A Studio - A Tree House Phillip Lühl + Nina Maritz Architects
From the architect.
The idea for this tiny studio of about 35 usable square meters was born out of its spectacular setting. The incredibly dense garden is home to everything from porcupines to guinea fowl and slopes down steeply to the dry ravine beyond. The clients’ insistence that no single tree may be cut required an unconventional approach. The only buildable space available was a 3 x 3m storeroom between the garage and the living room of the existing house.
A double storey structure was proposed, transforming the 3 x 3m footprint of the former storeroom into a kitchenette and bathroom. The new first floor accommodates the actual studio, cantilevering over the existing veranda and thus exposing the entire north and east façades to the surrounding treetops. Fully protected from the harsh sunlight, both facades are fully glazed to maximize the feeling of a “tree house” - one of the client’s childhood fantasies. Yet for the balcony the client had wanted there was not enough space. Large sliding-folding windows now create an open corner, transforming the entire first floor into a “balcony” when needed.
Images and text via
House in Capilla del Monte Marchisio Nanzer
I am laying here , imagining the warmth of our bodies entwined . You say ‘stop crying ’, as you kiss a tear. I’ve missed you so much I say, ‘I’ve really missed you.‘You pull me closer. You say, ‘I’m here, 'then you evaporate. We both disappear .
Claire Trotignon
Contrived Structures Nick Sellek
This series of photographs are of detailed models, embracing the contrived structures that surround us in our overdeveloped urban environments. They are close up, exaggerated studies of architectural components, severed from context to emphasise the absurdity of their design. The models are also intended to be displayed as freestanding objects, and to be viewed from all angles.
Images and text via Nick Sellek
Photo by Alexis Lewis.
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Light House Gianni Botsford Architects
The orientation of the site runs almost east-west and is heavily overlooked and overshadowed on the south and west elevations. The key challenge of the project was to maintain privacy whilst at the same time optimize daylight and sunlight penetration into the house.
Our starting point was to represent the empty volume of the site as a 3D grid of data points, each with a range of varying attributes. As a result, the section became inverted, placing the bedrooms on the ground floor and the living spaces on the first floor. Terraces and gardens create internal courtyard volumes into which the surrounding spaces face. The inward looking nature of the site in conjunction with the inverted section led to the development of a completely glazed roof which functions as an environmental moderator, filtering sunlight and daylight through layers of transparency and opacity.
Images and text via Gianni Botsford Architects
‘Humbolt House.’ Rehkamp Larson Architects, Minneapolis, MN. Susan Gilmore Photography.
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