Crowley: Do You Want To Know Your Gay Name? Aziraphale: My… My Gay Name? Crowley: Yes, It's Your First

TMA Characters as iconic moments:

Jonathan "Tell me your darkest secret" Sims

Elias "I may have overreacted when I brutally stabbed that innocent man to death with a pipe" Bouchard

Tim "I took a vacation in Malaysia" Stoker

"Not" Sasha

Martin "I sometimes record poetry on the tapes" Blackwood

Melanie "I got shot by a ghost" King

Detective Daisy "I'm gonna kill you" Tonner

Basira "I might be kidnapped but I refuse to be bored" Hussain

Gertrude "I'm just a harmless old lady" Robinson

I'm about halfway through Season 3 right now, but as things currently stand, these moments are certainly iconic.

Heinrich Unheimlich created the furby. Send tweet.

Dumb thing that would not leave my brain

I will not be talking about how long this took me bc that’s embarrassing.

I read: "Yeah, our boss is just kinda slutty"

"Yeah, our boss is just kinda shitty, I think he's probably normal and not the dedicated servant of an evil Eldritch Eye deity..."

Elias' mannerisms in my head:

what compels me the most about jmart in TMA is how they’re the exact contrary of the “fall in love in every universe” trope. no, they’re not fated to meet, much less to even remotely like each other. they met under these extremely weird and specific circumstances from their world, and as jon himself said, if weirder circumstances didn’t happen they wouldn’t even get along. tmagp furthers this by making a point to showcase how, in protocolverse, they lived and died without ever knowing of each other’s existence.

they don’t fall in love in every universe. they only have this one. this one chance to make it work.

and they’re not perfect! they’re fucked up! they’re messy!

their communication is flawed, martin is jealous and manipulative, jon is too emotionally distant, they are each affected by their own traumas and it bleeds into their relationship, and they keep trying! and failing! and trying! until their tragic end. and you know what? that makes them EVEN MORE COMPELLING both as a couple and as characters!

we don’t need to ignore these aspects of their romance to make them interesting, and i’d argue that these complex factors and their flaws are the exact things that DO make them interesting. they had one shot, and it was flawed as hell, but they did their best to make the most of it under incredible stressors, such as the literal apocalypse. is that a less interesting kind of romance story than the others, just because they’re flawed and not always healthy and not at all fated? do we have to pretend they’re something they’re not to be enjoyable?

There’s more. Read it btw

High-ish quality scans of the Silco & Vander pages from the artbook

Random linguistic worldbuilding: A language with six sets of pronouns, which are set by one's current state of existence. There's a separate pronoun for people who are alive, people who are dead, and potential future people who are yet to be born, and the ambiguous ones of "may or may not be alive or aleady dead", "may or may not have even been born yet", and the ultimate general/ambiguous all-covering one that covers all ambiguous states.

The culture has a specific defined term for that tragic span of time when a widow keeps accidentally referring to their spouse with living pronouns. New parents-to-be dropping the happy surprise news of a pregnancy by referring to their future child with the "is yet to be born" pronoun instead of a more ambiguous one and waiting for the "wait what did you just say?" reactions.

Someone jokingly referring to themselves with the dead person pronouns just to highlight how horrible their current hangover is. A notorious aspiring ladies' man who keeps trying to pursue women in their 20s despite of approaching middle age fails to notice the insult when someone asks him when he's planning to get married, and uses the pronoun that implies that his ideal future bride may not even be born yet.

A mother whose young adult child just moved away from home for the first time, who continues to dramatically refer to their child with "may or may not be already dead" until the aforementioned child replies to her on facebook like "ma stop telling people I'm dead" and having her respond with "well how could I possibly know that when you don't even write to us? >:,C"