I Just Found The Funniest Font Ever

plotting out my characters’ emotional growth while simultaneously avoiding my own: a memoir.

Different sentence structures and the vibes they can achieve

1. Short, choppy sentences

Excellent for creating tension, urgency, or drama because they speed up the pacing and convey intense emotion.

She said no. I didn’t listen. I should have.

2. Long, flowing sentences

These are great for descriptions, adding detail, and explanations. They can create an intellectual or reflective vibe—or even a dreamy one. You can also use them to evoke a sense of being overwhelmed. They slow the pacing, add complexity, and help build tension. But once you're in the thick of a tense moment, it's often better to switch back to short sentences to keep the energy up.

As the sun dipped behind the horizon, casting a golden sheen across the cracked pavement, she stood there, unsure of what she was waiting for—only that something, anything, had to change.

3. Fragmented sentences

These give off a casual, stylized, and emotional tone. They're perfect for internal monologue and mimicking the way we actually think or speak.

Not the way I planned. Not even close. But here we are.

4. Repetitive structure

They add drama, rhythm, and emotional intensity. It's a powerful stylistic tool that can drive a point home.

She wanted peace. She wanted quiet. She wanted to forget.

5. Inverted or unusual word order

If you're aiming for a formal, archaic, or poetic tone, this structure will get you there.

Gone was the light from his eyes.

6. Interruptions (em dashes or parentheses)

If you're going for a conversational, conflicted, or stream-of-consciousness vibe—even something humorous if used right—interruptions are your friend. They mimic how we speak and think in real time.

I was going to tell her—God, I really was—but I couldn’t.

7. Questions

Questions are fantastic for showing uncertainty, anxiety, or inner conflict. They can also give off a philosophical tone and invite reflection from both the character and the reader.

What if I never make it out? What if this is it?

write the story only you can tell, because you aren't the only one who needs it

get up and go write.

write for the people who will one day pore over the words you've chosen.

write for the people who think you could never have gotten so far.

write so you can bring words to life.

write so one day you can look back and see how far you've come.

write to inspire people who are too afraid, or who cannot, put words to paper.

write, because if you don't create this, who will?

and if anything, get up and go write for yourself. there's still so far to go. take a break, breathe, but go back. there's still so many things to share.

I wonder if my body just likes to keep me on my toes. Like oh your hip is feeling better? BOOM now your ankle feels like it’s being stabbed.

Writer wants to write, but writer’s depression doesn’t care. Writer isn’t blocked, so much as they are drained. Countless words and ideas on the top of their tongue and they can’t speak. Their pen rests on their desk, useless. If writer does not write, are they useless? Was writer wrong to allow depression to be a thief, to steal their love, their job, and their joy? Should writer try to fight, reclaim their humanity, even if it’s just to finish a sentence, or should they concede?

Nothing like spending the night somewhere because of the snow, only I can’t sleep and my laptop’s at home so now I’m writing on my phone while my friends cat claws my shoulder

Writer Jargon 101 ✨

Show, Don’t Tell – The golden rule! Instead of flatly stating emotions, reveal them through actions, dialogue, and sensory details. Like, don’t say, “She was angry.” Show her slamming a door or clenching her fists.

Head-hopping – When you switch POVs in the middle of a scene without clear demarcation. It's confusing and jarring, like taking a sudden detour while driving.

Purple Prose – Over-the-top, flowery writing that can come off as trying too hard. A little flair is fine, but don’t smother your reader with excess.

In Medias Res – Starting a story in the middle of the action. No boring build-up, just bang—we’re already in the heat of things.

Foreshadowing – Dropping subtle hints about what’s coming next. A small detail now could be a huge reveal later. It’s like dropping breadcrumbs leading your readers to an epic twist.

Chekhov’s Gun – If you introduce an object or detail, it better serve a purpose later. No random things just hanging around. Everything matters.

Canon vs. Fanon – Canon refers to the original source material, while Fanon is the fan-created version. You can take liberties with Fanon, but Canon needs to stick close to its roots.

Saturation Point – That place in your writing where things become too repetitive, too familiar. You’ve got to find a way to push beyond it to keep your writing fresh and engaging.

Bait and Switch – Leading your reader to expect one thing, then suddenly giving them something unexpected. It’s like pulling the rug out from under them.

Plot Device – Any element (object, event, or person) that drives the plot forward or allows the resolution of the story. It’s the item or moment that has to exist for the plot to make sense.

Vignette – A brief, evocative scene that focuses on one moment or idea, often without a formal plot. It's about capturing a snapshot of a bigger picture. Think of it like a small, poetic portrait within a larger narrative.

Mise-en-Scène – A French term used to describe the setting or visual elements within a scene, especially in film and theater. It refers to how everything is placed or designed to create a specific atmosphere.

Framing Device – A structure or technique used to tell a story within a story. It's like having a character tell their experiences through flashbacks or letters, giving the plot a layered, nested feel.

Endowment Effect – When writers unintentionally overvalue a character or plot point simply because they created it. It’s the I’m so proud of this, it’s got to stay! mindset. Sometimes less is more, so watch out for this.

Conflict (Internal/External) – Internal conflict is the emotional struggle within a character (e.g., wanting something but being afraid of it), while external conflict comes from forces outside of the character (e.g., fighting an enemy or dealing with societal pressures).

Pacing Breathers – Moments in the story where the action slows down to allow the characters to breathe and reflect. These help balance the high-energy scenes and give readers time to process.

Symbolism – Using objects, actions, or settings to represent larger ideas. Think of a wilting flower symbolizing the decay of a relationship. It’s subtle but adds layers to your story.

Subtext – The hidden or underlying meaning in a scene or dialogue. What isn’t said, what’s implied but not directly stated. Like that tension between two characters that’s so obvious but never spoken aloud.

Red Herrings – Misdirection! These are the details or clues that seem significant but lead readers down the wrong path. It’s like planting a fake trail to keep your reader guessing.

Narrative Whiplash – When you suddenly change tones or perspectives, jerking the reader’s expectations. It’s like riding a bike and then suddenly taking a sharp, unexpected turn. Used well, it adds suspense, but too much can feel disorienting.

To those readers who became writers ✍🏻, we instinctively and intuitively know what works and what doesn’t, but just in case I’m putting it out here so writing becomes easier. The more you write, the more these little tricks and tools become second nature. Keep going, trust yourself, and keep honing your craft. ✨

Ok this book idea I’ve started drafting, I have no idea what’s gonna happen. Like I have vibes, a bit of world building, backstory, and three characters I barely know. I’m just gonna let the plot find me I guess

hey when you make posts, i just want you to know, thou/thee/thy/thine/ye are like he/you(object)/your/yours/you(subject) okay? "thou art wearing shoes," "i will wear shoes for thee," okay?

you say thine if the next word starts with a vowel and thy if the next word starts with a consonant and they both mean "your" so "thine own shoes," "thy shoes," okay?

and ye means you and refers to the subject of a sentence, "ye members of the brotherhood of shoes," okay? you need this information to create better knight yaoi. i'm personally more interested in nun yuri but we are a community

Ok the update with the circle profile pics is distracting to look at