Bsd Ranpo - Blog Posts

(PS: really sorry if any other got left out, I was writing these on top of my head so I don't know if there's more. Feel free to comment if you know any other siblings/sibling-ish dynamic I left out!)

Dazai: We're like a big happy family! And I am the dad, and Kunikida's the mom!

Kunikida: why am I the mom? What gender roles are we pushing here?

Atsushi: I know they are probably thinking I am the son. But I am not. I will be the gay emo cousin.

Junichiro: I will be the son, that hotshot whose only dream is...to be a star✨

Ranpo: I feel like I'll be a fresh out of jail uncle

Yosano: and I am the sassy aunt, who talks shit about everyone

BSD and Shipping

Since Valentine's day was coming I was interested in discussing a huge part of the BSD fandom: Shipping

( ⚠️ RANT INCOMING. DO NOT READ IF YOU ARE EASILY OFFENDED ABOUT OPINIONS ON SHIPPING. PLEASE BE RESPECTFUL TOWARDS OTHER PEOPLE'S OPINIONS IN COMMENTS AND REBLOGS. ⚠️)

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So where to start?

For a long time I have been noticing one specific trend in the BSD subreddit. And that are posts that talk about unpopular opinions/Headcanons/fav or least fav ships etc.

What I find interesting about these posts is that one thing is always in the forefront, and it's the debates about the sexualities of the characters in BSD. While Headcanons can be annoying and some people do push their opinions on others, there is nuance that is lacking in the community when discussing some topics. Finding posts about Mori being a pedo and how Dazai is unlikable or overrated is very easy and the discussions surrounding topics like that are always the same. People would pick sides and end up writing a lot about what their opinion is and while that's valid, it also ends up in fandom wars where it's hard to like or dislike something without your head being in the chopping block.

Now let's go to the original topic: shipping. To examine the environment of shipping culture in BSD fandom we have to start with the headcanons that people have adopted for sexualities of the characters.

1. THE PROBLEM WITH HETRO-NORMATIVITY

Now, the posts about shipping often contain a lot of people writing paragraphs and paragraphs about what ships they like or dislike.

One of the ships that takes the most bullets for its existence and popularity is Soukoku or Shin Soukoku. There are lots of comments about these ships that "remind" us that canonically Dazai, Chuuya, Atsushi and Akutagawa are all straight. They should not be shipped with each other because they are straight.....

Dazai flirts with women and wants to commit a double suicide with a beautiful woman. Atsushi is very clearly set up to end up with Lucy. Akutagawa couldn't care less about romance as we see how dismissive he is with Higuchi. And Chuuya.......wears fashionable outfits and has a slutty waist, but we won't comment on that.

Dazai and Chuuya have a lot of queer subtext that anyone can see. Akutagawa and Atsushi are pointed out to complete each other and complement each other several times. These ships don't exist out of thin air.

Now there is nothing WRONG with anyone having the headcanon of any of these (or any other) characters to be straight, after all we are not given enough information about their sexualities. But by stating "Dazai is straight, he likes women" or "this ship doesn't make sense because they are not gay" not only does it imply that characters can't have other preferences but also that being straight is the default, which it isn't.

This is coming from a straight woman from a very conservative country where we don't have exposure to queer media. It took me a long time to stop being so heteronormative. I think assuming someone is straight until they prove to you or tell you directly is just as bad and as assuming someone is gay. I think we have come far along as a community to understand that it shouldn't be our first instinct to assume everything is heterosexual until we get some sort of proof or stamp of approval from its creator.

Asagiri isn't going to stand up in a stage in front of the world and say "yeah Dazai and Chuuya have gay feelings for eachother" because the manga is from Japan. If there were explicit queer characters then BSD would no longer get the label of being universal because of certain censorship laws. Even if it's getting more acceptable in Japan to show queer characters in manga and anime, BSD isn't a romance or slice of life story. It's a seinen, not a BL/GL. Besides, Asagiri shows little to no interest in romantic relationships in his story.

So by saying "______ character is straight because we don't have any other information proving otherwise " isn't a valid excuse to tell shippers not to ship certain characters, it's making it seem like heterosexuality is the default state of being.

That also doesn't mean you can say "Dazai is gay, don't ship him with women" because that's the same thing. If you think Dazai is gay/bi/pan/etc. then that's your opinion, pushing that on others only worsens the rep of skk shippers especially.

You have the right to like or dislike certain ships or have your own Headcanons. This is why even feminising certain characters also isn't as problematic as people call it. It's just a different take on a character (but that time people were correcting those who called Sigma a "he" instead of "they" was genuinely wrong). Headcanons of some random online stranger doesn't make anything canon. So if you find yourself around annoying people like that, just leave the conversation.

2. WHY SUBTEXT MATTERS

Subtext is really important when discussing media; in case of BSD whether it is the anime, manga, anthologies or LNs. BSD is not new to subtext, even from the start of the story there is a lot of queer subtext that people can figure out easily.

When we are introduced to Dazai and Chuuya's partnership in the first season, it's clear as day to see the dynamic and its underlying tension. We can see how close those two are that their relationship can't be explained just as simple partners turned enemies. Time and time again we get so much queer subtext between Skk's interactions. The entire 15 arc and well as Stormbringer shows us the bond and trust between the two as well as the intense amount of gay scenes. At this point I am sure Hoshikawa is a hardcore skk shipper. All of their official art is also gay (that could be queerbating though). Asagiri must know what the public thinks about Skk and still writes subtext about them. It makes sense why this would be a popular ship; it's not made out of thin air with no context (*ahem* Kousano *ahem*) but has actual roots and the proof to back it up too.

SSKK is a similar story, it's not my favourite but it has been growing on me ever since S5. Similar to skk, we get a lot of subtext and homoerotic moments between Aku and Atsushi. They are yin and yang. They are enemies that sought to kill eachother but still team up to fight together. Atsushi is literally the centre of Akutagawa's life since the beginning. Atsushi and Akutagawa grow together as characters and as different as they appear are similarly looking for one thing: validation and acceptance. Their relationship is so compelling in so many levels that it too makes sense why their ship is as popular as it is (especially regarding recent events in the story)

Ranpoe.....let's be real, those two got married a long time ago. They are the definition of "be gay, solve crimes". They are undeniably a cute ship regardless of whether it's one sided or not. Fyolai as well makes complete sense with the context behind Fyodor and Nikolai's relationship, while I also consider it quite one-sided as it's mostly Nikolai that is fascinated by Fyodor (and wants to kiss kill him) Fukumori isn't my cup of tea but it too has enough subtext to back it up, same with FukuFuku.

While I would love to talk about other ships, I wanted to show the reasoning behind the most popular pairings.

Personally, as a multishipper, it's very fun for me to have so many characters to examine and spend time obsessing over.

Now, there are straight ships that I like too as well as ships I don't ship for myself.

The reason I don't like Yosano and Ranpo together is because I see them in the same position as Kyouka and Atsushi. The scene of Ranpo recruiting Yosano (who worked with Mori) into the ADA parallels Atsushi saving Kyouka (who also worked with Mori). I consider them siblings and like how they are platonic instead of it being the typical "a boy and girl can't be besties". Another ship I love and cherish is AtsuLucy because it's so adorable, Lucy is my fav Guild member and her and Atsushi are "Girlboss and Malewife". I ship Tachihara with Gin, Higuchi and Gin as well as Kunikida with Yosano (surprisingly I don't find the appeal of Kunizai; though I still like that ship from time to time, just don't ship it actively). I prefer not to ship Sigma with anyone (he is still a baby to me)

So it's not that BSD doesn't have straight ships, when you make a majority male cast and have them be rivals or enemies, obviously people will ship m/m more. Especially if there is more subtext and tension behind the male characters and they have little to no interactions with women.

And I might get some heat for saying this:

It is okay for most of the BSD characters to be considered queer because if comp het is so normal in anime/manga then why can't the opposite be the case? We already have enough series with little to no representation, so why can't we have a bunch of queer characters?

3. TOXIC SHIPPERS AND THE FALL OF FANDOM CULTURE

I have been raving for the past two sections and defending the shipping community. But it isn't a conversation with nuance if I don't address the problem of a small group of people that take shipping too seriously. The reason why fandom itself gets a bad rep is because of shipping more often than not. I will admit, it's not all sunshine and rainbows when people argue about their fav ships. And a lot of the aforementioned ships are to a point, toxic. Yes, some shippers are annoying and ruin everyone else's fun. There are ships that don't make sense at all.

But that doesn't mean that a small part of people should represent others who are just having harmless fun and don't even believe their ships to ever become canon. Let's be real it's highly unlikely we will have any couples by the end of the show (the closest could be AtsuLucy). Sometimes people are too intense about ships and that goes for both antis and pros. Both of the extreme are toxic. And instead of shoving down our opinions down other people's throats, we should be celebrating the very story that brought us together in the first place.

Yeah it can be hard for those who don't like shipping at all to enjoy the story and have discussions. But we have to remember the roots of fandom culture start with shipping. It's always been the case and it's always been the most popular way to discuss one's favourite fictional work. From Sherlock to Genshin to boy bands to streamers, everything has been shipped and will always be. There is a reason why AO3 works so well.

4. SO WHAT?

The ships are what brought me to BSD in the first place. I wanted to explore the world of BSD because of its characters and their dynamics. And a lot of other people have gotten into this fandom for the exact same reason. While there are unflattering moments in our fandom, that doesn't mean it's not a place for people to come together and have some fun. Whether you ship or not. Whether you like fanfictions or not. We have to accept that there are a lot of pros to shipping too. It brings our ideas together, makes us feel giddy inside or tears our heart apart, it produces beautiful fanarts and fanfictions, it makes us analyse characters, it makes us look deeper into the story....and it makes us wait for what's next to come.

And I want nothing more than to be able to enjoy shipping without the guilt that comes with it.

Shipping isn't free from its flaws, but it is not defined only by its flaws. It might not be for everyone, but it is someone's everything. So even if you don't like it in particular, let's not spoil other people's fun. One's trash is another's treasure.

~Peace out 🕊️✌️

Since Yosano is off-limits she won't be considered.

1. Dazai: it makes no narrative sense to make him join the Port Mafia again, when he left at his own accord. The reason he left and changed himself as a person was because of his promise to Oda and him getting back to the Mafia takes all the weight from that promise. We already have a BSD 15 manga that's about Dazai being in the Mafia and the skk shenanigans, we honestly don't need more. Mori seems like he wants Dazai back in the Mafia, in a keep your friends close and your enemies closer fashion. Dazai going back to the Mafia can be interesting, but it's not good for Dazai's character arc. (Still has a chance)

2. Atsushi: since he is the protagonist, it makes the most sense for him to get transferred. Just like how we saw the ins and outs of ADA, we get to see how the current Mafia works on the regular basis. It would be interesting to see his interactions with Mori. We definitely like SSKK team up, now they will be in the same team too (maybe that's why the last scene of S5 they are working together, the transfer already happened). I want Canon Atsushi and Chuuya to interact!!! Their dynamic in Wan gives me so much serotonin.

3. Kunikida: while he can be quite a good asset, his ideals are too important for him to actually do something against it for the PM. He is a bit like Oda in that respect, a Mafia member who won't kill.

4. Ranpo: doesn't have abilities but his smarts is what makes him stand out among the rest of the ADA. But the biggest value in him is that he is practically Fukuzawa's son, someone whom he cares for greatly. Making Ranpo transfer to PM would be a huge slap on the face for Fukuzawa.

5. Junichiro: is the most hinted to actually join the PM. He is also the only ADA member to openly say his abilities could suit the Mafia and he might transfer there if no one else does. It's clear he has quite the violent side to him and the instincts to kill. He could be an interesting addition to the PM, and it paves the way for Tanazaki's backstory. I also wonder if Naomi would join the PM too, or she would stay with the ADA opposing her brother or leave the agency to remain neutral.

6. Kenji: is a highly unlikely choice for the PM. He has a strong ability but his personality isn't simply suited for Mafia. Although it would be funny to watch Kenji change the Mafia's heart and have innocent fun.

7. Kyouka: another ex-mafia member. She is a good choice, as her ability is really strong and good for the mafia. But since she too left (kicked out); her going back doesn't add to her character. While it might seem like Kouyou can influence Mori to take Kyouka back, but she already has accepted that Kyouka should stay in the light and stay away from the Mafia lifestyle (Aku also wants Kyouka to be happy).

Maybe Asagiri pulls another card and makes Fukuzawa transfer so he can complete his old man Yaoi arc with Mori, who knows? (/j)

*Atsushi drinking for the first time with the ADA*

Dazai: Atsushi-kun now that you have drunk, say goodbye to your childhood, you are an adult now!!!

Atsushi, smiling obliviously: I never had a childhood.

Dazai:

ADA:

Dazai: me neither

Yosano: Have any of us had a normal childhood?

Ranpo: I had a dad when I was 14, does that count?

Kunikida: how many of you have gone to a proper school?

*no one answers*

Dazai: but most of us have killed people!

Kunikida: is that a good thing?

Atsushi, confused after a mission: what exactly is the relationship between Dazai-san and Chuuya-san?

Fukuzawa: they are enemies

Kunikida: more like ex-coworkers

Yosano: definitely, enemies with benefits

Kyouka: best friends!

Kenji: they help each other out in times of great trouble like good neighbors :)

Junichiro: Aren't they rivals?

Naomi: I thought they were Ex-boyfriends!

Haruno: I heard they got divorced

Atsushi, even more confused: they were married????

*Everyone looks at Ranpo*

Ranpo, takes his Lollipop out: Gay.

Some quotes are changed to fit the number of words for the poll!

I don't remember more lines although there's no lack of gay quotes in this show (feel free to share your favourites)

Not Skk and sskk having TWO confession scenes.

Dazai, you make fun of Akutagawa but at least his confessions aren't getting rejected like yours.

"What's the worst can he do?"

"He shoots me"

"that's better than a verbal rejection"

FINALLY COLOURED AND SHADED PHEW

original post by @briarry !!

w/o text under :))

spent the whole day drawing this instead of studying for my science exam, 10/10 would do again

This is kinda how I view Dazai and Ranpo's dynamic

I need to see someone draw this.

I don't know how many cookies it takes to be happy, but so far it's not twenty-seven.

-Ranpo, probably

Edogawa Ranpo moodboard. I watched first season of Bungous Stray Dogs and half of the second one. This boy made me fell in love with him after first time he appeared on a screen.  Also finally after his interest in glass balls out of battles I actually started to think that I have a lot in common with him. Maybe I will make whole series out of characters I associate myself with.

The silliest father-son duo ever!!

HAPPY BIRTHDAY TO THE GREATEST DETECTIVE IN THE WORLD!! Hope you get all the candies, sweets and appreciation you deserve!!

kunikida : we need to clean this place up

ataushi : okay!! i’ll get a bucket n a mop

dazai & ranpo : das a wap

Souheki is purely platonic to me BUT I do love the canon fact Dazai saw Ranpo using his skill-that's-not-actually-a-skill (this is an important precision) once and immediately became his n°1 stan. His diehard fan. The leader of his fanclub (which he created). It's the cutest thing in the world and I love re-reading that part of the light novel just because of Dazai's evident enthusiasm when talking about Ranpo.

I'm saving this for later cause I haven't finished the series but I'm so excited to read it

The Agency's Older Brother: or, Ranpo's Character Development

I want to talk about Ranpo and the development he goes through in the series, because for as much as Ranpo is an important member of the Agency, his story is focused on in small chunks that may not always, at first read, seem to be overly significant. In fact, Ranpo’s arc is very consistent and I’m fascinated to know where it’s building to, because he’s done a lot of growing in the series. A lot of the themes of his story are to do with responsibility and faith in others.

The Ranpo we meet at the beginning of the story is not the Ranpo we see now. The biggest change is that he’s a lot more personally involved with the struggles of the Agency members, taking it on himself to be proactive and protective, while previously he had to be pushed and bribed into helping much of the time. When did this change?

Well...

[ID: Two screenshots from a scene in Poe's introductory episode of the Bungou Stray Dogs anime. In the first screenshot, Yosano lies on the carpeted ground, an axe embedded in her chest, blood pooling around her. Ranpo is crouched beside her, supporting her shoulders with one hand and clasping her hand with the other. The second screenshot is a close up of Ranpo's distressed face. End ID.]

The thing is, it's almost easy to overlook the effect this scene had on Ranpo, because Poe’s introductory chapter/episode is such a brief one. Moreover, afterwards, Poe becomes an ally and is a bit of a silly character, so it’s easy to forget sometimes that he was a legitimate threat here - and Yosano nearly died for it. This scene was incredibly significant to Ranpo for a few notable reasons.

It’s the first time someone in the Agency was in serious trouble/died without a backup plan.

It is, unfortunately, kind of on him. (Let me be real clear here: I am not blaming Ranpo. But he probably was blaming himself and that's something to keep in mind.)

To recap: Poe pulls Ranpo into his novel out of revenge, also trapping Yosano, who went with him. Ranpo realizes that they are in a world with no abilities, and importantly, he doesn't have the glasses Fukuzawa gave him.

We know those glasses mean a lot to him. When Ranpo was at his lowest, when he was convinced the world hated him, Fukuzawa gave him those glasses and told him he had a special ability. That he had a gift that no one else did that allowed him to see the truth that no one else could. Untold Origins makes it very clear that if Fukuzawa hadn't reached out to Ranpo when he did, Ranpo may have forever been outcasted. He was a kid kept in a bubble then suddenly and rudely shoved into a world he was unprepared to cope with, where he continued to get rejected and thrown out over and over - and all this on top of the grief he felt from his parents' passing. Ranpo was bitter and terrified of people, and thought everyone was pretending to be oblivious just to hurt him. Fukuzawa saved him the only way he could, in the only way Ranpo would hear him. It's not an exaggeration to say Fukuzawa saved Ranpo's life. And, while cute, it's also telling how quickly those glasses became an intrinsic part of his identity. Only maybe twenty minutes after he first received them, he was already making little doodles of himself wearing them.

Suddenly, the glasses are gone, and Ranpo goes into a funk because he "can't activate his ability without them". Obviously, we know that isn't true, and so does Yosano. Ranpo probably, deep down, knows this too, but to admit that would be to admit the president lied to him, and to uproot the very thing that gave him the means to perceive the world in a brighter light. The reason Fukuzawa had to lie in the first place was because the truth would be to tell Ranpo that his parents lied to him, something he angrily denies could ever be the case. And now, Fukuzawa is very plainly stated to be Ranpo's adoptive father. Ranpo's parents do not lie to him. He does not want to see it - and so he doesn't. This is a recurring thing with Ranpo. For as much as he sees the truth clearly, he also chooses not to see it at times when it would be uncomfortable/go against the intuition of someone he deeply trusts and respects.

And I think it's very easy to just leave it there, and say, "Oh, Ranpo realized at the end of this chapter/episode that he didn't need the glasses, that he doesn't have an ability, and that's a key turning point" but I don't feel that's the full picture or even the focus here, especially since Ranpo still hasn't reached the point where he can properly admit it aloud, even to Yosano.

The thing is, those glasses aren't just of use to Ranpo - they have sentimental value. A heck of a lot of it, for a character who is not very sentimental. The real turning point here is that Ranpo put on Yosano's glasses in order to save her.

[ID: A screenshot of a panel from the Bungou Stray Dogs manga. Ranpo puts on a pair of glasses. His hair is blown out of his face and he wears an intense expression. End ID.]

Shortly before this, we are informed by Yosano that not only was the Agency specifically formed for Ranpo to make use of his talents, but also that it was Ranpo who invited her to join - which we later learn was a pivotal moment for her to start over after she was completely broken by her experiences in the war. And now, he is watching her bleed out because she had to take over. Because he couldn't solve it. And that, to Ranpo, is unacceptable.

But again, there's more to it. Ranpo is fundamentally a self-centered character - this is not a judgement; I actually love that about him. He's the center of the Agency, the (ostensibly) good guys of the series; a narcissistic guy with little in the way of sensitivity who wants to use his skills to help others. Not for some higher ideal, or because it's "right" necessarily, but because he's good at it, and because he's supposed to protect all the "babies" who can't solve things for themselves. I love it because it highlights a major theme of BSD, which is good as something you do rather than something you are, and also because it explains something about Ranpo himself.

See, if everyone in the world is a "baby" who needs Ranpo's assistance, then the people in the Agency are a little different. They're people hand-picked by Fukuzawa to support him, both through praise and through backup. Remember that Ranpo trusts Fukuzawa's judgement more than anything - this means that he expects the Agency members can handle themselves. So, in chapter 10, when Ranpo doesn't really care that Atsushi has been taken, citing that it's a "personal problem" and he should handle it, I really think this was some odd form of "Atsushi will be fine" and "why should I worry or do anything when I know he'll be fine". And in the past, this has been true - the Agency members always pull through. None of them, up until that point, have been in a situation that they couldn't eventually fix. Ranpo has a bubble of safety in the Agency, that basically amounts to a "villain of the week" type beat from his perspective, where troubles gets fixed up pretty quickly. All in a day's work.

But then Yosano dies in Poe's book, someone he actually had some level of responsibility for when he invited her to join his safe little circle in a world that had no place for people like them. And it's a direct result of Ranpo's refusal/inability to act.

In order to fix this, Ranpo uses Yosano's glasses. The lens he's seeing through has changed. The people in the Agency were initially "his" in that they were meant to support Ranpo, the special one "chosen" by Fukuzawa's glasses, the reason for the Agency's existence in the first place. But now the people in the Agency are "his" in that they are his to protect. He's their big brother they all look up to in a way, and as the big brother, he's got to take responsibility for their safety.

Why did this not stand out in the moment? Well, we learn something about Ranpo from Untold Origins: he's very good at pretending he's doing okay and things aren't bothering him as much as they are. He's able to hold it together up until it all comes spilling out of him during the play. Also, I do think Ranpo cares about people a good deal more than he'd have you believe. A common fanon thing about Ranpo (from what I've seen) is that he tends to forget people, which, I can see how one would come to that conclusion, but I actually think it's completely wrong. I don't think Ranpo's forgotten a single person he's accused. I don't think he's forgotten a single person he's helped.

He lied about not remembering Poe, in fact, he remembered him pretty fondly as a real challenge. He remembers the information on a person from the Special Division he was asked to look into and gave the info to Mushitarou to allow him an in. He recognizes an officer he'd helped, and it's implied he recognizes every single officer who had been present while he was working on cases in the past. Does this mean he cares about all of them? ...eh. Probably not. But it does mean that Ranpo keeps a lot of his cards close to his chest. He's disarming with his intentional childishness. And so it can be difficult for the characters and readers both to notice that events like Yosano's almost-death... actually bothered him a lot more than he let on.

Because it was his fault. Because she was his responsibility. Because he's supposed to be invincible.

And unfortunately, the story from here on out does not get any kinder to Ranpo as his safe bubble that is the Agency is repeatedly targeted in ways that are increasingly hard to repair.

Fukuzawa falls ill and nearly dies in Cannibalism arc.

A girl gets blown up and Kunikida ends up in jail because Fyodor managed to manipulate Ranpo's intel.

Mushitarou is believed to have been shot and killed trying to warn Ranpo about the Decay of Angels plan.

Taneda bleeds out from a stab wound and falls into a coma. Ranpo can do nothing but listen and cannot get him help.

The amount of times Ranpo has seen people nearly die in front of him... bro it's almost as bad as Kunikida.

Much like Kunikida having extreme faith in his lofty ideals which make him fall just that much harder when he fails to uphold them, Ranpo has practically zero self-doubt and complete and utter confidence in his abilities... so when problems arise, Ranpo is very harsh on himself. He takes the blame because he's supposed to be better than that. Because he is the one with the powerful "ability" that should never fail.

In this sense, Ranpo's position in the Agency reminds me a lot of a certain person in the Port Mafia, someone who also has a powerful skill he puts towards protecting his own, someone who also received life changing words from the boss which earned him his loyalty, and someone who would do anything to defend the only place in the world he feels secure.

I think there's definitely a reason Cannibalism arc had Ranpo and Chuuya face off, I'm just saying. Both of them ostracized and thrown out as young teens by people who should've been looking out for them. Both the instigators of that arc, proactive and desperate to protect the person they are most loyal to who changed their perspectives. They've even got the same power stance, look. :P

[ID: Two panels from the Bungou Stray Dogs manga. The first is a panel of Ranpo with the silhouette of Fyodor behind him. He is standing with his hands in his pockets, facing front with his head tilted back and to the left a little, a fierce expression on his face and his cloak billowing outwards. The second is a panel of Chuuya standing in a similar manner, arms crossed, facing front with a fierce expression as his coat billows out around him. End ID.]

Of course, there's more interesting comparisons and contrasts to be drawn between them, but I'm focusing on Ranpo in this analysis, so I think I've made my point. Chuuya is the Port Mafia's best martial artist. Ranpo is the Agency's strongest man. And that places a burden of responsibility on them that they both believe they must uphold. They're both ready and willing to do whatever it takes.

The thing is though, is that Ranpo doesn't actually have an ability. When up against someone like Chuuya, he is at a distinct disadvantage, and he knows it. "Regular people can't defeat ability users". But he's still going to come up with a way to do it anyways, and why?

[ID: A screencap from the Bungou Stray Dogs anime. The members of the Agency all stand around Ranpo, who is seated at his desk with a smile, one hand holding his cap, the other held up in a casual gesture. The image is filtered in a soft light. End ID.]

Because his friends think he's invincible.

If Ranpo wants to maintain his safe place in a world of fear, then he has to step up to defend it, and he has to get creative about it. And that's exactly what he does. Ranpo becomes steadily more active throughout the story, which is a huge change from the start, where he had to be practically bribed to help at all. I see a lot of people point out his channeling of Fyodor's tactics to secure Kunikida's release, which is definitely a dark turn for his character, but it's not the only change.

Ranpo is now choosing to place his faith in others, the first obvious instance of this being his use of Poe's novels - which was how he defeated Chuuya. Ranpo knows that he is not going to succeed against people who drastically overpower him all alone, even if he does still take things on as personal burdens. He's also far more obvious about his protectiveness, going on the rescue himself to save the Agency members, driving a car (whereas before he needed someone to take transit with him - another indication of his increased proactivity since he's now literally driving instead of being driven), and bodily shoving Atsushi out of harm's way.

It all culminates in one of my favourite Ranpo scenes where he speaks at the conference to the police, who've worked with him before, where he asks if they will think for themselves - and tells everyone gathered there that anyone can be a detective if they think for themselves and look with their own eyes (!!!). He manages to get half the police force on his side, just through his words and his logic alone! Minoura assumes he somehow knew it would all work out, because, well, it's Ranpo. Ranpo knows everything.

But...

[ID: An image from the Bungou Stray Dogs manga. Ranpo sits in the passenger seat of a car with an honest, helpless smile. End ID.]

He reveals he didn't know if his ploy would work at all. He had to trust that it would with no solid proof. He had to trust these people would use their heads and look beyond the obvious. He respects these people enough that he thinks at least some of them will make the right call.

Fourteen year old Ranpo, bitter and estranged from other people, would never. For him to have come such a long way is testament to the security that the Agency provided him with. In a way, Fukuzawa forming the Agency allowed Ranpo to "complete" his childhood in relative safety, so that when the world became hostile once again and his family destabilized, Ranpo had matured enough to meet it and defend himself and those he has a responsibility towards head on. The Agency is his family, and Ranpo cares for them enough that he puts his faith, not just in them, but in the people they put their faith in too.

[ID: A panel from the Bungou Stray Dogs manga. Ranpo is kneeling in front of Fukuchi, who is sitting backwards on his chair to face him. End ID.]

...aaaaand then Fukuchi went and ruined it. Thanks, Fukuchi.

Ranpo again chooses to put his trust in someone without proof because Fukuzawa trusts him, only for that to have gotten thrown back into his face in the worst way possible. And it's in this regard, the trust aspect, that I think we'll see Ranpo develop as the story goes on.

Will he continue to show this tentative faith in people? Or will he begin to hyper-analyze, unwilling to trust again without proof?

If this arc gets resolved decently well, I think Ranpo will have no issue brushing this off as a one-time thing. However, if what I fear might happen does and Fukuzawa doesn't make it out of this arc... Ranpo will be destabilized.

I don't know that Ranpo would go "bad" per se. He likes the other Agency members. He cares about them - that's genuine. But if Fukuzawa dies, then Ranpo may begin to take darker actions in order to keep them safe, almost overprotective and harshly logical, with little room for blind trust or risks in the name of justice or honour. It may put him at odds with Kunikida, in that Ranpo may start to develop a strong "do what's necessary" mentality, even if that may be immoral. He may regress a little into his old trust issues.

However, I really don't think Ranpo will go too far down the path of darkness, even if the worst should happen. He's a lot tougher than he seems, and he has a good support system in the Agency. I guess it remains to be seen where Ranpo's story takes him next.

Until then...

[ID: A screencap from the Bungo Stray Dogs anime. Ranpo sits in his chair in a cuter art style, having taken a bite from the pastry he has in his left hand. End ID.]

I love one good boy. :)

Detective boyfriends with their racoon son. 🦝💕

Children.

Art collab/art switch!!

I drew @carrotkicks sends them to school AU and Carrot drew my Murase AU, and then we traded and colored each other's piece!

First: lines by @originalartblog, colored by @carrotkicks Second: lines by @carrotkicks, colored by @originalartblog

It was fun very fun, thank you for doing this with me!! :D

Days at the cafe

Ranpoe escape plan :3

happy season 5 airing!! here's a silly little guy

listen if the existence of the book means there are an infinite number of realities then there’s at least one where fukuzawa took in the both of them and the ada was born on two pillars instead of just one

these guys

Hello Mr. Fancy Hat~

...and they were Rivals...