Inspiration.
Still watching this youtube channel about what I can only describe as "Dark Classical art" and this one absolutely floored me because I was unaware of it and I want to share it because it changes my perspective on this artist completely.
You might be aware of Louis Wain. If not by name then by his art. He's the artist behind that series of cat drawings that slowly became more and more abstract and bizarre.
This series of paintings of cats are often labelled as a visual representation of Wain's deteriorating mental illness and schizophrenia. Even more so often labelled as "a tragic display of a painter's failing battle with schizophrenia."
The paintings look like this and were painted around the very early 1900s.
Ok got all that?
So here's the thing.
Although Wain did suffer from a mental illness that was strong enough for him to be institutionalized, his mental illness was never diagnosed with clear certainty. Although "Schizophrenia" is so heavily applied to him based purely on how his series of paintings LOOK, despite actual specialists widely disputing this. On top of this, although he did paint the kaleidoscope cat portraits during this time, it was not the only things he painted, and he was quite capable of painting "normal" pictures of cats.
The Kaleidoscope Cat portraits are more images of him experimenting with colour and shapes, something the Smithsonian themselves state on their website.
Wain had actually made his entire living painting whimsical images of cats, often for product adverts, before he was incarcerated and was actually a very beloved artist at the time. When his friends learned of his incarceration, they started a collection of donation money to help transfer Wain to the Bethlam Royal Hospital instead, one of the best mental health facilities of the time. Even the Prime Minster of the time donated, and they raised a large amount of money across England to help him.
4 years later, Wain drew this as his final image which he released publicly
I knew all about "the Schizophrenic cat Guy" but he had always been presented to me as some tragic case of an artist going mad and his skills and work unraveling as he went insane.
Which is why I wanted to share this information which was new to me. And because I think it's important.
Inspiration.
Kawase Hasui,
Nikko Kaido (1930)
So, I've been working on some animations today for Veil of the Gods. The idea is that the graphic novel will be available as a motion graphic book for iPad and Kindle reader. So these short animations will eventually be incorporated into the story. Yes, I'll still do static e-book versions and print versions but this is the direction I really want to be headed in.
Inspiration.
Konjikido in Snow, Hiraizumi, Hasui Kawase, 1957
Okay. I know. I'm supposed to be resting. But there's nothing like a terminal diagnosis for inspiring me to get as much created as possible before I go.
Hiroshi Yoshida 吉田 博 (1876 - 1950) - Fujiyama from Suzukawa 1928
“You don’t always need a plan. Sometimes you just need to breathe, trust, let go, and see what happens.”
— Mandy Hale
Raffy was a special kind of bloke, the kind that senses the deeper currents that flow beneath our world. Every city has a great spirit that is embodied in tall buildings, the generator pavements, watchtowers and guardhouses. Whenever he was approaching a city he'd power down his Thrumba and sing the praises of whichever spirit was presented to him.
Rafferee Ran was a very, very wealthy man.
I've been quiet about my work for a while. Mostly because I've been practicing some techniques. And I’ve still got a long way to perfecting those techniques, BTW. I just thought I'd share... Mahjeena Jahrool Of all the Mahjeem, Jahrool is the most enigmatic, and the least mentioned, character from the old stories. Yet, she was likely one of the most gifted Mahjuti practitioners to have ever lived. At least, that’s what the word was in every tavern from Purush to Kusht. The truth was a little less impressive, though quite unique, in its own way. Jahrool had a blue Azuranium crystal ball. And with that ball she could see into the spirit worlds and the subtle sub-worlds beyond. And she rarely, if ever, liked what she saw. Still shot from the upcoming animated Oracle Deck, The Mahjuti Cards