comes from and whether you really want to use it.
If you have decided it makes sense for your character to cover their eyes, here are some tips for you to do it well.
1. If they use sunglasses for fashion, have the blind character go without the accessory periodically throughout the story. Consider avoiding them covering their eyes when they are first introduced, as first impressions can be memorable. Your blind character should not be the only one who happens to wear sunglasses as part of their style.
2. If they are sensitive to light, do research on photophobia. Consider where the character is when covering their eyes. Do they mostly wear sunglasses outside and near big windows? Do screens bother them? Make it clear in the story.
3. I always suggest having more than one blind character in a story. This is important for moments such as this. Having a blind character who doesn’t cover their eyes shows that not all blind people cover their eyes. This, in addition to a writer understanding exactly why their character covers their eyes, will help immensely.
This trope is a problem when no reference to the alternative is made, usually because the writer doesn’t understand what they’re writing about. They haven’t considered the reasons blind people cover their eyes and therefore aren’t aware that not all blind people do so. Having more than one blind character in the story shows more than one experience, including covering or not covering eyes. Showing different experiences eliminates the idea that blind people “just do” certain things. It makes people think.
If you want audiences to think, you first need to ask: why?
When writing marginalized characters, remember that their marginalization decreases the amount of accurate information available about them. Audiences don’t have as many resources to check. They may even lack the inclination to do so at all. This could be because of a desire to maintain biases or simply because they don’t consider blind people much outside of entertainment or pity. Surprisingly, some people are even actively resistant or hostile to the idea of taking time to learn about the experiences of blind people.
This means your story could be more impactful than you realize.
When you’re writing, ask yourself the question: why? You might realize that it makes for a richer, more informed story.
Okay but is there a premise better than "protagonist starts out alone and gradually gathers more and more and more friends as the story progresses, including former enemies they beat, because protagonist has the powers of kick-ass AND friendship on their side"? No. No, there is none better, this is peak story telling.
it's a pretty niche trope but when a character defeats a villain and then becomes their successor i go fucking wild every time it's so tragic and so so sexy
i love fictional murder couples so so much because they're always like sorry nothing personal but i have to blow up your house and stab you to impress my evil wife
making ocs is so funny, especially when you get so attached to some and not to others?? it’s like yes these people live in my head and I love them. I love that one the most though.
people who dont like muscles on women FUCK YOU FOREVER!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
i served cunt at a funeral today
i don't know why people send me stuff like this. i'm happy for you, or condolences. it's none of my business
I love when I’m writing a scene heavily focused on a characters drives and fears and suddenly something clicks and it’s like
Me: *looking at a porcelain hand in the home decor aisle of a store* if I lost my hands in some kind of tragic accident, I’d decorate my entire home with hand-shaped things. Then I’d invite guests over for like, dinner parties and such and sit there expectantly just basking in their discomfort.
My boyfriend: Do you hear what you say when you talk? Do you know what you just said to me?
“they tried to kill each other” yes and? do you have a problem with true love
ever have a blorbo live in your brain for so long they become their own blorbo variant that’s no longer fully attached to their source material and your original blorbo is still beloved and dear to you but now you also have a mutant blorbo clone who is dear to you in a different way?