Stuff From That Time When My Psyche Depended On Youtube Slideshow Love Stories About Shadow Cheating

Whoever wrote Rick's Multiversus dialogue did a good job capturing his snarkiness without overdoing it. Somebody on Twitter said he wasn't mean enough, but...eh. I liked how he had positive interactions with some of the characters, especially The Powerpuff Girls. Constantly reaming all the other characters and the player would've gotten old.

Every 21st century piece of writing advice: Make us CARE about the character from page 1! Make us empathize with them! Make them interesting and different but still relatable and likable!

Every piece of classic literature: Hi. It's me. The bland everyman whose only purpose is to tell you this story. I have no actual personality. Here's the story of the time I encountered the worst people I ever met in my life. But first, ten pages of description about the place in which I met them.

A lot of fiction these days reads as if—as I saw Peter Raleigh put it the other day, and as I’ve discussed it before—the author is trying to describe a video playing in their mind. Often there is little or no interiority. Scenes play out in “real time” without summary. First-person POV stories describe things the character can’t see, but a distant camera could. There’s an overemphasis on characters’ outfits and facial expressions, including my personal pet peeve: the “reaction shot round-up” in which we get a description of every character’s reaction to something as if a camera was cutting between sitcom actors.

When I talk with other creative writing professors, we all seem to agree that interiority is disappearing. Even in first-person POV stories, younger writers often skip describing their character’s hopes, dreams, fears, thoughts, memories, or reactions. This trend is hardly limited to young writers though. I was speaking to an editor yesterday who agreed interiority has largely vanished from commercial fiction, and I think you increasingly notice its absence even in works shelved as “literary fiction.” When interiority does appear on the page, it is often brief and redundant with the dialogue and action. All of this is a great shame. Interiority is perhaps the prime example of an advantage prose as a medium holds over other artforms.

fascinated by this article, "Turning Off the TV in Your Mind," about the influences of visual narratives on writing prose narratives. i def notice the two things i excerpted above in fanfic, which i guess makes even more sense as most of the fic i read is for tv and film. i will also be thinking about its discussion of time in prose - i think that's something i often struggle with and i will try to be more conscious of the differences between screen and page next time i'm writing.

so i never rly post my art here, but i was proud of what i did and hoped to share it 🤷‍♀️

sonic running errands

Sean O'Connell still has the best weigh-in stare downs

the real challenge of adulthood that no one tells you about in advance is how many goddamn pieces of paper you have to keep up with that are never important until they are suddenly VERY important

Idea for a Ratchet and Clank Spinoff game about Dr. Nefarious- Part 1/2

Imagine this: Takes place after Rift Apart and involves our beloved doctor trying to learn how to be a good babysitter for Lawrence's baby (Seeing as how he clearly cares about the child), as well as getting into various absurd shenanigans in the process.

Along the way, he re-encounters his dimensional counterpart, Emperor Nefarious, who bafflingly appears to have survived his final fate in the last game (And been spat back out into Doc's dimension), although now as a severely pitiful and broken shell of anything resembling who and what he once was, unsure if he wishes to live or die, but always remembering (Consciously or not) what our doctor told him about success.. Perhaps.. he could...try.. a different way to live? What else does he have left? Physically, imagine C-3PO in ESB after he was blasted apart on Cloud City (This will be important, later), except worse, and Emp. Nef's body, as damaged as it is, being generally held together by wiring, however loosely. Not much he can do, if anything, to defend himself.

By all the laws of the universe, he should be dead, and yet... Fate, however merciful or cruel, has brought and left him at the doctor's mercy. Not to mention, ALL of Doc's instincts should be screaming at him to finish this 'emperor' once and for all (For GOOD this time), as proper supervillain etiquette would dictate.. But, for whatever aggravating reason or inclination, he doesn't, ugh.. "Whatever", he tells himself, I can always kill or torture him later for catharsis or stress release, and, um... Maybe he could pacify the baby too while I'm gone, keephimfromwailinghisheadoff-" BAH, there's no time for this! He's on a tight schedule, and infant food as well as other supplies aren't going to simply appear out of thin air for necessity's sake (If only), so he drags the broken emperor back to his not-so-secret lair, still unsure what to do with him...

TO BE CONTINUED...

Say thank you to people who make free stuff you can use however. Thank you repeating pattern artists, thank you texture artists, thank you background artists, thank you royalty free music artists, thank you font designers, thank you thank you thank you mwah mwah mwah

What work do you actually do in Multiversus?

I write all the pre-fight, mid-fight, and post-fight dialogue and interactions for all the characters, plus the dialogue and stories in the new PvE Rift mode. Oh and trailers and cinematics I suppose. I also help with naming all the cosmetics and writing blurbs and descriptions for the shop and various menus. Basically, if it’s in multiversus and has words or VO I was probably involved at some point.

by  Anato Finnstark

Limited series Prints @ Artist Patreon