Wanderer - Blog Posts
Harumasa and Fujin ( Wanderer)
Lumine in swimsuit š
Artist's: @caba_manga and @kotokate_art ( Twitter)
Orc Mother Outcast
journey of the jointed.
All beings that ever come to grace the dirt, have known love, no matter how little or how much.
And as much as he'd like to lie and say he was an exception he was loved only twice in his life thrice if you count beginnings.
Once, by a good man, who forged blades of benign shine, struck in the heart where his soul lay the heart that was tossed since yesterday.
Twice, by a sick child, who sewed stories of old of dancers and soldiers and burned in phoenix flames, promising a heart in the midst of gray ashes that say; The meaning of soul is defined by humanity, as hearts and souls go hand-in-hand, to have a soul is to feel, to feel is to have a heart.
And so the collapse of a frail child, greeted the puppet with no strings, and now his mind has lapsed back into loathing.
And now he sits in rubble and flame, singing a soundless soliloquy wishing to burn, and burn to death The jointed man wakes to a rising sun, and sheds the "son" that once was.
The years fly as wind blows just as time does, harrowed by horrid hands that never knew how to heal, finally finding oneself standing with kinder kin, as the world forgot the puppet of old, and now only knows who wanders with the wind as most visionary vassals do.
The jointed jaunt the joyous world, with a jaded face and biting words but now free of past grievances, still gruesome; somehow untrue.
The world cares not for the wandering soul that walks with the wind, Yet he does not care in return.
silly drawings i did while studying:D
slowly reentering my gojo eraā¦.
Melody of the Forgotten
The grand opera house of Sumeru City was the jewel of the nationās artistic world, a towering edifice of stone and glass, alive with music and drama. Its stage had seen performances that transcended the mortal plane, and its corridors echoed with the whispers of stories long forgotten. You had been drawn to it from a young age, captivated by the splendor of the performances, the allure of the music, and the dream of one day performing on that hallowed stage yourself.
And now, that dream was within reach. You had been accepted into the operaās prestigious company, your voice singled out as one with great potential, a rising star in the world of song. The opera house had become your second home, its backstage corridors a maze of opportunity and challenge.
But there was another presence in the opera house, one that the performers rarely spoke ofāat least, not aloud. There were stories, rumors whispered among the stagehands and the older performers, of a phantom who haunted the opera house. He was said to be a master of disguise, a shadowy figure who could slip between worlds unseen. His moods were as tempestuous as the sea, his emotions unpredictable as the wind. He was both feared and revered, his influence felt in every corner of the grand theater.
No one had ever seen his face. And those who claimed to know more often spoke in cryptic tones, as if afraid to say too much. Some said he wore a mask, hiding some hideous deformity, while others claimed that he was a spiritāan echo of an ancient, forgotten soul who could never rest.
You had dismissed these stories at first, focusing instead on your training. But soon, you began to notice strange thingsāsmall, unsettling signs that you were not as alone as you once thought. At times, you would catch a fleeting glimpse of a figure in the wings, watching your rehearsals. Doors that had been locked would mysteriously open, and you would hear faint whispers in the corridors when you were sure you were alone. Most unnervingly, though, you began to find lettersāperfectly folded pieces of parchment, slipped under your dressing room door.
The first letter had been a simple compliment: āYour voice is like the first breath of dawnāpure, yet aching with potential. Do not waste it.ā It was unsigned, written in an elegant hand, but you had a suspicion it was from the phantom.
From that point on, the letters became more frequent, sometimes offering advice on your performances, other times cryptic messages that left you pondering their meaning for hours. And slowly, you began to realize that the phantom, whoever he was, had taken an interest in youāan obsession, even.
One evening, after a particularly demanding rehearsal, you lingered on the stage, watching as the candles in the chandelier flickered, casting long shadows across the empty seats. The house was quiet now, the other performers having retired for the night. You stood alone in the vast, echoing space, your heart still pounding from the intensity of your singing. You could feel eyes on you, though you saw no one.
"Why do you hide in the shadows?" you called out, your voice barely above a whisper, yet confident.
There was no immediate response, but you could sense something shifting in the air. Then, from the darkness of the wings, a figure stepped into the dim lightātall, with a slender frame and an air of theatricality about him. His face was obscured by a half-mask, covering the right side of his face, leaving only his left eye visible, cold and calculating.
It was him. The Phantom.
Or rather, Scaramouche.
He was known by many namesāthe Balladeer, the Wanderer, the Sixth Harbingerābut here, in the shadows of the opera house, he was the phantom. His movements were precise, his posture one of practiced elegance, as though every step was part of an unseen performance. His dark hair framed his mask, and though his lips were hidden in shadow, you could feel the weight of his gaze on you.
"You're brave," he said, his voice smooth and velvety, with a hint of danger lurking beneath. "Most would flee at the mere mention of me. But not you."
Your breath caught in your throat, but you refused to look away. "Youāve been watching me."
He tilted his head slightly, a slow, deliberate gesture that sent a shiver down your spine. "Yes," he admitted, with no hint of apology. "Your voiceāit is unlike anything Iāve heard in years. Pure, yet raw. It needs... guidance."
His words hung in the air, and you felt a strange mixture of fear and fascination. Scaramouche was as much a part of the opera house as the stone pillars and velvet curtains, and now he stood before you, a living mystery wrapped in enigma and shadow.
"I donāt need your guidance," you said, though your voice trembled just slightly. "Iāve made it this far on my own."
He chuckled, the sound low and mocking. "Is that what you think? Do you believe youāve come this far through sheer talent alone? No... youāve had helpāwhether you knew it or not."
His words sent a chill through you. "What do you mean?"
Scaramoucheās visible eye gleamed with amusement, and he took a slow step closer. "Iāve been behind the scenes, pulling the strings. I have arranged for you to be noticed by the company, whispered in the ears of those in power. Without me, you would still be singing for an empty hall. You owe me... everything."
Your mind raced, trying to comprehend what he was saying. Had he been manipulating your career from the start? The realization struck you like a cold wave of fear and anger.
"I didnāt ask for your help," you said, your voice firmer now, though your heart was pounding.
He laughed again, this time with more cruelty. "No. But I gave it nonetheless. And now..." His eye darkened, his tone shifting to something far more possessive. "Now you belong to me."
The finality in his voice left no room for argument, and for the first time, you felt the weight of his obsession settle over you. You had always thought of him as a distant figure, a myth that haunted the opera house, but now, here he wasāreal, tangible, and far more dangerous than you had imagined.
"What do you want from me?" you asked, your voice barely above a whisper.
Scaramoucheās gaze lingered on you, his eye narrowing slightly as if assessing your every thought. Then, in a swift motion, he moved closer, his gloved hand reaching out to tilt your chin up, forcing you to meet his gaze.
"I want your voice," he said softly, but there was a dark hunger in his tone. "I want it to sing only for me. I want to shape it, control it, make it perfect."
You tried to pull away, but his grip tightened, his fingers cold against your skin. "You donāt understand," he continued, his voice dropping to a near-whisper, almost tender. "I have waited so long for something... someone... who could complete my music. Iāve seen mediocrity, incompetence, but you... you are different."
His obsession was suffocating, the intensity of his words sinking into your bones. You could feel the weight of his desire pressing down on you, and for the first time, you understood the full extent of his control.
"Iām not your puppet," you said, your voice shaking with fear and defiance.
Scaramoucheās lips curled into a cruel smile beneath his mask. "No... youāre not. Youāre something far more precious. But make no mistakeāyou are mine."
The candlelight flickered as his words echoed in the empty opera house, and you felt the walls closing in around you. You were trapped in his web, caught between fear and fascination, between a desire to run and an inexplicable pull that kept you rooted in place.
"I can make you a star," he said, his voice turning soft, seductive. "I can give you everything youāve ever dreamed of. Fame, fortune... all of it. All you have to do is sing for me."
You hesitated, the temptation of his offer gnawing at the edges of your resolve. There was something irresistible about his words, something that made you want to believe him, to trust him.
But deep down, you knew the truth. Scaramouche was no savior. He was a phantom, a manipulator, a creature of shadows who sought to control you for his own ends.
"You donāt control me," you said firmly, stepping back from him.
For a moment, Scaramoucheās smile faltered, his eye flashing with anger. But then, just as quickly, the mask of calm returned.
"Perhaps not yet," he said softly, though his tone carried an unmistakable threat. "But in the end, you will sing for me. Because there is no one else who understands you like I do. No one else who can bring out the true potential in your voice."
He stepped back, his form blending into the shadows once more, his presence as ghostly as ever.
"You will sing for me," he repeated, his voice lingering in the air as he disappeared into the darkness. "Sooner or later... you will."
The opera house was silent once more, the weight of his words pressing down on you like a curse. And as you stood alone on the stage, you knew that your fate was now intertwined with his, bound by the melody of his obsession.
SCARA DRIP!!
OMGG!!HSDFSD^$&#Q$%&RTKFF?FE&TR*W&$ ang.... gandaaaaaaa moo ScaRaAAAAaaAAA hfgsdfd my gawdd wthh
AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA
uwahh anyone pleasee T0T)// ...,, i can't find a gn!reader or fem!reader x scara fic as their adopted child!!@^#rdGHrw&#q@*#* help me find oneššššš and if possible, its tag(s) would be angst-angst w/ no comfort or angst-fluff or just pure fluff onggsgdfhds-- and also, imagine one of the lines of reader is from this song, and as for scara this āØāØ. ....... ahem,, please excuse me for this sudden behavior ^ ^)7
a lil edit by me ā”
s/n: plss im just so desperate.. š„¹š„¹ i only see it on yt comms :'>
the Traveler, upon deciding that Furina and Wanderer were fairly similar, set them up to be pen pals. they've been sending letters back and forth to each other for months.
...when Furina opens her latest letter from the mysterious Wanderer, and sees how he describes the "busy little bee" Sethos, she chokes on her tea-
and then starts packing her bags immediately for her first ever trip to Sumeru because what you have just described in your letter, dear Wandy, is a crush, and by the archons she HAS to witness this-
This is how I imagine them, but honestly this fits kazuscara as well
I love Sethos his design is amazing, and his character is just so fascinated ā”ā”ā”ā”ā”ā”
I love them!!! This is my new fav ship for Scara
My take on this challenge
Poison Ivy has had so many costum and character designs that I just decided to make my own, so hope you like it, even if you can't see it very well
Maybe I should have switched Lyney and Mitsuba, but I like it like this as well
TW: Puppet body, fake body
Scaramouche/Wanderer/Kabukimono/Kunikazushi fanart
Boy, dose he have a lot of names
I love him as a character and all the lore he brings with him. He is just amazing as a whole. His character arc is fascinating.
I included some head canons, that you I personally find perfect for him.
When he was created, I think Ei didn't include any.... Well *parts* and she intended to leave him genderless, but after waiking Kuni found that he was more comfortable with identifying as male and goes by he/him ( another i really like is Wanderer being a demiboy) Also his Puppet design isn't really how I envision Ei made him, but more like what I personally imagine when hearing Living Doll. It's not functional but so beautiful.
Also that after becoming Wanderer, he has cracks on his face from when he fell. It just has so much angst potential.
So beautiful ššššš
Some WIPs since I have too many unfinished workā¦ š°
Happy birthday wanderer!
I wanted to draw my favourite character and my main from Genshin Impact, I really love Wanderer, he's my bbg
VICTORIA PEDRETTI as DANI CLAYTON The Haunting of Bly Manor (2020)
SDFAQSDFSAFADFFAADSFASDFASDFAF
HIS LINE ART IS FINALLY DONE!!!!!
Finally got the motivation to work on this brat again and I finally finished his line art!!! I might just keep him as is and work on the coloring mainly cause I want to show off the ball joints. I'm really proud with how those turned out
OKAY I THINK IM GETTING BETTER AT DRAWING THIS TWINK
I've been able to work on him every now and again and so far I'm loving the progress, I should be focusing on my vtuber models ref sheet but scara is just so much fun to draw especially when drawing the ball joints.
Still got quite a bit to correct but I ended up doodling scaramouche at work the other day! First time drawing him but I'm happy with how it turned out! (ignore the left side i got carried away drawing the balljoints)
the first reason is to pull for wanderer:
