City in the Blue Daylight: @Nataal explores the 16th Dak’art Biennial for Contemporary African Art @biennalededakar
http://bit.ly/Dakart
Will be held at the Wits School of Arts on the 4th, 5th and 6th of December 2014.
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Putting things in perspective: the real size of Africa and other issues as we interview Andres Lepik on his exhibition, “Afritecture - Building Social Change” at the Architecture Museum TU Munich.
http://bit.ly/1dpdaLI
derica:
A lire : BLACK INVISIBILITY AND RACISM IN PUNK ROCK BY TASHA FIERCE http://www.hipmama.com/features/black-invisibility-and-racism-punk-rock-tasha-fierce
A communications officer with a government ministry has reportedly warned people against posting pictures of themselves on social media, lest they be used in black magic rituals.
Paris, 18 octobre 2013, 13.00, les lycéens sont dans la rue pour protester contre la stratégie du gouvernement qui consiste à spectaculariser les reconduites à la frontière des immigrés continuant ainsi fragiliser les plus vulnérables.
Chester E. Macduffee and his newly patented, 250 kilo diving suit, 1911.
Fatoumata Diabaté: “Sutiki, la nuit est à nous”.
Started in Bamako, Mali, in 2004, Fatoumata Diabaté birthed this project out of an idea to capture how young African women express themselves through their choices of contemporary clothing. Diabaté aims to continue this project across several cities both in Africa and around the world.
Born in 1980 in Bamako, Mali, Fatoumata Diabaté received her initial experience at the Promo Femmes audio visual training centre before joining the Photography Training Centre (Centre de formation en photographie – CFP) in Bamako between 2002 and 2004. She continued her education with a one month internship at the vocational learning centre (Centre d enseignement professionnel) in Vevey, Switzerland and has participated in numerous workshops both in Mali and abroad.
She has participated in several group exhibitions (Bamako Encounters 2005, 2009 and 2011; Kornhaus Museum of Bern in Switzerland, etc.) and had several solo exhibitions (Festival of Visages francophones de Cahors, France; the Malians of Montreuil, outside the walls of the quai Branly museum, etc.)
She has reported for World Press Photo, Oxfam, Rolex. In December 2005, she received the Africa in creation prize of the French Association for Artistic Action (AFAA) for her work entitled Tuareg, in gestures and movements. In 2011 she was awarded the Blachère Foundation prize for her work entitled The Animal in Man; the prize was an atelier in Arles and an exhibition at the Blachère Foundation. She is currently developing an art project about soutiki youth (The night is ours).
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"Of whom and of what are we contemporaries? And, first and foremost, what does it mean to be contemporary?" Giorgio Agamben, Qu’est-ce que le contemporain?, Paris, Rivages, 2008. Photo: Icarus 13, Kiluanji Kia Henda
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