Latest Posts by wizardofmoz - Page 8
High Fidelity (2000)
Raw Power 1973
Pt. 3
Photos by Mick Rock
3 year Smiffs streak secured. No human touch for me.
My Life with Morrissey - 2003
Morrissey
Manchester, 1984.
Ph. Stephen Wright
LERATO
That little arm clutching right there is what my brain deciphers as the highest level of intimacy, next in line being gex
If you listen closely you can hear the hyrax that screams mama in Stigmata Martyr around the 2:35 mark
No matter how random this is, but this song to me, will be forever bound to Marrissey
Kim Addonizio, from What Is This Thing Called Love: Poems; "''Round Midnight,"
![[ text id:
What is it about this world
That insists on making me feel so alone
So separate from it
/end id ]](https://64.media.tumblr.com/9456a984463f69a64821a9296a68f6d5/169cf9abc1778e9f-aa/s500x750/f9f33f451821cc88a3f3488566c39b0329deb66a.jpg)
Dorothea Lasky, from "Misunderstood," in Thunderbird
Margaret Atwood, “The Blind Assassin.”
Anaïs Nin, from a novel titled "A Spy in the House of Love," published in 1954
i have a longing that's killing me.
mahmoud darwish, memory for forgetfulness
I Know What It's Like to Be Dead (1987, dir. Bruce LaBruce)
That little arm clutching right there is what my brain deciphers as the highest level of intimacy, next in line being gex
the very first morrissey and marr recording: a cover of the cookies’ i want a boy for my birthday, recorded in johnny’s attic in summer of 1982. it was originally made to send to dale hibbert, original smiths bassist.
Me
THIS IS SO CUTE HSHDHHD
The Trial (1962), dir. Orson Welles
— fatima aamer bilal, from being unwanted is a language
Adrian Borland, Mark Burgess and Carlo van Putten
Made these the other day while listening to some Demos
