Encerrando A Tarde De Feriado Com O Que Eu Chamaria De Cappuccino Vienense, Se é Que Isso Existe. Um

O grito do melão

Se os melhores perfumes vêm nos menores frascos, este com certeza é um dos melhores do mundo! (at Federal District)

O cachorro dos meus tios descansando, parecia uma tela de fim de jogo da década de noventa... (at Goiânia- Go)

Pergunta para os cientistas de fim-de-semana: como é que uma forma de gelo cria uma micro estalagmite de um dia para outro num congelador em temperatura normal (para um congelador, é claro), se estava isolada na sua prateleira? :)

Para variar, um inseto visitante bem-vindo: um vagalume deu o ar da graça, e foi uma das raras ocasiões em que eu vi um em Brasília em mais de duas décadas. E pensar que via dúzias toda noite quando era criança... Não querendo deixar escapar a chance, capturei, fotografei e devolvi o digníssimo ao lugar em que tinha encontrado.

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No calor intenso de Manaus, até os macaquinhos aproveitam para relaxar na sombra. (at Manaus, Brazil)

Grande estátua de Buda no templo Kōtokuin, em Kamakura. Deste jeito não parece muito grande, mas a estátua tem mais de dez metros de altura. Na verdade, está foto parece até foto de identidade… (at 鎌倉大仏殿高徳院 (Kamakura Daibutsu))

Literalmente é o cão chupando manga!🐶🍊

MIKE ROUSH / The Hidden Life of the Burrowing Owl / 5:16

I have always been fascinated by wildlife documentaries. As a kid I would take my mom’s camera and try and get as close to the neighborhood animals as I could. Most of the time this would mean long hours sitting motionless on the back deck with bird seed sprinkled on my lap and shoulders. I never got the shot I wanted, so when Chris and Shannon  asked me if I wanted to make an animated film for Titmouse, I said yes before they finished asking. 

Chris and Shannon Prynoski, Dik Pose, and I Line up a shot in the middle of nowhere. photo by Steve Kellener.

Early thumbnails of the burrowing owl.

Rough turnaround.

"Owl" was animated in Flash. I used a technique where I would animate traditionally very rough, then I would take a second pass cleaning up symbols that I would be able to reuse later. Most of the final animation you see in "Owl" is puppeted symbol animation with hundreds of symbols and a different puppet for each shot. This way I could get the detail and animation quality I wanted.

The Flash break-down on one of the owl puppets. Lots of feathers!

One of my favorite parts of making this film was having to get out of the studio and go on location. I found an amazing place in central California called The Carrizo Plain using google maps. I spent the weekends driving all around taking pictures and exploring. Fun fact: The burrow used in the short was an actual owl burrow. On one of the days I was taking photos of the burrow one hissed at me from inside the burrow with it’s rattlesnake like call. It scared me nearly to death.

This is how I made all the “live action” backgrounds. I drew a storyboard of what I wanted and photo collaged lots of pictures together to make it look like what I drew. Unfortunately these places don’t exist in real life.

Whenever the owl had to touch the flower or fork, I took hundreds of photos, cut them out in photoshop and animated them. Fun.

On location I used a couple stand-in models to get the lighting right and a maquette when animating for inspiration.

I had a great time making this film and when I was done we were lucky enough to show it at festivals around the world. After 4 years the “Owl” showed at more than 40 festivals, in over 25 countries. 

Can’t wait to do another one.

Mike’s Tumblr