A couple weeks ago I was practicing my owl calls on a night hike and I successfully called in a barred owl. My owl call is pretty good, but I've never called an owl to me from afar because I rarely do night hikes and so I don't get much chance to. I had expected to be really excited about this, especially since two of my coworkers are really skilled at owl calls and they don't usually get a response, much less a full conversation, but instead I felt so guilty. I eventually had to start ignoring this poor deceived owl that was following my call through the park. I felt like I catfished him.
If your conception of socialism stopped developing in the first half of the 20th century I don’t think you’re serious about actual political transformation.
Idk of a single left-wing thinker who hasn’t explicitly talked about the need to develop theories and adapt them to on the ground conditions, and if you are somehow convinced your blorbo who died before decolonization, the rise of neoliberalism, and all the radical transformations since 1955 found the perfect pathway to socialism that will never need to be critiqued or altered you don’t have a political project you have a religion.
Clinging to century old ideological debates and grudges and not incorporating the valid critiques of different traditions is like running into a brick wall head first over and over again and convincing an every shrinking number of your friends that eventually it’ll make a door appear
btw if you are friends with someone and you have the kind of dynamic where you can tease each other you also need to be nice. just so we're all aware. you also have to be nice with your words on top of it. like with your words. use your words. you should tell them with your words when you like something about them. if you are scared of being too sincere or vulnerable that is not an excuse to not be nice to someone. also you should work on that. ok are we all on the same page
I love fandoms. I love seeing fanarts for character's birthdays, I love going at con and seeing people dressed up how they love, I love the way people unite through fanfictions, I love shipping characters, I love inside jokes, I love edits and animatics, I love headcannons, I love ten page long character analysis and theories, I love fan playlists, I love content creators on Tumblr. I love fandoms.
you guys are so annoying. why do i have to see discourse every year that's like "was tolkien really a woke king or was he your conservative uncle?" the guy was a devout catholic and a genteel misogynist who maintained lifelong friendships with queer people and women, and this isn't even paradoxical because that was part of the upper-class oxford culture he was immersed in. tolkien told the nazis to fuck off (and in doing so demonstrated a real understanding of what racism is and why it's harmful, beyond simply "these guys are bad news because they're who my country is at war with right now") but his inner life was marked by internalized racism that is deeply and inextricably woven into the art that he made. he foolishly described himself as an anarcho-monarchist, and it's kind of crazy to see people on this website passionately arguing that he likely never meaningfully engaged with anarchist theory, because...yeah, no shit, of course he didn't. tolkien didn't have to engage with most sociopolitical theory because as an upper-class englishman of his position, he was never affected by any of the issues that this theory is concerned with. what is plainly obvious from reading both his fiction and letters is that tolkien's ideal political system was that the divinely ordained god-king would rise up and rule in perfect justice and humility; he didn't want a government, he wanted a king arthur, even though (obviously) he was aware that outcome was impossible. why is it so hard for people to accept that he was just some guy! his letters aren't a code you have to crack. no amount of arguing or tumblr-level analysis is going to one day reveal a rhetorically airtight internally consistent worldview spanning jrrt's fiction, academic work, and personal writings, thereby "solving" the question of whether he was a woke king or your conservative uncle. his ideology was extremely inconsistent because, at the end of the day, he was just some guy.
the asexual double edged sword is that a lot of people, particularly queer discoursers(tm) online, are really really rancid about ace people who have sex, I mean like stunningly awful, so naturally sex favorable/indifferent asexuals will be very keen on making sure that they aren't erased within their own community and that people at large know they exist. at the same time, people are also Very Bad about ace people who don't have sex, and sex averse/repulsed asexuals face a lot of pressure both on societal and interpersonal scales to submit to sex that they don't want, and so naturally it'll really rub them the wrong way to constantly have "but don't worry, ace people can still conform to the societal expectation!" appended to their PSAs about their experiences of asexuality. and so everyone's just kinda upset and annoyed all the time when instead it should be peace and love on planet ace.
i feel like we as a digital society have forgotten the important rules of the internet
Don't feed the trolls
Never give out personal information
Anonymity is the best defense
Don't click suspicious links
Don't click popups and ads
Just because it's written doesn't mean it's true
You are responsible for your own experience
There is porn of everything, act accordingly
Alright, I was holding off for journalistic integrity but now that I've seen the WotR film I can make posts about it without restraint.
Jesus christ the racial politics of this film are atrocious. Some character might as well just tell Wulf 'not to play the race card'. Wulf is a liberal snowflake who blames racism for all his troubles and can't pull himself up by his bootstraps and he is also brown-skinned and obsessively pursues our PORCLAIN white dainty-drawn female protagonist with both romantic and murderous intent. Oppression of dunlendings by the Rohirrim exists only in Wulf's head apparently, though it can be tasted in every spat 'dunlending' perjorative that comes from Helm or Haleth's mouth. But Hera has absolutely no racism within her of course! She refuses Wulf because she doesnt want to marry anyone and Wulf just assumes it's because his dunlending blood disgusts her, so entitled of him!
But also maybe the racism is '''justified'''? If it exists? Which it doesn't! But IF it did, don't worry because ONCE AGAIN all the dunlendings are just greedy, clutching, unwashed, skull wearing, violent barbarians with no unique culture to speak of and no reasons to be making war on Rohan except to sieze what isn't theirs (ignoring the fact that it totally was theirs until Rohan seized it from them and OH BOY are we ignorin' that) And the only dunlending we see not frothing at the mouth for violence or showing any introspective depth at all is General Targg who is the mouthpiece with which we get to hear 'the girl (Hera) is right' whereupon he is promptly killed by Wulf.
Oh but of course, what else could Helm have done? Freca was some greedy FAT man (boy does everyone love calling him fat, happy to lean into THAT aspect of canon) whose lands were too prosperous for his own good (hang on isn't keeping your lands prosperous the platonic ideal of lordship?) And he called a 'Witan' (no he didn't, he came to one of the regular councils of lords that Helm called himself) just to make a scene about how Helm was going to marry Hera to a lord of gondor which is bad because Gondor has some nebulous hold over Rohan so Hera should marry Wulf instead (literally none of that, Freca simply asked Helm to wed his daughter to Wulf, his son, a completely normal and legitimate political strategy to secure a better relationship with the King's family since Helm already mistrusted him for having dunlending blood. Freca is a lord of Rohan, he is rich, he traces his ancestry back to King Freawine, this could not be a more reasonable suggestion in canon.)
SO OBVIOUSLY Helm had to get angry and call Freca fat again (true he did do that) and THEN claim that Freca only wanted his throne (there was never any suggestion of this in the books, it was just the offer of marriage which insulted Helm) to which Freca answered "Old kings that refuse a proffered staff may fall on their knees," and Helm is like okay lets take this outside.
And now THIS change is actually so important in understanding the extreme nature of the Rohir/Helm favouritism that is the main focus of this film. In the film Helm pretty much immediately takes Freca outside, he reassures Frealaf that Freca just needs to be shown his place, this is the only way to settle the matter, if he doesn't embarass him here then Freca will try to take his crown and slay his family apparently, his hunch ig etc etc. Freca punches Helm three times in full view of the whole of Edoras including Freca's two men who came with him, then Helm punches him back and he is knocked out cold and dead by the time he hits the ground. Film!Helm does not realise he has done this and tells Freca to get up, Wulf realises his father is dead and threatens Helm with revenge, swords are draw against him which he tries to calm before Wulf attacks him. Helm incapacitates Wulf, his sons draw THEIR swords and Helm exiles Wulf for drawing his sword on his king. Messy right? Like not a good thing to do, generally brawling with your lords is a bad idea full stop, but if you fear for the lives of your children then idk maybe it's excusable? And then it's just an unfortunate series of events right? And Freca was rude and insulting to a king in his own halls, heat of the moment etc etc
I feel so comfortable in telling you that Helm murders Freca in cold blood in the books, fully intending that to be the outcome.
He does not take him outside initially, Book!Helm tells Freca that this marriage dispute isn't important and they will deal with it later. And then;
When the council was over, Helm stood up and laid his great hand on Freca’s shoulder, saying: "The king does not permit brawls in his house, but men are freer outside"; and he forced Freca to walk before him out from Edoras into the field. To Freca’s men that came up he said: "Be off ! We need no hearers. We are going to speak of a private matter alone. Go and talk to my men!" And they looked and saw that the king’s men and his friends far outnumbered them, and they drew back. "Now, Dunlending," said the king, "you have only Helm to deal with, alone and unarmed. But you have said much already, and it is my turn to speak. Freca, your folly has grown with your belly. You talk of a staff! If Helm dislikes a crooked staff that is thrust on him, he breaks it. So!" With that he smote Freca such a blow with his fist that he fell back stunned, and died soon after. Helm then proclaimed Freca’s son and near kin the king’s enemies; and they fled, for at once Helm sent many men riding to the west marches.
(Appendices, 'The House of Eorl', emphasis mine)
I think we can all agree that forcing someone out of your city, isolating them away from their fellows with threats of violence, telling them you will break them, killing them in one blow and then proclaiming their kin your enemies and forcing them to flee to escape a murderous pursuit, is pretty clearly premeditated murder. There is not much nuance here, Freca tresspassed over a line with Helm that Dunlendings are not allowed to cross and Helm killed him for it.
And listen like, the description of this whole story within the appendices is barely more than three pages. This is not an obscure missable aspect of the tale, nor is it outside of what rights they had to adapt. The choice was made, actively, ONCE AGAIN by the Warner Bros cinematic universe makers, to drastically alter book events in order to sand down any immorality within Rohan's narrative, especially where the Dunlendings are concerned. And in the end the only 'mistake' Helm is allowed to learn and grow from is some nebulous and trite 'not believing enough in his daughter' schpiel, which needs to be the subject of a whole 'nother post actually.
And what's agonising is they COULD have done it like they were so close, there are multiple moments where me and my friend watching were like struck!! With grief! Over how impactful this moment could have been if only the racism actually existed as an acknowledged theme in the story. If only it was something Hera had to come to terms with, if only IT was the true driver of these horrors to the point where it's Avatar, Hera's father, a man who loves her and whom she has loved all her life, turns into a cold icey ghost of brutality, far more vicious and barbaric than the people he so reviles, and reveals to her the terrible truth of his actions and motivations. It's agony I tell you.
Anyway I did not like the film.