Esc2022 - Blog Posts
the way france went from second place to second to last place
ewwww france gave uk 12 points so disappointed in us
12 points for greece?? have we heard the same song??
NOT THE FRENCH COMENTATOR CALLING ETHAN NATHAN
not the french commentators mentioning jk rowling supporting france’s song as if it were a flex
“if we die together now” please do my ears can’t take it
10 things I DON’T wanna see in ESC 2023
The new Eurovision season is slowly kicking in and first countries are already releasing their national selection contents! And it’s time to set things straight with the passed season and things I’d hope would be improved for ESC 2023!
10. Tik Tok exclusive
ESC did a different approach in 2022 with sharing the media content from the rehearsals instead through Youtube but via Tik Tok. I understand the clips being more secretive because the public feedback is brutal towards the product that is not finished and especially when it’s the artist’s first rehearsal on ESC stage.
However, I’d keep Youtube as equal social media channel and avoid favoring anyone over another. I know EBU wants to expand the viewer age range towards more younger and keep up with its time but this just didn’t feel right.
9. No zero points
This is a real crime each year. From the audience side more difficult to predict and prevent but from professional juries... Switzerland, Azerbaijan and Germany were the 0 point countries and I find this so hard to believe that no one appreciated the singing, originality, staging in any of these three performers.
8. Green room interviews back please
Italy did ESC in their own way and that was their prerogative but it was obvious the country doesn’t have the experience and connection with the show. Lacking Green Room interviews almost entirely and not having their own host as in previous years was a void that wasn’t filled.
7. No hosts mistakes!
In the same breath I could say that ... the hosts’ script wasn’t the best. The chemistry between Alessandro, Laura and Mika didn’t come across. I knew it was there. I love Laura but her personality and sense of humour didn’t get to shine. There were clear hiccups along the show which the biggest were hosts getting confused with the country names. There’s no excuse for that. This is the biggest music TV show in the world, you’ll learn the 40 countries names and flags. Period.
6. The winner of previous year not giving the trophy to the new one
This is a tradition in ESC as it is in many other contests. This gives such a wrong image about the previous winner’s relationship towards the contest and I do see it as part of carrying through your “ESC winner duty” to pass the title to the next one.
This didn’t happen this year. And it looked bad in every way.
5. The previous year’s winner not singing their winning song at ESC 2023
As in the previous, there are certain traditions that shouldn’t be broken. This seemed like Måneskin didn’t want to bother with ESC this year and they used it to promote their new song. They didn’t want to remember the winning moment or even the song. Be present and part of ESC 2022. I repeat: this felt bad.
4. Fan community media being excluded!
Obviously being an active follower of several fan community web sites and bloggers I was dying to know my favourite ESC bloggers opinions on the rehearsals, on the site, how everything was...
This didn’t happen. Not in the way as in previous years. They didn’t have the right to produce the content freely in the premises of the contest, limiting live content and their access to it. This was EBU decision and not so much RAI (Italian broadcaster).
3. Have a back up plan for technical hiccups
Okay the sun which was the major element of the ESC 2022 stage.. not working as it should be wasn’t exactly a small hiccup. However, not having a a proper back up plan was beyond disappointing to viewers and telegations and to be honest a complete lack of professionalism by the event organizers.
It was just there - this big black hole. The black sun expression was very on point
2. Semi-final 2 voting scandal among jurers
It was really hard to choose between number 1 and two as they were both very severe crimes we saw in ESC this year. I believe in juries. I don’t always agree with them but I don’t find the 100% public vote simple and the best and that’s why the PROFESSIONAL juries are there. To appreciate good singing, songwriting, staging - efforst being made that the audience might miss or not vote for.
Having jury votes being tampered like this was unforgiveable and no wonder the ESC voting has been changed (probably due to this).
1. No online bullying of the artist
Ronela said it, no one comes for this contest to be bullied. Everyone believes in their performance and does their best and it’s a question of personal taste often what you think of the result.
This is obviously part of bigger problem how people treat each other online and especially people they don’t know hiding behind the anonymous usernames. I wish the community would grow to become more loving and respectful when commenting someone’s work.
What do you want to or don’t want to see in ESC 2023?
UMK 22 : My top
If pandemic has had any positive effects during the last two years – it is on Eurovision. The contest is now being seen differently as an oppurtunity to promote your music and gain fame than ever before. Television in general I guess since performing live has been pretty challenging now for the passed two years.
Last year’s Eurovision results showed how people are craving for live music, self made songs about real emotions and not pre-choreographed dance moves. All top 3 of winning songs were not sang in English and represented each of them a different genre. Blind Channel brought Finland the best result since Lordi’s victory 15 years prior and have ever since been embraced by charts all over the world. This is the professional spirit I’ve been longing in Finland for years.
UMK 2021 Winners Blind Channel
Uuden Musiikin Kilpailu (UMK) offers perhaps the best national ESC selection of the season! All the seven acts are already published artsits with their own characters, style and paths. These are all very well produced products already on its own merits and it’s only matter of one’s personal taste whether or not the song is your cup of tea.
This year’s black horse The Rasmus could be easily thought to be the automatic winner being the most famous band among the seven entries but these six other entries do give a fare and balanced battle and the best one will win!
Music videos have also been upgraded what they were from previous years matching to each performance and atmosphere. Check each one by clicking the title of the song below!
Cyan Kicks : Hurricane
Cyan Kicks
This was such an explosive start for this year’s UMK! Cyan Kicks comes from the same record label as last year’s Blind Channel and to be honest they do share some of the same elements. They call their style as modern rock. In genres Hurricane succesfully blands electronic as rockier sounds together. The energy here is undenyable. I cannot think of anything to add to this one. Only live performance will define where they will stand in the race to Torino..
Pros : self made song
Cons : generetic lyrics
BESS : Ram Pam Pam
Bess
The most surprising UMK entry so far and my ultimate favourite! People tend to compare this to Erika Vikman’s Cicciolina a couple years back but I personally I find this 10 x times better. The chorus is catchy and you find yourself singing along Ram Pam Pam instantly! The song is ultimately about freedom and breaking up from a bad relationship. For me this is the best pop-music can offer and I’m so in love with Bess’ raspy voice. I seriously wouldn’t mind if this won the ticket to Italy!
Pros : bold perfomance on the video and hopefully on the stage
Cons : The title of the song + swear words in the lyrics which would have to be changed for ESC
The Rasmus : Jezebel
The Rasmus
The big name among this year UMK entries. Frankly I’m surprised they weren’t just internally selected as for Darude and Saara Aalto. However having them competing this way brings much needed spice to the show. First sight and hear promises well (Desmond Child was one of the songwriters btw!) – I loved the black and yellow look and the quitar (new quitarist Emppu getting much deserved attention through entire song). The song follows safe pattern in its rock genre and moves smoothly from one part to the next one. Tiger roaring is a nice add. However I was slightly disappointed in the chorus – it didn’t explode, reach the hights as I would have wanted. But then the song does improve the more you listen to it and at this point it does sound quite natural as the song goes on. This is hit and stage ready and very familiar from The Rasmus with or without Eurovision.
Pros : Solid, high quality performance
Cons : Too safe? Can The Rasmus answer to these crazy high expectations?
Younghearted : Sun numero
For me less known band but Younghearted has established a reputation of singing beautiful, acoustic songs. Sun Numero makes no exception. This is a heartfelt break-up ballad. The song builds up nicely but a bit too slowly to my taste, the singing is amazing though. This is a great add to this years UMK. I don’t have much to say about this and it bothers me.
Pros : Emotional, gentle – easy to listen
Cons : Too forgettable?
Olivera : Thank God I’m an Atheist
Oliveira was completely new artist for me so no expectations but the song title promised bold, ironic attitude. The first thinfg you hear after pressing play is the VOICE! So unique, strong… I hear so much soul and character. The second thing that blows me away here is the lyrics, they’re so deep which makes me think again that is ESC able to appreciate this talent and art enough? She’s not super well known in Finland but I hope her participation in UMK gets her much deserved attention. I’m loooking forward to see how her R’n’B ballad is staged. Despite of the memorable beat, atmosphere her voice and lyrics are definitely the hook in this one!
Pros : Self produced without a big label behind her
Cons : Just another ballad? Will her voice deliver live?
Tommi Läntinen : Elämä kantaa mua
Every year UMK has a ”senior artist” entry. Last year it was Danny, this year it’s Tommi Läntinen. I prefer Tommi, his songs have always had more flavour even though I cannot call myself a fan by all means. His 1994 hit ”Syvälle Sydämeen Sattuu” about school bullying is a timeless Finnish classic among others. ”Elämä Kantaa Mua” however carries a more uplifting, positive message than Danny’s song last year or Tommi’s previously mentioned hit. The song is written by Finnish rock band Haloo Helsinki, who are one of the best loved rock bands in the country and if they were performing this song, this would be all over the charts. Even sung by Tommi it does have a radio play appeal and the tune does suit for him. He interprets the lyrics in his personal way and has a strong presence. This has grown on me significantly. Would I want him to represent Finland in Turin? Perhaps not but I do hope all the best and success for him with this song.
Pros : well written and performed pop hi
Cons : age group tends to separate this further from the other entries and voters
Isaac Sene : Kuuma jäbä
Another surprise in UMK 22! And probably the hottest one which has promised to make you blush! This is a genre, style and artist I wouldn’t normally listen. However one has to give credit a song well composed and played and charismactic performer. I don’t know if he reminds me of Young Michael Jackson, Justin Timberlake or Justin Bieber - or perhaps a mix of all them? This lingers somewhere between pop-R’n’B but includes also electronical sounds. There was a small fuzz around this song if it had been relesed before UMK release – however since no actual recording of this release has emerged, it remains only as a rumour. There’s nothing I would add or remove but as mentioned before not my cup of tea.
Pros : daring, not a traditional ”Finnish” song
Cons : Is he only a teenage idol? Will this sexy performance appeal to voters?
What do you think of this year’s UMK entries? UMK takes place on February 26th at 9pm (FI timezone) on YLE.