The Parallel Of Getou Saying Gojou Was His Best Friend, His One And Only In Past Tense And Gojou Saying

Iconic.

Today's list of vetted fundraisers!

1 : Abeer family €2598 / €50000

2 : alkhateeb,s family kr15,890 / kr 180,000

3 : Ashraf family €8269 / €20,000

4 : nadeed family €4407 / 50000

6 : yousef madi €160 / €5000

7 : islam alnajjar €2720 / €30,000

8 : mahmoud,s family €447 / €20,000

9 : Aya family €5558 / €15000

10 : sondos family €511 / €95000

What is it that I’m not supposed to look for? Or does it count as looking when I’m looking for whatever is it that I’m not supposed to be looking for? In that case, I’ll have to look for someone to look for what I’m not supposed to look for, before deciding if I should look or not. So, I’m looking for someone who’s willing to look for the answer. But if I’m not supposed to look, then I can’t look for that someone to look for the someone to look for the someone to look for the someone to look for the someone to look for the…

flirt w/ me using kaworu nagisa quotes

so I got into grad school today with my shitty 2.8 gpa and the moral of the story is reblog those good luck posts for the love of god

“what this world needs is revolution”

The Subtle Horror of Evangelion

What keeps us all hooked to Eva time and time again? You get through your initial, confused watch of either Evangelion endgame, probably sometime in your adolescence wondering what the hell it is you just watched. The original source material is suffused with unsettling imagery, and sometimes too-close-for-comfort shorts. It’s so much to process that one watch is never enough. The imagery isn’t enough, however, because the mid-to-late-90s series comes with things you’ll pick up the more you focus on certain characters’ struggles or the interesting world-building. They arise little by little with every re-watch, adding onto what interested you in Eva to begin with.

There’s always that little voice asking you “What it is that really draws me here?”

Oh. The horrors.

The tragedy of it all.  

These things never leave you the second you bear witness to them, whether you become aware of them or not. You’re disturbed over it, a tad worried, no doubt, but you’re strangely hooked.

Horror works better on limitation, it’s why found footage capturing pale, ghastly, monstrosities of the deep wood will always stand as exponentially terrifying. While most all of us have taken cracks at Eva’s budget at some point, that’s what really drives these terrors home. Its low budget nature made it work.

Evangelion has commentary which forces a viewer to reflect. Most no one enjoys that. It’s the fear, however, that has its audience come back. Evangelion’s reflection alone isn’t what gives Eva it’s charm decades after its run. It’s the little things, most everyone misses, the anxieties, the terrors, all of it. Most of those things, fly over a lot of fans’ heads.

Buckle up, there’s a lot to go through…. (warning for mentions of abuse, body horror, means of suicide, nudity, blood, and gore)

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honestly the absolute wildlest thing for me is that a large subset of cg fans see lelouch as somehow infallible when not only is he HIGHLY fallible but hes always walking a fine line between perfectionism and near total self destruction

ppl who celebrate fictional character birthdays are annoying pass it on