Them 😢

kirigakure: village hidden in the mist moodboard

I'll never forgive the jojo fandom for making jotaro the dolphin man. HE MADE HIS THESIS ON STARFISH HIS OFFICE IS FILLED WITH STARFISH HE READS ABOUT STARFISH IN FUCKING SDC "bbut he wore dolphin pins during part four!!!" GUESS WHAT HE WAS WEARING HEAD TO TOE DURING PART SIX. I HATE YOU.

so I got into grad school today with my shitty 2.8 gpa and the moral of the story is reblog those good luck posts for the love of god

What is it that I’m not supposed to look for? Or does it count as looking when I’m looking for whatever is it that I’m not supposed to be looking for? In that case, I’ll have to look for someone to look for what I’m not supposed to look for, before deciding if I should look or not. So, I’m looking for someone who’s willing to look for the answer. But if I’m not supposed to look, then I can’t look for that someone to look for the someone to look for the someone to look for the someone to look for the someone to look for the…

The Subtle Horror of Evangelion

What keeps us all hooked to Eva time and time again? You get through your initial, confused watch of either Evangelion endgame, probably sometime in your adolescence wondering what the hell it is you just watched. The original source material is suffused with unsettling imagery, and sometimes too-close-for-comfort shorts. It’s so much to process that one watch is never enough. The imagery isn’t enough, however, because the mid-to-late-90s series comes with things you’ll pick up the more you focus on certain characters’ struggles or the interesting world-building. They arise little by little with every re-watch, adding onto what interested you in Eva to begin with.

There’s always that little voice asking you “What it is that really draws me here?”

Oh. The horrors.

The tragedy of it all.  

These things never leave you the second you bear witness to them, whether you become aware of them or not. You’re disturbed over it, a tad worried, no doubt, but you’re strangely hooked.

Horror works better on limitation, it’s why found footage capturing pale, ghastly, monstrosities of the deep wood will always stand as exponentially terrifying. While most all of us have taken cracks at Eva’s budget at some point, that’s what really drives these terrors home. Its low budget nature made it work.

Evangelion has commentary which forces a viewer to reflect. Most no one enjoys that. It’s the fear, however, that has its audience come back. Evangelion’s reflection alone isn’t what gives Eva it’s charm decades after its run. It’s the little things, most everyone misses, the anxieties, the terrors, all of it. Most of those things, fly over a lot of fans’ heads.

Buckle up, there’s a lot to go through…. (warning for mentions of abuse, body horror, means of suicide, nudity, blood, and gore)

Keep reading

While catching up with the recent chapters, I got to this panel in chapter 533, and something about it made me pause. It’s the almost offhand way Katsura slips into an old memory of the war and discloses it to Kondo, offering it up like some sort of badge of friendship, as though implying, “You’re a comrade now, so I can tell you things about my comrades from before.”

And the memory itself paints such a vivid image: Gintoki as a tactician, burning his own ships, sacrificing whatever is necessary for the war effort; Sakamoto, in contrast, still in love with ships, still holding onto dreams that exist outside of war. You can see why Gintoki and Takasugi got along so well back then. You can also see, in that one phrase, the inclinations that would later lead Sakamoto to literally leave the planet and swap his burnt boats for spaceships.

The most significant thing about this panel, though, is what it says about Katsura. I can’t recall any other moment in this series when a member of the Joui talked about the war with someone who had not fought in it. But Katsura is able to offer up this recollection so easily. Once upon a time, yes, they fought a hopeless war and suffered catastrophic losses, but he also remembers the camaraderie and banter in the midst of that; he can face the past while also looking towards the future. In contrast, Gintoki bottles it up and can’t bring himself to talk about it. In contrast, Takasugi never even managed to leave the war zone. Out of Shouyou’s three students, Katsura ended up being the strongest emotionally.

hands

“Zura, did you come to an animal hospital because a regular hospital can’t figure out what’s wrong with you?”

Naruto: *starts a running sequence in the forest* Me: OOO they’re about to explain something i could not infer with my own intelligence lets pay close attention