Out of curiosity, what are your top five favorite shows off the top of your head?
Avatar: The Last Airbender
Bojack Horseman
Ducktales (2017)
Gargoyles
Spectacular Spider-Man
Lesson Learned: We need to give Greg Weisman more shows to write and also stop canceling all of his shows that he writes.
Bonus Challenge: One of these things is not like the other, one of these things just doesn't belong.
The Silver Swan, built by John Joseph Merlin and James Cox, 1773.
Source: Mechanical Marvels, Clockwork Dreams (BBC)
Waaay back in the olden days (2012) Pixar storyboard artist Emma Coats gave some amazing writing tips. I love these and have read them dozens of times.
#1: You admire a character for trying more than for their successes.
#2: You gotta keep in mind what’s interesting to you as an audience, not what’s fun to do as a writer. They can be v. different.
#3: Trying for theme is important, but you won’t see what the story is actually about til you’re at the end of it. Now rewrite.
#4: Once upon a time there was ___. Every day, ___. One day ___. Because of that, ___. Because of that, ___. Until finally ___.
#5: Simplify. Focus. Combine characters. Hop over detours. You’ll feel like you’re losing valuable stuff but it sets you free.
#6: What is your character good at, comfortable with? Throw the polar opposite at them. Challenge them. How do they deal?
#7: Come up with your ending before you figure out your middle. Seriously. Endings are hard, get yours working up front.
#8: Finish your story, let go even if it’s not perfect. In an ideal world you have both, but move on. Do better next time.
#9: When you’re stuck, make a list of what WOULDN’T happen next. Lots of times the material to get you unstuck will show up.
#10: Pull apart the stories you like. What you like in them is a part of you; you’ve got to recognize it before you can use it.
#11: Putting it on paper lets you start fixing it. If it stays in your head, a perfect idea, you’ll never share it with anyone.
#12: Discount the 1st thing that comes to mind. And the 2nd, 3rd, 4th, 5th – get the obvious out of the way. Surprise yourself.
#13: Give your characters opinions. Passive/malleable might seem likable to you as you write, but it’s poison to the audience.
#14: Why must you tell THIS story? What’s the belief burning within you that your story feeds off of? That’s the heart of it.
#15: If you were your character, in this situation, how would you feel? Honesty lends credibility to unbelievable situations.
#16: What are the stakes? Give us reason to root for the character. What happens if they don’t succeed? Stack the odds against.
#17: No work is ever wasted. If it’s not working, let go and move on - it’ll come back around to be useful later.
#18: You have to know yourself: the difference between doing your best & fussing. Story is testing, not refining.
#19: Coincidences to get characters into trouble are great; coincidences to get them out of it are cheating.
#20: Exercise: take the building blocks of a movie you dislike. How d'you rearrange them into what you DO like?
#21: You gotta identify with your situation/characters, can’t just write ‘cool’. What would make YOU act that way?
#22: What’s the essence of your story? Most economical telling of it? If you know that, you can build out from there.
–
Hope you liked these!
Open to Improvement
DeviantArt has never really been a parade of good advice for growing artists, but some particular “words of wisdom” are way more bothersome than others.
(Right-click and open in new tab or right-click ‘view’ to see the comic properly)
Concept: cursed blade rehabilitation center. Destroying a sentient weapon is expensive and highly unethical, so adventurers bring them to the center where highly trained staff can care for them and eventually find them forever homes. It turns out most cursed weapons are products of trauma and are not strictly evil themselves. Some blades turn out to be fiercely protective companions. Others don't even want to be weapons at all, finding joy in simple work like blacksmithing or farming. Most blades just need to be loved.
we were talking about emotional trauma in psychology today and somebody brought up SHADOW THE HEDGEHOG AND WE LITERALLY DISCUSSED HOW MUCH HIS LIFE MUST SUCK FOR LIKE 30 MINUTES
THIS IS THE EDUCATION I SIGNED UP FOR
look-a-like
I just caved and got undertale. I’ll play it soon.