Latest Posts by angrykeese - Page 8

When I was in ninth grade I wanted to challenge what I saw as a very stupid dress code policy (not being allowed to wear spikes regardless of the size or sharpness of the spikes). My dad said to me, “What is your objective?”

He said it over and over. I contemplated that. I wanted to change an unfair dress code. What did I stand to gain? What did I stand to lose? If what I really wanted was to change the dress code, what would be my most effective potential approach? (He also gave me Discourses on the Fall of Rome by Titus Livius, Machiavelli’s magnum opus. Of course he’d already given me The Prince, Five Rings, and The Art of War.)

I ultimately printed out that phrase, coated it in Mod Podge, and clipped it to my bathroom mirror so I would look at it and think about it every day.

What is your objective?

Forget about how you feel. Ask yourself, what do you want to see happen? And then ask, how can you make it happen? Who needs to agree with you? Who has the power to implement this change? What are the points where you have leverage over them? If you use that leverage now, will you impair your ability to use it in the future? Getting what you want is about effectiveness. It is not about being an alpha or a sigma or whatever other bullshit the men’s right whiners are on about now. You won’t find any MRA talking points in Musashi, because they are not relevant.

I had no clear leverage on the dress code issue. My parents were not on the PTA; neither were any of my friend’s parents who liked me. The teachers did not care about this. Ultimately I just wore what I wanted, my patent leather collar from Hot Topic with large but flattened spikes, and I had guessed correctly—the teachers also did not care enough to discipline me.

I often see people on tumblr, mostly the very young, flail around in discourse. They don’t have an objective. They don’t know what they want to achieve, and they have never thought about strategizing and interpersonal effectiveness. No one can get everything they want by being an asshole. You must be able to work with other people, and that includes smiling when you hate them.

Read Machiavelli. Start with The Prince, but then move on to Discourses. Read Musashi’s Five Rings. Read The Art of War. They’re classics for a reason. They can’t cover all situations, but they can do more for how you think about strategizing than anything you’re getting in middle school and high school curricula.

Don’t vote third party unless you can tell me not only what your objective is but also why this action stands a meaningful chance of accomplishing it. Otherwise, back up and approach your strategy from a new angle. I don’t care how angry you are with Biden right now. He knows about it, and he is both trying to do something and not doing enough. I care about what will happen to millions of people if we have another Trump presidency. Look up Ross Perot, and learn from our past. Find your objective. If it is to stop the genocide in Palestine now, call your elected representatives now. They don’t care about emails; they care about phone calls, because they live in the past. I know this because I shadowed a lobbyist, because knowing how power works is critical to using it.

How do you think I have gotten two clinics to start including gender care in their planning?

Start small. Chip away. Keep working. Find your leverage; figure out how and when to effectively use it. Choose your battles, so that you can concentrate on the battle at hand instead of wasting your resources in many directions. Learn from the accumulated wisdom of people who spent their lives learning by doing, by making mistakes, by watching the mistakes of their enemies.

Don’t be a dickhead. Be smarter than I was at 14. Ask yourself: what is your objective?

You expect me to draw shitpost?

You're wrong.

BOO!!

Kris dreemur fanart

Pls make this popular

Writing advice from my uni teachers:

If your dialog feels flat, rewrite the scene pretending the characters cannot at any cost say exactly what they mean. No one says “I’m mad” but they can say it in 100 other ways.

Wrote a chapter but you dislike it? Rewrite it again from memory. That way you’re only remembering the main parts and can fill in extra details. My teacher who was a playwright literally writes every single script twice because of this.

Don’t overuse metaphors, or they lose their potency. Limit yourself.

Before you write your novel, write a page of anything from your characters POV so you can get their voice right. Do this for every main character introduced.

Happy Ghost Trick rerelease day!

I think about this post every day

Rei Faraday

i'm honestly still kind of floored by how well these characters line up with one another.

Replaying ace attorney is funny bc phoenix acts like getting picked on for an afternoon in elementary school was the worst part of his life as if his college girlfriend didn't try to fucking frame him for murder

lana and edgeworth are funny to think about because they would've been working together the closest when they were both at peak broodiness and unsociability. mutual disinterest in discussing or admitting to emotions. sitting together in silence at work functions, scaring everyone away with their bad vibes. just

Formal dress event 👔

apparently a bunch of ppl on social media are trying to call for a boycott of rick riordan because of this statement in a blog post:

Becky and I are just back from a busy weekend with events at the Boston Book Festival and New York Comic-Con.

Before I get into that, however, some words to acknowledge the ongoing horrors in Israel and Gaza. As many of you may know, I am no longer on social media. My accounts post only updates on my books and related projects. I do not read posts, reply to posts, or share my thoughts about world events on those forums. That doesn’t mean I don’t have strong feelings and reactions. It means I am offline as completely as possible, except for the occasional blog post like this one.

I will say this: Over the last eighteen years, I have received many fan letters from young readers, both Israeli and Palestinian, who often told me that my books helped them escape the fear, grief and anxiety they were dealing with at the time. Some had lost family members to violence. Some were writing while in the distance they could hear explosions, gunfire, and the launching of rockets. They used my books as a way to escape into another world, where the monsters were fictional, and where demigods usually saved the day. While I am always glad that my books can help young readers find joy during difficult times, my heart breaks every time I hear about the things they have to deal with. I am grief-stricken by the horrific events now unfolding, especially because I know that they are part of a long historic pattern that has been robbing too many children of their childhood and perpetuating hatred for far too long.

I am also quite aware that when anyone, myself included, tries to speak about this issue, the reader is waiting to pounce, thinking, “Yes, but whose side are you on?” That is exactly the wrong question. If there are two sides to this issue, those sides are not Palestinian/Israeli or Muslim/Jewish. The two sides are humanitarian and dehumanizing. Dehumanizing has a long evil history. It is appealing and easy to buy into, because humans are tribal animals. We are hardwired to think in terms of ‘us’ versus ‘them.’ We are the real humans, the good guys, the ones with God on our side. Those other people are evil monsters who don’t deserve empathy. Hate mongers have thrived on dehumanizing for as long as there have been humans. It provides them with a purpose, a way to rally support, power, and scapegoats. It is easy to point to atrocities committed by our enemies, while justifying or minimizing the atrocities committed by ourselves or our allies.

Humanitarianism is a much harder sell. It requires us to empathize, to see other groups of people as equally deserving of dignity and quality of life. It requires not always putting ourselves and our needs first. But in the long run, humanitarianism is our only hope. If violence could end violence, if we could put an end to “those other people” once and for all, human history would read very differently than it does.

So yes, I am appalled by the Hamas attacks on Israeli civilians. I am appalled by the suffering of Palestinian civilians in Gaza. Both things can be true. Both things must be true. My thoughts are with all the people who have died, who have lost loved ones, who have had their worlds and their lives shattered, especially the children. More death and violence will not break this cycle, which has been going on for generations. There is no military solution. Even since I first wrote the post, only twenty-four hours ago, the Israeli government’s brutal retaliation against the entire population of Gaza has reached genocidal proportions. This is not only an atrocity. It is folly. Answering misery with misery only creates more fertile ground for extremism, dehumanizing the “other side,” letting hate mongers thrive, stay in power, and reduce us all to our most monstrous impulses. The only real solution is treating each other like equally worthy human beings, and negotiating a peace that allows all parties a chance to live in security and dignity, with hopes for a future that does not include bombs and rockets and gunfire. This means security and support for Israel, yes. It also means a secure Palestine which is allowed to get the international aid and recognition it needs to build a viable state.

Do I think that will happen? Unfortunately, no. Humans are simply too selfish, too ready to blame “the other” for all their problems, too ready to dehumanize, though I also believe, perhaps paradoxically, that most people just want to live their lives in peace and have a chance for their children to have a brighter future. The problem is when we don’t allow other people to have those same hopes and dreams — when it becomes a false choice of us versus them.

What can I do? I will continue to write books that I hope will give young readers some joy. I will resist the urge to demonize entire groups of people. I will call for less violence, not more violence. And when asked whose side I am on, I will tell you I am on the side of humanitarianism.

So with that said, I return to the world of books . . .

honestly, if you have a problem with this statement, it’s probably because he’s talking about you. this is exactly what legitimate activists (as in not just random westerners who share social media posts but on-the-ground activists who are doing real work) have been saying for decades. and i think all this really speaks to just how disconnected a lot of westerners who claim to be pro palestinian are from those activists.

if you can’t read a statement that says “i am on the side of humanitarianism and less violence” without immediately jumping to cancel them, you are the problem being discussed in the above statement.

You know, if you’re a goy, and you want to help with antisemitism online, you want to know one of the biggest things you could do right now?

Just reach out to some Jews to shoot the shit. Not about Israel or Palestine or Hamas or Netanyahu or any of it. Just…how was Chanukkah? Half your blog is OFMD, who do you ship if you roll that way? Love your cat posts, what’s the kitty’s name?

We have been reduced to Good Jew Who Hates Israel And All Things Jewish, and Evil Jew Who Doesn’t Want To Die To Be Absolved Of Palestine. We are not allowed to be people anymore. Someone I know on here, a goy, got harassed because she was having a crummy week and asked for cheer-up things and when I reblogged with a picture of one of my cats she reblogged from me with something like “HE’S SO FLUFFY.” Someone literally went after her for thinking a Jew had a cute cat. Apparently an Australian reblogging a cat pic from an American is somehow oppressing people in Palestine.

We’ve been isolated and alienated and people are calling for our deaths because apparently killing Jews will help Palestine, or something. Please, just…let us be people. A lot of us have lost a LOT of friends in the last two months. One of my losses was someone I’d known for seven years who instantly started simping for Hamas. That cuts. That cuts DEEP.

If you want to help, start by being a friend. It’s really that simple.

thanks to everybody who has sent well-wishes and appreciation and pet pictures, they are all deeply appreciated, have an extremely rough design sketch of the Archipelago Nimbus

Is this SUPPOSED to remind me of the Markiplier meme where he knocks you unconscious?

@comicaurora

This is the last thing that any dragon within a mile radius of Tess sees

Congratulations on finishing Arc 1! I've been following this comic since pretty much the beginning (I remember when everyone thought Alinua was a cat girl because of how her ears looked under her hood). This comic has come a long way since then, and it's been a pleasure and inspiration to watch your journey!

So with Arc 1 done, how do you feel? Any thoughts about the early days of the comic, or some lessons you've learned? What are you most looking forward to in Arc 2?

(Side note- thank you for Erin. My brain chews on him regularly and I gave a presentation on him in speech class. He brings me immense joy)

Whoof! I feel like it's slowly sinking in, tbh. I'm pretty bad at appreciating my own accomplishments - I have a tendency to Fire And Forget to avoid getting bogged down by "oh I'd have done this better now" or "eek I don't like how I did that" or "oh no this aged badly" or "what if I just redid it but Better this time" - but I've gotten better at accepting all those things as Not The End Of The World and they do not make me a Bad Artist or Bad Person, and as a result, I'm able to look back and just be happy about this one. It's an odd feeling.

At some point in the last several chapters I decided the ending of Arc 1 needed to feel like a conclusion. Not a full series finale, but a season finale. Character arcs needed to hit points of resolution; setup needed to pay off; cool moves needed to get some airtime. It's not in my nature to end stories, but as I worked on this arc I got comfy with the idea that an ending wasn't mechanically locking in the last part of a story and saying Nothing Past This Point, it was resolving the major elements of the story that cried out for completeness. Stories can have many endings before they're actually done, and in order for Arc 1 to feel like a complete thing, I knew it needed to bring those dangling plot threads home.

The fun thing about resolving chunks of the plot is those resolutions open the door for entirely new problems, and I'm excited to play with those! Part of why I wanted to make sure I had the rest of the year off was so I could take my time and just sit in the new status quo, because freeform creative idea-spinning is my favorite part of the writing process, and it's a rare treat for me to have such a wide-open swath of possibility ahead of me.

Noelle's funky family

I love AT lore so much lol

this image summarizes adventure time lore really well

I read a fic yesterday that focused on body dysmorphia while establishing the importance of gender affirming care and disavowing violence and bigotry towards trans people

and then said that fear and distrust of men is inherent to the afab body rather than a learned and reinforced behavior

think you might still have some stuff to unpack there bud

Blender… why you always scaring me with your complexity even when someone’s explaining you simply?

Hello! Currently learning blender and wanted to ask a curious question after seeing your adorable animations. How do you do eyes, in particular Susie and Nicole's ones. Their expressions with their eyes is so animated I am curious how you do it.

Hi there!! Thank you so much, I'm glad you enjoy the way I do expressions! I'm assuming you mean Noelle? :D

Anyway here's a closer look at Susie and the way her eye works. I just gave her one eye and left the other one covered by her hair since it would've ended up looking goofy.

Here's a close-up of the eye and the shader nodes!

For extra morphed expressions, I make custom eyes which don't adhere to the rig. They're usually just spheres with the same shader.

Here's Noelle's eye rig and a little bit of a goofy showcase of her eye/eyebrows rig:

I used lattices to make the eyes stretchy!

I also used nodes for the pupils because in this house we love to avoid image textures. 🤭 The purple thingy is a driver, which switches between her dark and light world eye color.

Hope this was insightful and not too much technobabble. Best of luck on learning Blender!!

this is my favorite adventure time monster battle and one of my top 5 adventure time monsters (its dialog is CRITICAL so you better have sound on)

i love how garnet and pearl are just continuing to use the name of their infamous guerilla military organization while their current jobs are fighting lv4 rpg monsters and giving each other basket weaving seminars. and steven has no context for this and just thinks of "The Crystal Gems" as basically the name for his mom's side of the family. so he walks up to lapis and says "you should hang out with me and my treehouse friends, the Viet Cong!"

I have no clue how else to possibly get this message to you, but a channel named Endemion used a clip of your Kaiju video in one of their recent videos and tried to spin a narrative that you were a woke activist who was trying to dig into things too deep to claim that everything was racist when you said that King Kong was very likely an allegory for racist undertones because the film you were talking about was a movie made back in the 1930s. I just don't want a bunch of people to come try to slander your channel

I was just messaging to try to get this message to you, you can delete it if you ever read it

Not sure what you would do with this info, I'm just trying to give you a heads up because I enjoy your videos thoroughly and I don't want somebody bad-mouthing you and siccing their fanbase on you because they found a clip online or took a clip from you and purposefully left out context, and don't care about contacts and just want to use it to further their narratives that everything is ruined because of "those dang woke morons"

Sorry if I made a step too far by contacting you

I appreciate the concern, but there's a number of reasons this doesn't worry me, foremost among them anyone who thinks "woke" is an insult or a dealbreaker is someone who wouldn't last long in our audience who I want nothing to do with anyway. And on the flipside, if someone is so fragile that a cold take about a movie made in the 1930s that everyone from contemporary viewers to Quentin Tarantino thought was allegorically sus is enough to make them flip their lid and park me in their brain rent-free, they'll want nothing to do with me either.

The concern is appreciated, but the fact is I accepted years ago that some people will never like me or what I do, and if they can't manage themselves enough to stay away from the things they hate, that's nobody's problem but theirs.

The 6 main elements plus Void and Light I think

I know you've posted about this before but it's really impressive how you've been able to make all 8 elements visually distinct enough that you can always tell at a glance which one is being used and how. lots of magic systems just kinda devolve into DragonBall beam attacks after a while

Color coded for your convenience!

Hi! I'm a big fan of your work. Thanks for taking the time to read this.

 I'm an artist who's been working on a story with a close writer friend of mine since the pandemic. Together we've outlined a webcomic that we're both very excited and passionate about, and it's been a great experience. Late last year we started actually making the comic itself, and a little less than a year later we're 37 pages in. 

I wanted to ask you how you're able to somehow push out three high-quality pages every week? I work full time, and most days I'm too drained when I get home to immediately start working on the comic. Plus all the other stuff I have to take care of to be a functional adult. I'm not even that slow of an artist, but it just doesn't feel like there's enough hours in the day. At my current rate, I get about one page done per week. I'm 24 now, I don't want to be in my 50s still working on this story. Do you have any advice for increasing your output as an artist without completely overwhelming yourself?

Sorry for the wordy question. There's a reason I'm the artist and not the writer.

Oof, that's a tough one!

I mean, to start with, a fundamental difference in our schedules is I don't work full time. Everything I do for a living is very self-scheduled, and I can work far in advance to meet the deadlines I set and take entire days or even weeks off when I need them. Back when I was in college, dealing with outside schedule requirements, I definitely wouldn't have been able to keep up everything I do now.

That said, there are still methods to streamline and speed up the artistic process. I don't know the details of your methods, but I'd recommend sketching and storyboarding larger numbers of pages at a time and finalizing them at a more leisurely pace, rather than taking one page of comic at a time from a total blank to a finalized, polished version. The storyboard can be very basic; many of mine are little more than color-coded scribbles showing the characters and text boxes showing their dialogue. It's just enough to be readable to me so I can go in and edit it for pacing and timing, but it looks like absolute chickenscratch to anyone else. On the production side, that makes it much more feasible for me to work on multiple pages at a time, since I don't need to finish polishing one page before I can start boarding another.

This method can be expanded into a bit of a factory production line, allowing for a two-pronged approach of progress - one for finalizing older pages, the other farther along for storyboarding new ones. And once you have multiple pages done at a time, you can schedule them well in advance, which takes a lot of deadline pressure off and can make it less mentally daunting to work on. This also diversifies the space of things you can work on, depending on your headspace and energy levels - which is a useful option to have when you're wiped from outside responsibilities.

Fullmetal alchemist is so funny to me bc this fucking kid who dresses like the worst emo 2008 hot topic cringecore is literally the smartest person in the entire country. He MET GOD yet exudes annoying atheist “my katana can cut through the Bible” energy. Mustang (his fucking boss) is very plainly is covering for the fact that he committed an unforgivable crime and yet he hates mustang so much it’s on fucking sight. The only time he talks to his crush is when he gets his ass kicked so bad he has to trudge home with his tail between his legs all “winry my arm no workee you can’t ask me why”

i miss when you could make political art without placing personal identity (and the self) at the center of everything

A question I get asked a lot while working at a public library is "how do you deal with homeless people?"

And the answer is, we don't.

The unhoused people who come here seeking refuge 99% of the time understand that they will be kicked out if they misbehave.

The people you have to watch out for are Jessica, who only came because the kid she didn't want had to visit for a homework assignment and she just *needs* to yell at her child for asking to borrow two books or stay an extra five minutes, or Michael, who came in to look at porn on our computers for whatever fucking reason, or Karen who just wanted to come by to throw a fit that the particular book she wanted was checked out and harrass our staff about our collection being too limited.

99% of the time, the people we need to ban are middle to upper-middle class white people while the homeless and mentally ill/disabled people mind their own damn business and are honestly some of the best patrons we have.

I don’t really get the joke. Could someone explain the punchline?

also "finn cant be trans because he was still called a boy as a baby" wrong. minerva is The Best Helper in the world, she can easily tell if a person is transgender even if they were just born. especially her son. ergo finn is the worlds first amab trans guy.