Recently, I was invited to take part in Scout Books GOOD INK: American Shorts. Their series of small books telling classic short stories are each illustrated by one of many talented artists, and it's exciting to be included among them. My story, The Isle of Voices by Robert Louis Stevenson, entails giant warlocks, disembodied voices, and magic shells. Here are a couple of the illustrations that you'll find in the book. Keep an eye out for it in bookstores soon!
I painted a couple of rebels for gouache demos in Alex Fine and Greg Houston's illustration classes. These guys are kind of evil...kinda got a devilish lean to em...the rebels too! (badum chh) (sorry)
I'm always amazed that anything I have to share in demos with classes are things students will appreciate and be able to use, but it's always great. So long as I'm not going off on too many random rants about dumb things then I just hope I'm imparting some tips, and it's a pretty good time.
Hi Andrea, I was in Greg's Monday class this past semester and I found your Tumblr by chance. I didn't know you had graduated MICA already, I assumed you were still a student because you were Greg's TA. It's so cool that you've done illustrations for NY Times! How did you get such a big client like that? I guess I'm just kinda gushing now. I guess I'll leave this message by saying I really admire your work =]
Hey miss ma'am! Haha I'm...glad? you thought I was a student. But no, that youthful glow and non-jaded outlook on the bitterness of life left me when I graduated MICA....Counterpoint: did I mention how I think Sailor Moon is super fun? And did you see? Kali turned me into a sailor scout! wee!
Anyhow, I actually got contacted by the NY Times rather than the other way around, which was (is) a hugely exciting thing, but probably not to be relied on as a typical occurrence. My best recommendation is to do what I do too little of and promote yourself as much as you can. Be friendly, make contacts, and send your promos out to all the people you want to work with. But most importantly, just keep making work, even if it's just for you. Try not to get seduced by trends, always aim for making yourself proud, and put some soul into your work (by loving what you do)! You never know who'll notice you.
Thanks so much, Shirley! Best of luck!!
Fantastic Tales II from Scout Books' Good Ink: American Shorts series just came out, and it features the short story I illustrated last year, "The Isle of Voices" by Robert Louis Stevenson. Other mini books in the set are "The Giant's Heart" by George MacDonald, illustrated by Lark Pien; and "Mowgli's Brothers" by Rudyard Kipling, illustrated by Rebecca Dart. This was a lot of fun to work on, and I loved the story I got assigned. Thanks to editor François Vigneault for including me in the series!
You can pick up the Fantastic Tales II set for $12 and check out all the other Good Ink: American Shorts sets from Scout Books here. All are illustrated beautifully by many talented artists and come in nicely-packaged mini-book form. They're all great little classics that are definitely worth revisiting.
I did this piece for the magnanimous Meg Hunt's new endeavor Art For Japan, an auction she organized with her sister that will send proceeds to help relief efforts in Japan. Keep an eye on their blog for updates as to when the auctions will take place and check out all the other great work people have donated!
Now then...process post? Coming right up!
ARGUS, the many-eyed demi-god, is a psychic-type mystical fighter who specializes in paralyzing her opponents with her gaze and holding them in crippling mental pain. Nearly impossible to sneak up on, she maintains a vigilant defense against physical attacks with evasive hovering, as any contact with her eye-covered body can do serious damage. The large eye on her forehead, when opened, casts a heavily destructive wide beam of light, but it forces all of Argus's other eyes closed and leaves her vulnerable for the duration. An orbiting shroud covers the eye until she needs its power. Fighters that want to take on Argus should employ blinding techniques: bright flashes of light, obstructive smoke, or sprays of ink. While impervious to attacks of willpower, physical attacks can bring Argus down easily if fighters manage to blind all of her eyes.
Okay, now come up from that deep dark pool of nerdiness...this is Argus, my submission to Jenn Woodall's latest anthology zine, FIGHT! Round 1! It features many talented illustrators the likes of Kali Ciesemier, Sam Bosma, Jimmy Giegerich, Valentin Seiche + more, and it's gonna be rad as hell.
Happy Inception Day, Roy Batty
Here’s my latest illustration for The New Yorker Bar Tab column about Soju Haus in Koreatown (a place I have to visit). Thanks to AD Deanna Donegan. You can read the article online here.
cotton candy magic wand pin! I made a super-limited set of these hard enamel pins that will be available at SPX on 9/19!
New piece for the NY Times about how educated and professionally-driven women have risen in men's tastes. Check out the article in the Sunday Review. Thanks to AD Aviva Michaelov!
Andrea Kalfas is an illustrator living and working in Baltimore, MD. This is a blog for ideas, progress, and things to show off. Thanks for looking and check back often! You can see more of my work on my portfolio site here. follow me on twitter - @andreakalfas All images © Andrea Kalfas 2015 unless otherwise noted. If you reblog, please provide credit by including my name. Thanks
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