Barkley L. Hendricks, Icon for My Man Superman (Superman never saved any black people - Bobby Seale), 1969
Fulani Boys, Jos, Nigeria in the early 90’s by Mike Blyth
Stary Mwaba: Life on Mars
6–29 March 2015
Künstlerhaus Bethanien Kottbusser Strasse 10 10999 Berlin Germany www.bethanien.de
You deserve to take up space
Chimamanda Ngozi Adichie (via manufactoriel)
P A R E N T S ’ T O U C H
Stills from: Boneshaker (2013), Afronauts (2014), Toughlove (unreleased) (all directed by Frances Bodomo & shot by Joshua James Richards)
#Repost @mdtsthlm with @repostapp. ・・・ Photo from last weekend #marlenemonteirofreitas captured by @bergbohm #choreography #dance #dancer #stockholm #mdtsthlm
Kiluanji Kia Henda. Ngola Bar. 2006 Triptych on aluminium
‘There are two questions which are vital to the African context: the ability to write and know one’s own history, and the ability to plan one’s own future.’
Henry Taylor, The Times They Ain’t A Changin’, Fast Enough, 2017
Paris, 18 octobre 2013, 13.00, les lycéens sont dans la rue pour protester contre la stratégie du gouvernement qui consiste à spectaculariser les reconduites à la frontière des immigrés continuant ainsi fragiliser les plus vulnérables.
"Of whom and of what are we contemporaries? And, first and foremost, what does it mean to be contemporary?" Giorgio Agamben, Qu’est-ce que le contemporain?, Paris, Rivages, 2008. Photo: Icarus 13, Kiluanji Kia Henda
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