杀破狼 Stars Of Chaos Extras! Are Not (complete) On Every Website!

MDZS Volume 4 Annotations

Part 7, pages 236 - 266

More little clarifications and one little rant.

(Lan Wangji wouldn’t use that many words if he could help it :)

More below the cut.

Hold on. I appreciate the beautiful illustration, but you’re illustrating to me that Wen Qing, a trained doctor fully prepared to do a 30+ hour surgery, decided to just lay her patient out on the ground in the open? No tent, no table, no water? No reliable light source?

And where in the world is Jiang Cheng!?!?

So during my second time watching Jiang Cheng walk across what I now know is a random mountain to meet Wen Qing, all I could think about was Wei Wuxian, Wen Qing, and Wen Ning’s plan and the fact that they must have been following him, like:

Wen Qing: should he really be walking across that field?

Wei Wuxian: I don’t know, I thought he would follow the path

Wen Ning: should we stop it now so he doesn’t trip and fall?

Wei Wuxian: naw let’s wait a bit, he needs to think it’s difficult

Wen Ning: is this a good place? can I ring the gong now?

Wei Wuxian: I think it’s good. wen qing?

Wen Qing: yeah yeah it’s fine. ring the stupid gong - I’ll lead him to a better spot

Wen Qing: I’m not going to wear the hat

Wei Wuxian: c’mon, you need to wear the hat

Wen Ning: yeah, wear the hat, a-jie

Wen Qing: he’s wearing a blindfold! he won’t be able to see my face anyway

Wei Wuxian: but what if he takes off the blindfold? what then, hmm? the hat is key

Wen Ning: yeah a-jie, the hat is key

Wen Qing: uuuuugh fine I’ll wear the hat

I feel like this performance by Zhou Shen isn’t talked about enough. I mean, yah it has over 2M views, but that’s, like, only slightly more than the population of my city. Not enough!

https://youtu.be/pJnRnhIEJgU

I never used to like breathy singing or slow, romantic songs until I heard Zhou Shen, and then I fell in love with His breathy, romantic singing.

And then he gets up and uses his unbelievably angelic voice to get totally goofy In The Same Song.

😍

You have questions! We might have answers.

What is this collection?

As Maria puts it: this collection is a critical look at some of the things that we, the editors, think have made CQL such a hit around the world. Of course, part of that success comes from the webnovel MDZS and the show CQL themselves—we love the characters, the mystery, and the drama, who doesn’t?! However, the authors in our book also look at topics like translating danmei (both officially and unofficially), adapting danmei for new audiences, and interacting with fandoms and fanworks. The larger argument of the book is that all of these things played a huge role in CQL’s visibility and success, and we wanted to start making those moving pieces visible, especially for audiences who mainly watched CQL in translation.

You keep using the word “academic”—what does that mean, exactly? 

Maria: Ok, not to get pedantic here, but this actually touches on some things that I’m really excited about for the book. Traditionally, academic work is written by people who have a deep expertise in the subject (signified by having a PhD and doing specific kinds of research), and then the work itself is peer-reviewed (i.e., sent to other experts in the field for them to evaluate whether it’s sound, original, and interesting enough to publish, without knowing who wrote it). And both of these things are true about our book—our authors have deep knowledge and the book was peer reviewed—but also. We specifically asked for chapters from younger scholars and from fans who also have deep knowledge about topics that academia doesn’t always know or value enough, and we include an interview from the fan-translator K. who did the Exiled Rebels translation. So the hope is that: this book is academic, and also—more!

Who are you? 

Yue studies adaptation, fantasy, and popular culture texts using a feminist lens. She wrote an early, influential article about danmei adaptations and also has a book about feminist adaptations of Chinese fantasy.

Maria studies fanworks, contemporary fantasy, and genre literature. She’s scrambling to finish her dissertation right now.

How were the chapter spotlights chosen?

Voluntarily! The concept of a small social media promo was kicked around by some of the contributors and those interested in the idea filled out a short interview with what they wanted to share. We'll be posting about 2 introductions and 2 spotlights a day for the next week or so!

Are you making any money off of royalties from this book? 

LOL not even remotely

Where can I find this book? 

You can find our listing on Peter Lang’s website here. As for other retailers, a quick search should turn us up!  

How can I access this book if I cannot buy it from Peter Lang / [book retailer of choice]?

As collection editors and contributors who signed a legal agreement with Peter Lang, we have granted Peter Lang exclusive right and license to edit, adapt, publish, reproduce, distribute, display, and store our contributions, and we must cooperate fully with the Publisher if the Publisher believes a third party is infringing or is likely to infringe copyright in the contribution. 

That being said, these are academic papers, which means that contributors may make copies of the contribution for classroom teaching use! (These copies may not be included in course pack material for onward sale by libraries and institutions). Of course, any linking, collection or aggregation of chapters from the same volume is strictly prohibited.

(FAQ may be updated periodically!) (all posts on Catching Chen Qing Ling)

有人能给我解释这个到底为什么这么洗脑么？

posting on twitter feels like throwing something you worked on for hours, days, weeks into a river, hoping it'll get swept out to sea for many people to experience, only for it to immediately crash into some rocks and explode. its gone now. if no one sees it in the 0.00003 seconds it exists on their timelines, no one ever will

posting on tumblr is like carefully placing your work in the middle of a dark abandoned factory, and slowly a bunch of weird little goblins manifest from the shadows and touch your work all over with their little raccoon hands and share it with each other. sometimes they find your thing again many years later and excitedly share it again

the weird goblins are much more enjoyable

he sounds like hes making shit up on the spot……..absolute himbo

MDZS Vol 2 Annotations, part 5

Here is Part 5 of my annotations of MDZS Volume 2, pages 280 - 318.

There was a young man from Peru

Whose limericks stopped at line two